Foxbat (1977)

Foxbat [狐蝠] (1977)
AKA Operation Foxbat, Nato Code Name MIG-25

Starring Henry Silva, Vonetta McGee, Rik Van Nutter, Roy Chiao, James Yi Lui, Melvin Wong, Wong Hung, Nick Lam Wai-Kei, Phillip Chan Yan-Kin, Tong Chung-San

Directed by Po-Chih Leong

Expectations: High. I liked Jumping Ash, and this one’s on Blu-ray!


In 1976, Po-Chih Leong co-directed Jumping Ash, a film often cited as the beginning of the Hong Kong New Wave. The film was a big hit, and so the following year Leong made Foxbat. The film is interesting in many ways, perhaps most because it is a Hong Kong production shot in English and featuring an international cast. This sort of thing had been done prior by Shaw Brothers and Golden Harvest, but those I’ve seen have all been co-productions with a Western-based film company. Foxbat was made fully independently, so it carries none of the baggage that studio-based co-productions generally have; it is a film with a singular vision executed with style and confidence. Like Jumping Ash it exhibits many hallmarks of the Hong Kong New Wave films, specifically a noted influence from European and American films, location shooting, and the multi-tonality that would come to define Hong Kong filmmaking during the ’80s and ’90s.

The story of Foxbat is based in current events of the time, taking the defection of Russian pilot Viktor Belenko as its jumping off point. On September 6, 1976, Belenko landed his MiG-25 Foxbat jet at the Hakodate Airport in Hokkaido, Japan. The film begins here as well, showing us the defection with scenes shot at the actual Hakodate Airport where it happened. From here the fiction begins, with multiple groups desiring the chance to study the Russian fighter jet. The CIA send Mike Saxon (Henry Silva), a James Bond-style operative, and he captures all the pertinent info via his photographic fake eye. He hides the film inside a candy so it can pass unsuspected through customs, but things get hairy when a goofy Chinese cook, Cheung (James Yi Lui) mistakenly eats the candy!

Continue reading Foxbat (1977) →

Chinatown Kid (1977)

Chinatown Kid [唐人街小子] (1977)
AKA Chinatown Kung Fu

Starring Alexander Fu Sheng, Sun Chien, Phillip Kwok Chun-Fung, Lo Meng, Jenny Tseng, Shirley Yu Sha-Li, Siu Yam-Yam, Johnny Wang Lung-Wei, Yeung Chi-Hing, Wong Ching-Ho, Lo Dik, Chiang Nan, Yue Wing, Wang Han-Chen, Ku Kuan-Chung, Teresa Ha Ping, Kara Hui, Tsai Hung, Wong Lik, Chiang Sheng, Dick Wei, Wang Ching-Liang, Jamie Luk Kim-Ming, Lu Feng, Chin Chun

Directed by Chang Cheh

Expectations: Interested to finally see the longer cut.


Chinatown Kid is a great Chang Cheh film with a strong following, but it’s one of the few films that had a restoration tarnish its legacy. The story goes that when Celestial went to their Shaw archives to remaster Chinatown Kid, the only print they found was an alternate version that was much shorter, featuring re-shot scenes and a unique ending. This was back in the early 2000s, so at this point, nearly 20 years later, it’s probably safe to say that this shorter version is the only one that will ever be officially released by Celestial. It’s unfortunate because it’s almost assuredly not Chang Cheh’s original cut, but it is better than nothing. For this review, I watched the film twice: once with Celestial’s shorter version (which I’ve seen before), and once with the Venomsfan custom edit that combines a full-length VHS with a couple of extra scenes only found in the Celestial cut.

