The 36th Chamber of Shaolin (1978)

The 36th Chamber of Shaolin [少林卅六房] (1978)
AKA Master Killer, Shaolin Master Killer

Starring Gordon Liu Chia-Hui, Lo Lieh, John Cheung Ng-Long, Wilson Tong, Wa Lun, Hon Kwok-Choi, Lau Kar-Wing, Wai Wang, Chan Sze-Kai, Wong Ching-Ho, Woo Wang-Daat, Lee Hoi-Sang, Keung Hon, Hao Li-Jen, Shum Lo, Lui Tat, Chan Shen, Chiang Nan, Aai Dung-Gwa, Simon Yuen Siu-Tin, Wang Han-Chen, Peter Chan Lung, Henry Yu Yung, Ng Hong-Sang, Norman Chu Siu-Keung, Wong Yu, Huang Pa-Ching

Directed by Lau Kar-Leung

Expectations: I love it. I expect to continue to love it. 🙂


Right from the opening moments, it’s clear that The 36th Chamber of Shaolin is a classic. Gordon Liu commands your attention, performing precise and artful kung fu as the credits appear before him. The iron rings on his arms glisten and add a sonic rhythm to his movements. I tried my best to forget the film’s legacy and watch through this review series’s chronological lens, but this was quite the challenge. It was my first Shaw film, and I’ve seen it countless times. This particular time was my first experience with the film in its original language, though, and this definitely helped to separate it from my personal history. In any case, the film starts out poppin’ on all cylinders, and as it goes it only further cements itself into the martial arts cinematic history.

Liu Yu-de (Gordon Liu) is a passionate student who is displeased with the injustices of the current tyrannical Manchu rule. A group of rebels have been recently executed, including a notable general (played by Lau Kar-Wing), and Liu finds it near impossible to stand by without action. He is told that “one must humble oneself under enemy rule,” but he wonders how long that must go on for. Surely, the fate of his people is not to simply accept their fate and live in fear. He learns that the Shaolin monastery is where the best kung fu is known, but they do not allow outside students or involve themselves in the country’s politics. Fleeing the Manchu, Liu ventures to the Shaolin temple regardless of their policies, hoping that he might appeal to their humanity and learn their fighting arts.

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Flying Guillotine 2 (1978)

Flying Guillotine 2 [清宮大刺殺] (1978)
AKA Flying Guillotine Part II, Palace Carnage

Starring Ti Lung, Shih Szu, Ku Feng, Lo Lieh, Wai Wang, Shih Chung-Tien, Nancy Yen Nan-See, Lau Luk-Wah, Wong Chung, Fan Mei-Sheng, Cheng Kang-Yeh, Ku Kuan-Chung, Chan Sze-Kai, Ching Miao, Ku Wen-Chung, Yang Chi-Ching, Shum Lo, Wang Han-Chen, Keung Hon, Lau Wai-Ling, Shih Ping-Ping, Chan Mei-Hua

Directed by Cheng Kang & Hua Shan

Expectations: High, I really enjoyed the first one.


I hope no one has been holding their breath for my next Shaw Brothers review! It’s been almost an entire year since I’ve written anything (the 1976–1977 Top 10 List was posted 9/28/18 😳 ), and for that I apologize. The good news is that I’ve had some life changes recently, and they should allow me the free time necessary to keep up my old pace of once-a-week Shaw Brothers reviews. Thanks for sticking around! Anyway, onto the review!


On the surface, Flying Guillotine 2 seems like it can do no wrong. It’s a sequel to Ho Meng-Hua’s 1975 smash-hit The Flying Guillotine (also one of Ho’s best films), it stars the electric Ti Lung, and it boasts directorial credits from Cheng Kang, always impressive & dependable, and Hua Shan, a less-skilled director but one that knows his way around crafting a fun film (See: The Super Inframan). Upon watching Flying Guillotine 2, though, all of these elements are very clearly separate and not exactly working together as they should. The story and “our star” Ti Lung are barely there, and the film was clearly saddled with lots of production issues. The resolute, strong style of Cheng Kang is sprinkled throughout, but the bulk of the film is very obviously not up to his usual standards. Apparently, Cheng left part-way through filming, as did the stars of the original film — Chen Kuan-Tai and Liu Wu-Chi. Hua Shan and Ti Lung came in to salvage what they could, but you can only do so much with such a fractured filmmaking journey. (If you’re interested in a more detailed account of this, make sure to check out the film’s review on Cool Ass Cinema!)

The barely there story of Flying Guillotine 2 can be boiled down to this: the Emperor (Ku Feng) is still after Ma Tang (Ti Lung), but he needs to improve the flying guillotine since Ma Tang devised a way to defeat the deadly weapon. Meanwhile, the daughter of an Imperial official, Na Lan (Shih Szu), infiltrates the Imperial Flying Guillotine Academy in an effort to steal the blueprints for Ma Tang. In two sentences, I’ve described the plot of essentially the entire film. The Imperials say, “We gotta catch those rebels!” and the rebels conspire to fight the corrupt officials. That’s really all there is. Ma Tang is mostly off-screen in the background of the events, too, so the film neither has a story or a main hero. This would be fine if there were someone to take his place, and Na Lan sort of does, but the film actually focuses on the Emperor and his minions more than anything else.

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Clans of Intrigue (1977)

Clans of Intrigue [楚留香] (1977)

Starring Ti Lung, Yueh Hua, Li Ching, Nora Miao, Betty Pei Ti, Ling Yun, Tin Ching, Nancy Yen Nan-See, Chan Sze-Kai, Lau Wai-Ling, Chong Lee, Ku Feng, Ku Wen-Chung, Cheng Miu, Norman Chu Siu-Keung, Ku Kuan-Chung, Chan Shen, Teresa Ha Ping, Yeung Chi-Hing

Directed by Chor Yuen

Expectations: Super high.


