The Vengeful Beauty (1978)

The Vengeful Beauty [血芙蓉] (1978)

Starring Chen Ping, Yueh Hua, Norman Chu Siu-Keung, Lo Lieh, Lam Fai-Wong, Johnny Wang Lung-Wei, Siu Yam-Yam, Wai Wang, Lee Sau-Kei, Lee Chung-Ling, Wong Ching-Ho, Keung Hon, Chiang Nan, Hung Ling-Ling

Directed by Ho Meng-Hua

Expectations: Hoping it’s better than Flying Guillotine 2.


The Vengeful Beauty opens with narration about how the Qing Dynasty emperor is ferreting out dissension among his subjects, and even the booksellers and proofreaders aren’t safe! I suppose that puts me right into his sights, but I will not be deterred from my mission, no matter what it costs! And just like me, Rong Qiu Yan (Chen Ping), better known in the martial world as The Bloody Hibiscus, will also stop at nothing to help people fight the ruthless emperor. During the day she is a sweet, doting wife to the imperial officer Han Tian De (Lee Chung-Ling), but when Tian De catches wind of the emperor’s secret flying guillotine assassins, the emperor orders his whole family murdered to keep the secret safe. Of course, Qiu Yan escapes the guillotine squad, and pivots her brave wuxia heroics from part-time avenger to full-time vengeful beauty.

I’m not sure what the production specifics were, but The Vengeful Beauty is Ho Meng-Hua’s follow-up to his trendsetting 1975 film, The Flying Guillotine. For some reason, Shaw decided to give the “official” sequel to Cheng Kang (and later Hua Shan), resulting in an OK movie that shows its production woes and ought to be much better than it is. Ho’s The Vengeful Beauty is a much more cohesive film, and while it definitely pales in comparison to the original, it’s a far better sequel than the “official” one. For that matter, so is Ho’s The Dragon Missile.

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Clan of Amazons (1978)

Clan of Amazons [秀花大盜 or 陸小鳳傳奇之一繡花大盜] (1978)

Starring Lau Wing, Ling Yun, Norman Chu Siu-Keung, Ching Li, Yueh Hua, Manor Chan Man-Na, Shih Szu, Ku Kuan-Chung, Cheung Ying, Chan Shen, Ngaai Fei, Lam Fai-Wong, Yang Chi-Ching, Teresa Ha Ping, Dik Boh-Laai, Lau Wai-Ling, Chong Lee, Kara Hui, Ou-Yang Sha-Fei, Yuen Wah

Directed by Chor Yuen

Expectations: I hope it lives up to previous Chor Yuen wuxias.


For Chor Yuen’s first film of 1978 (of five!), he once again returned to the fertile imagination of Gu Long. Clan of Amazons is based on the second novel in Gu’s Lu Xiaofeng series, The Embroidery Bandit (繡花大盜, Xiuhua Dadao), and the film shares the book’s title in Chinese. I’m guessing the Clan of Amazons English title refers to the all-female Red Shoe Organization in the film. Anyway, on the title screen there are also some characters identifying the film as a tale of Lu Xiaofeng, so perhaps this signals a hope to make many sequels. The film did well, hitting #16 at the year’s local box office, and TVB produced three TV series based on the novels (in 1976, 1977, and a few months after Clan of Amazons in 1978), but Shaw only produced a single sequel: 1981’s The Duel of the Century.

As for the film at hand, it is almost more of a mystery than anything else. It is, of course, a wuxia mystery, so it’s not without action or traditional martial clan intrigue. Whether you think Clan of Amazons has the goods necessary to offset all the talking, though, depends on your love of dense mystery stories. I love a good mystery, but I also love a rollicking action film so I found Clan of Amazons to be quite entertaining, while simultaneously a little too dry. It’s a hard film to dislike, though, as there are tons of great wuxia thrills packed into its 88-minute runtime.