The story remains fairly constant across the two versions. Tang Dong (Alexander Fu Sheng) is an illegal immigrant who has just arrived in Hong Kong to help his aging grandpa. Finding a job is a struggle without a Hong Kong ID card, but Tang Dong is resourceful, street smart, and willing to work hard to make ends meet. He is largely driven by a materialistic desire to have cool stuff (like a digital watch), but he’s a nice guy at heart. Meanwhile in Taiwan, Yang Jian Wen (Sun Chien, in his debut role) has just returned home from two years service in the army. He shares Tang Dong’s willingness to work hard for his goals, but his family isn’t poor, and he is more book smart and responsible. Both characters end up in San Francisco by very different means (one studying abroad, the other running from the law), and they quickly befriend one another while working at a restaurant.

Continue reading Chinatown Kid (1977) →

Judgement of an Assassin (1977)

Judgement of an Assassin [決殺令] (1977)

Starring David Chiang, Chung Wah, Ching Li, Michael Chan Wai-Man, Wai Wang, Ku Feng, Wang Lai, Cheng Miu, Lau Wai-Ling, Ngaai Fei, Ku Wen-Chung, Ku Kuan-Chung, Bruce Tong Yim-Chaan, Chan Shen, Yeung Chi-Hing, Ou-Yang Sha-Fei

Directed by Sun Chung

Expectations: High. I’ve wanted to see this one for a while.


Judgement of an Assassin sees director Sun Chung re-inserting himself into the newly revitalized wuxia genre. He made one of my all-time favorite Shaw wuxias, 1972’s The Devil’s Mirror, but his filmography is devoid of wuxias up until Judgement of an Assassin. To say that I was eagerly anticipating this film is underselling it some, especially because the next year Sun went on to make The Avenging Eagle, a film I happened to catch in the theater some years ago and have been in love with ever since. Judgement of an Assassin had a lot to live up to, and it absolutely stood up to the challenge. It is a wuxia that feels unique amidst the vast Shaw catalog up to this point, and it is sort of a middle ground between the brooding darkness of Chor Yuen and the comic book sensibilities Chang Cheh brought to life in The Brave Archer. It is also a return to the general fun of early Shaw wuxias, but with all the excitement and thrills of 1977 choreography. Like previous Sun Chung films, Judgement of an Assassin has immediately endeared itself to me, and I see it becoming a favorite I’ll return to often.

Masked assassins raid the home of the Golden Axe Clan, but when the final blow is dealt to the clan leader, the assassin boldly states his name for the record. Surely, this has to be a setup, right? Who would do that? The named man is arrested for this crime and placed inside a spiked coffin designed to limit the prisoner’s movement and torture him simultaneously. He is taken to the house of Madam Fa (Wang Lai), who will preside over the grand hearing to determine his fate. The entire martial world converges on the trial, with some members utilizing the opportunity to jockey for power, while others attempt to uncover the truth of the murder on their own. Like any good wuxia, Judgement of an Assassin is filled with many colorful characters, but here the main character is actually the martial world itself. It’s a great choice to tell this particular story, though I can see some not connecting with it if you’re looking for a more conventional film.

Continue reading Judgement of an Assassin (1977) →

The Adventures of Emperor Chien Lung (1977)

The Adventures of Emperor Chien Lung [乾隆下江南] (1977)

Starring Lau Wing, Wong Yu, Lee Kwan, Chiang Nan, Cheng Miu, Wang Han-Chen, Yueh Hua, Yeung Chi-Hing, Chen Ping, Kam Ting-Hsun, Wang Sha, Aai Dung-Gwa, San Shu-Wa, Wong Ching-Ho, Chan Shen, Ng Hong-Sang

Directed by Li Han-Hsiang

Expectations: High. I really liked the first film.


The first film in this series, Emperor Chien Lung, introduced us to an emperor bored with his rigid, dependable life in the Imperial palace. He longed for adventure and the knowledge of how his subjects lived, so he disguised himself and embarked on a journey across his lands. Along the way, he helped those in need and stopped more than a few crimes perpetrated by officials in his name. It’s a nice setup for an episodic film, and the first film left me hungry for more adventures with Emperor Chien Lung. The sequel delivers (although the first film actually tells more adventurous tales), but it does so in many unexpected ways that build the character in different directions. The Adventures of Emperor Chien Lung was the first sequel (of four) to Shaw’s highest grossing film of 1976, and I’m in for some real fun if the others are anywhere near as good as this one.