Clans of Intrigue was Chor Yuen’s first of five films released in 1977, and if it is anything to go by, I am in for some real treats. While Clans of Intrigue isn’t the greatest action film, it’s one of the most engrossing and well-plotted wuxias I’ve seen. It’s as much of a mystery film as it is a wuxia, and as a fan of both genres this was a dream come true. I’ve always heard that Chor Yuen was an influential director in the wuxia genre, but after seeing this run of Killer Clans, The Magic Blade, The Web of Death and Clans of Intrigue, I have a newfound appreciation for him. Within these four films he laid the basic groundwork for the wuxias of the ’80s, redefining the genre beyond the precedent set earlier by King Hu and Chang Cheh. Chor Yuen is the link between the two eras, and his work is nothing short of brilliant.

Clans of Intrigue begins with a string of three mysterious murders. Someone clad in red and wearing a mask assassinates the masters of three martial arts clans by using the ultra-poison Magic Water. Meanwhile, the Thief Master Chu Liu Hsiang (Ti Lung) is hosting a meeting aboard his boat. Nan Gong Lin (Tin Ching), the head of Beggar’s Gang, and the Ingenious Monk Wu Hua (Yueh Hua) are his guests, but mid-way through their meal, another arrives. Kung Nan Yen (Nora Miao) from Palace Magic Water has come to arrest Chu for stealing the Magic Water and killing the masters. She reasons that he must be the one that did it, because only the Thief Master could have gotten inside the palace and taken the Magic Water back out with him. He assures her that he is innocent, and she gives him one month to find out who really did it, otherwise they will kill him. And just like that, the game is afoot!

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The Magic Blade (1976)

The Magic Blade [天涯明月刀] (1976)

Starring Ti Lung, Lo Lieh, Ching Li, Tang Ching, Tanny Tien Ni, Lily Li Li-Li, Fan Mei-Sheng, Ku Feng, Norman Chu Siu-Keung, Lau Wai-Ling, Cheng Miu, Chan Shen, Teresa Ha Ping, Ku Kuan-Chung, Kong Yeung, Ng Hong-Sang, Chan Sze-Kai, Wong Ching-Ho

Directed by Chor Yuen

Expectations: Very excited to finally re-visit this.


The Magic Blade is a highly regarded wuxia in the Shaw Brothers catalog, and the nearly unanimous praise led me to review the film in 2010 (two months after starting Silver Emulsion). At the time I thought it was OK, but I didn’t understand why it was so well-loved. As the weeks went on, I kept thinking about the film, and how I must have missed something. I determined that context was the thing missing from my viewpoint, so later that year I began my chronological Shaw Brothers review project to fill my head with all the context I could handle. It’s now seven years later and I have finally arrived back around to The Magic Blade. It seems most people love the film right away, but for me I definitely needed the context to truly appreciate its mastery of the wuxia form.

The Magic Blade portrays a martial world full of strife and treachery. Like Killer Clans, it focuses on the dangers of the martial life and how prepared & alert one must be to survive against others’ devious intellect. The film opens on the deserted and quiet Phoenix Town, but this peace doesn’t last long. Out of the silence comes a procession of musicians, dancers, courtesans and other servants who prepare the town square for a grand display of entertainment for their master Yen Nan Fei (Lo Lieh). The celebration is cut short when a poncho-wearing Fu Hung Hsueh (Ti Lung) ominously appears out of the shadows. The two men have an appointment and a score to settle. Midway through their fight, though, a pair of expert assassins, Wood Devil and Tree Devil, ambush them. Fu and Yen are both swordsman of considerable skill and talent, and they have been targeted by the current leader of the martial world, Master Yu. Despite their vendetta to fight to the death, Fu and Yen team up for the time being to combat their shared threat.

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Ghost Eyes (1974)

Ghost Eyes [鬼眼] (1974)

Starring Chan Sze-Kai, Si Wai, Lam Wai-Tiu, Teresa Ha Ping, Yeung Chak-Lam, Chan Mei-Hua, Cheung Lai-Guk, Wong Ching-Ho, Leung Seung-Wan, Kong Oh-Oi, Chan Lap-Ban, Ma Siu-Ying

Directed by Kuei Chih-Hung

Expectations: High.


After Chang Cheh, I’d say that Kuei Chih-Hung is my favorite Shaw director. His work is inspired and influential, and while he never got his due credit during his lifetime, Celestial’s remastering work has definitely allowed intrepid film fans to discover his legacy and give it the recognition it deserves. Kuei’s first horror film was The Killer Snakes, with Ghost Eyes following in its wake nine months later. The Killer Snakes is definitely the superior film, but Ghost Eyes is a great movie that represents the first dip into supernatural horror for Kuei.

Wang Bao-Ling (Chan Sze-Kai) is a manicurist at a beauty shop. A mysterious man, Shi Jong-Jie (Si Wai), comes in for a treatment and takes an interest in Wang when he learns that she lives alone. After work, Wang is almost struck by a car and her glasses fall to the asphalt and shatter. Wouldn’t you know it, Shi is there to comfort her… and he just so happens to run an optical store! He invites her over for some contact lenses, under the advice that if she had been up with the times she wouldn’t be in this predicament with broken glasses. She takes him up on his offer, but the results aren’t exactly what Wang hoped they’d be! For one, she starts to see ghosts!

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