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The Siamese Twins (1984)

The Siamese Twins [連體] (1984)

Starring Ida Chan Yuk-Lin, Michael Tong Chun-Chung, Tanny Tien Ni, Margaret Lee Din-Long, Robert Mak Tak-Law, Yueh Hua, Kwan Hoi-San, Leung Jun-Git, Fei Pak

Directed by Angela Mak Leng-Chi

Expectations: Moderate. Don’t really know whatto expect.


The Siamese Twins tells the story of a college student, Po-Erh (Ida Chan Yuk-Lin), who returns to Hong Kong from Canada, and finds her mother less than satisfied at her return. It is implied that Po-Erh has been in Canada for quite a while (like more than just for college), but this is never explicitly stated. She has clearly never been close with her mother, though, and she doesn’t know where simple things like the telephone are located in her childhood home. Her old room is still set up with a crib and a bed for a young child, so I would guess that she left home sometime early during her elementary school years.

Why do I focus so much on her age when she left her parents? Well… because the movie asks us to believe that Po-Erh was born conjoined with her twin Bei-Erh, but has absolutely no memory of it at all. No brain damage is mentioned or anything that might explain memory loss, other than that the twins were connected at the head. I suppose it’s plausible that someone might forget the first few years of their memory after such a surgery, and I’m usually fine with suspending my disbelief for stuff like this, but as it was presented here it just seemed too far a stretch.

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The Silver Emulsion Podcast: Ep. 124 – Come Drink With Me

This week on the Silver Emulsion Podcast, Stephen and I talk about one of the foundational wuxias of the modern era: King Hu’s 1966 film Come Drink With Me! Listen and enjoy! 🙂

Watch Come Drink With Me along with us on DVD, iTunes, or Amazon Prime!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • The J.B.’s – Wine Spot

Outro:

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Hell Has No Boundary (1982)

Hell Has No Boundary [魔界] (1982)

Starring Derek Yee, Kent Tong Chun-Yip, Leanne Lau Suet-Wah, Yueh Hua, Lo Yuen, Chui Gai-Heung, Si Ming, Teresa Ha Ping, Liu Suk-Yee, Wong Ching-Ho, Chow Kin-Ping, Ng Hong-Sang, Ting Tung, Yat Boon-Chai, Leung Hak-Shun, Ho Pak-Kwong, Fong Ping, Wang Han-Chen

Directed by Richard Yeung Kuen

Expectations: High, that title is awesome!


Hell Has No Boundary has a great title, and it has one hell of a poster, but its grasp of coherency isn’t quite there. The film contains a wealth of memorable imagery, but thanks to its haphazard structure it’s a lot less of a movie than it could have been. I remember feeling a similar feeling after watching Seeding of a Ghost (the only other Richard Yeung Kuen film I’ve seen), so perhaps I just don’t fully connect with his style. I have a suspicion a repeat watch would help the film play better, but that will have to wait. For now, Hell Has No Boundary is an entertaining film that never quite lives up to its potential. That being said, it’s packed with a lot of fun stuff, so fans of Shaw Brothers horror should definitely give it a go.

A loving couple, Cheung (Derek Yee) and May (Leanne Lau Suet-Wah), are out camping on one of Hong Kong’s outlying islands. May hears a voice calling her name when they arrive at their camping spot, and later she has a disturbing dream of a mysterious looking creature and situations of death. When she wakes, the voice calls to her again, and because this is a horror movie she goes to investigate. You know she’s in for something nasty, even before the trademark green light of Hong Kong ghost movies shows itself. This rogue spirit possesses May’s body, coexisting with her own consciousness, and soon it begins to assert itself. As with most ghost movies, the who and why of this particular ghost are eventually explored, providing all kinds of interesting, disgusting twists towards a rather inspired, supernatural-heavy third act.