Taking over for director Wong Fung is one of Shaw’s most well-respected directors, Li Han-Hsiang. He directed all the sequels, and judging from his work on The Adventures of Emperor Chien Lung it’s possible that he saw the first film as more of a test run for his series, and not an actual “first film” that he was making follow-ups to. The Adventures of Emperor Chien Lung begins before Chien Lung is born, showing us how his father, Prince Yong (Yueh Hua), met his mother, Stable Maid Li Jia (Chen Ping), and eventually how Chien Lung became the favored grandson of the long-reigning Kangxi Emperor (Yeung Chi-Hing). The star of the first film, Lau Wing, doesn’t even appear until over 20 minutes into the film! Chien Lung’s sidekick, Zhou Ri-Qing (Wong Yu), fares even worse, only appearing in the final act of the film. To be honest, I can’t recall exactly how they met in the first film, but here we again see them meet for the first time. Things like this are what leads me to believe the Li wasn’t looking back on Wong’s film when making his.

Continue reading The Adventures of Emperor Chien Lung (1977) →

Jade Tiger (1977)

Jade Tiger [白玉老虎] (1977)

Starring Ti Lung, Yueh Hua, Ku Feng, Lily Li Li-Li, Fan Mei-Sheng, Lo Lieh, Derek Yee, Shih Szu, Chiang Nan, Hsiao Yao, Ng Hong-Sang, Shut Chung-Tin, Yeung Chi-Hing, Shum Lo, Ngaai Fei, Ku Kuan-Chung, Chan Shen, Johnny Wang Lung-Wei, Wang Hsieh, Norman Chu Siu-Keung, Cheng Miu, Fanny Leung Maan-Yee

Directed by Chor Yuen

Expectations: Pretty high.


For Chor Yuen’s second film of 1977, he once again returned to the fertile literary work of Gu Long. The film adapts a standalone novel of the same Chinese title, 白玉老虎, often translated as The White Jade Tiger. Where this film differs is that Gu Long himself co-wrote the screenplay, and while he wrote nearly 30 movies in his career, this was his only direct collaboration with Chor Yuen. Jade Tiger was Chor’s favorite of his Gu Long adaptations, citing its focus on sacrifice and how it shapes the lead character, Zhao Wuji (Ti Lung), over the course of the film. Perhaps the clear, emotional resonance of the themes is a product of this collaboration; who better knows the ins and outs of a work than its author? Whatever the case may have been, Jade Tiger is a largely successful film that is sure to please fans of wuxia cinema.

It is Zhao Wuji’s wedding day, but instead of getting ready for the occasion, he’s on a rocky outcropping dueling Dugu Sheng (Norman Chu). Dugu offers to fight on another day so that Zhao won’t risk dying on his wedding day, but Zhao would rather die a bachelor and leave no troubled widow behind. Zhao also respects the rules of the martial world implicitly, so honoring the fight was never a choice, but it is these deeply held tenets that will ultimately challenge Zhao to the most difficult struggle of his life. The Tang clan has always been at odds with the Zhao’s, and when they do not receive an invitation to Wuji’s wedding, they don’t take it as a simple slight. This act of disrespect is a catalyst to the film’s tumultuous plot, bringing the long-simmering Zhao/Tang fued to its boiling point.

Continue reading Jade Tiger (1977) →

Ravenwolf Towers (2016)

Starring Shiloh Creveling, Evan Henderson, Maria Olsen, Michael Citriniti, George Appleby, Sonny King, Jesse Egan, Rosemary Brownlow, Arthur Roberts, Robert Cooper, Nihilist Gelo, William Paul Burns, Tarashai Lee

Directed by Charles Band

Expectations: Not much. Perhaps a variation on the Evil Bong store format.