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Return of the Dead (1979)

Return of the Dead [銷魂玉] (1979)

Starring Ku Feng, Wang Lai, Lau Luk-Wah, Yeung Chi-Hing, Yueh Hua, Chan Wai-Ying, Si Wai, Yuen Sam, Cheng Miu, Ko Hsiang-Ting, Cheung Ching-Fung, Choh Seung-Wan, Tai Kwan-Tak, Chan Shen, Chun Wong, Wong Ching-Ho, Lau Wai-Ling, Shum Lo, Fung Ming, Lui Tat, Wang Han-Chen

Directed by Li Han-Hsiang

Expectations: Moderate. Hopefully it’s as good as The Ghost Story or better.


Li Han-Hsiang followed The Ghost Story with another horror anthology nine months later: Return of the Dead. It is a much more conventional anthology, with a framing story bringing together three stories which would otherwise have no connection. Return of the Dead is also not a sexploitation film (although it does brush up against the genre in a couple of scenes), so overall I imagine it is a much easier to digest film for traditional horror audiences. The only problem is that Return of the Dead just isn’t as good as it ought to be. The stories are all entertaining and engaging, but they lack a bit of oomph to really send them into a territory that inspires love. I liked the film, don’t get me wrong, it’s just that there’s not a lot to hang any sort of recommendation on.

The framing story is relatively light, showing the protagonists of the individual stories explaining how they came to reside in the insane asylum they all call home. The first story is likely to be familiar to horror fans, as it is an adaptation of the time-honored tale, The Monkey’s Paw. Here the paw is a necklace with a charm depicting the three wise monkeys (See No Evil, Hear No Evil, Speak No Evil). Ku Feng and Wang Lai play husband and wife, with their son played by Lau Luk-Wah. Lau works at a local factory, while his parents have a small, but successful fermented tofu business. Ku Feng’s character has adopted the name Wang Zhi-He to help sell his goods, as the real Wang Zhi-He was the man who discovered and popularized bottled, fermented tofu. If you know the story of The Monkey’s Paw, you’ll know what comes next. It is a simple, but effective moral tale, and Li Han-Hsiang adapts it well.

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The Ghost Story (1979)

The Ghost Story [鬼叫春] (1979)

Starring Yueh Hua, Woo Gam, Shirley Yu Sha-Li, Lisa Chiao Chiao, Wong Ching-Ho, Kara Hui, Lam Yeung-Yeung, Jamie Luk Kim-Ming, Lee Kwan, Ng Hong-Sang, Yeung Chi-Hing, Fung Ging-Man, Wang Han-Chen, Ku Wen-Chung, Tin Hoi-Fung

Directed by Li Han-Hsiang

Expectations: Curious, but not sure.


The Ghost Story is a sort of anthology film, but the way it’s told the second story is meant to represent the reincarnations of the characters from the first, and the leads are played by the same actors (Woo Gam & Yueh Hua). Some secondary actors reappear in similar roles, as well. But since there are two distinct segments and a framing story of a grandpa telling stories to a rapt audience, I suppose it’s as much of an anthology film as anything else. The stories here are adapted from Pu Songling’s ever-popular short story collection, Strange Tales from a Chinese Studio, first published in 1740. The bulk of the film is based on one of the most popular tales, The Painted Skin, while the first story is a bit harder to pin down.

There are 491 stories in the full version, but most English editions are whittled down to somewhere around 100 stories. The book I have has a story titled Making Animals that contains some elements present in the first segment of The Ghost Story, but other than that I was unable to identify the specific story being adapted. A six-volume, complete English translation was finished a few years ago by Sidney L. Sondergard, so perhaps one day I’ll figure it out. For now, though, we’ll have to be satisfied not knowing or assuming that Li wrote a new story around elements of Making Animals. Anyway, once he tells the kids to go to bed, our narrator begins a tale that occurred sometime during the reign of Empress Wu of the Tang dynasty. It is the story of Hua’s Inn, run by three sisters, and how a group of tired soldiers sought refuge there.

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