On the general scale:

On the B-movie scale:


Usually I try to keep up with the latest offerings from Full Moon, but Ravenwolf Towers slipped through the cracks. It originally debuted as an episodic series in December 2016, with new episodes to be released every subsequent full moon. My intentions were to review the complete series, like I did with Trophy Heads, their previous episodic release, but Full Moon stopped releasing new episodes after the third came out in February 2017. For a while I assumed they were just behind schedule — it happens to the best of us — so I continued to wait, and in November 2017 they released a feature-length version combining the three released episodes. My intentions were to review it ASAP, but then I got behind schedule myself and now here we are in the latter half of June 2018 and I’m finally reviewing Ravenwolf Towers. Why do I relate this long-winded history of putting off Ravenwolf Towers? Well… because Ravenwolf Towers is fantastic, a real achievement for Full Moon, and I’m sorry I ever waited to watch it. I imagine there are others who were similarly waiting to watch it, and I hope by relating my story I might get people off the fence and onto their favorite Full Moon streaming platform to watch it!

Ravenwolf Towers takes place in the titular building, a rundown hotel in Hollywood that’s been around since at least the 1920s. Jake (Evan Henderson) is hired on as an assistant manager, and things get weird before he even has a chance to settle in. The entire top floor is leased by a single family, access to this floor is only available via a special key to the elevator, and the family is not to be disturbed unless absolutely necessary. Ivan Ivanoff (George Appleby) — a character from the Decadent Evil movies and, most recently, Puppet Master: Axis Termination — rents a room and pays cash to avoid the standard forms and questions. His presence suggests a supernatural evil is afoot, but perhaps a better clue is the deformed monstrosity of a man who hides in a wardrobe and rips off a man’s arm during the film’s intro! 🙂

Continue reading Ravenwolf Towers (2016) →

The Naval Commandos (1977)

The Naval Commandos [海軍突擊隊] (1977)

Starring Lau Wing, Chi Kuan-Chun, David Chiang, Alexander Fu Sheng, Shih Szu, Ti Lung, Bruce Tong Yim-Chaan, Chiang Sheng, Phillip Kwok Chun-Fung, Lu Feng, An Ping, Woo Kei, Shan Mao, Lee Sau-Kei, Chu Jing, Kwok San-Hing, Lam Fai-Wong, David Tang Wei

Directed by Chang Cheh (with Pao Hsueh-Li, Wu Ma, and Liu Wei-Bin)

Expectations: Pretty high.


The Naval Commandos was one of the last movies Chang Cheh made in Taiwan before returning to the Shaw studio in Hong Kong. It was produced in cooperation with Taiwan’s Central Film Company, and like 7-Man Army, the Taiwanese military assisted with the filming by providing vehicles and other tools of war to make the film realistic. This is evident throughout the film, but it is the most prominent during the film’s introduction and frame story. It depicts a training exercise simulating the many pieces involved in a successful beachfront invasion (similar to the D-Day invasion shown in Saving Private Ryan or The Big Red One). It works beautifully to set the stage for the wartime action drama to follow, as well as serving as a large-scale display of power for the Taiwanese military.

This introduction is great, and it perfectly frames the film, but the film’s primary story is far more interesting. Many years prior during the Second Sino-Japanese War, when the Chinese Navy was less advanced, the Japanese cruiser Izumo (referenced as Izuma in the subtitles) was docked in Japanese-controlled Shanghai in preparation for further attack on China. The Chinese Navy had nothing that could stand up to the Izumo in direct battle, so it is decided that a small group of men aboard a torpedo boat will try to perform a sneak attack disguised as a fishing boat. Getting there is not so easy, though, as there is a huge field of mines to be crossed and Japanese patrols to elude. It is a valiant plan in theory, but unfortunately it is derailed before it even has a chance of success. The men arrive in Shanghai, undeterred and focused on finding a new method of sinking the Izumo.

Continue reading The Naval Commandos (1977) →

Page 1 of 37123...10...Last »

Subscribe via Email!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 76 other subscribers

Ongoing Series

Top Posts & Pages