Hell Has No Boundary (1982)

Hell Has No Boundary [魔界] (1982)

Starring Derek Yee, Kent Tong Chun-Yip, Leanne Lau Suet-Wah, Yueh Hua, Lo Yuen, Chui Gai-Heung, Si Ming, Teresa Ha Ping, Liu Suk-Yee, Wong Ching-Ho, Chow Kin-Ping, Ng Hong-Sang, Ting Tung, Yat Boon-Chai, Leung Hak-Shun, Ho Pak-Kwong, Fong Ping, Wang Han-Chen

Directed by Richard Yeung Kuen

Expectations: High, that title is awesome!


Hell Has No Boundary has a great title, and it has one hell of a poster, but its grasp of coherency isn’t quite there. The film contains a wealth of memorable imagery, but thanks to its haphazard structure it’s a lot less of a movie than it could have been. I remember feeling a similar feeling after watching Seeding of a Ghost (the only other Richard Yeung Kuen film I’ve seen), so perhaps I just don’t fully connect with his style. I have a suspicion a repeat watch would help the film play better, but that will have to wait. For now, Hell Has No Boundary is an entertaining film that never quite lives up to its potential. That being said, it’s packed with a lot of fun stuff, so fans of Shaw Brothers horror should definitely give it a go.

A loving couple, Cheung (Derek Yee) and May (Leanne Lau Suet-Wah), are out camping on one of Hong Kong’s outlying islands. May hears a voice calling her name when they arrive at their camping spot, and later she has a disturbing dream of a mysterious looking creature and situations of death. When she wakes, the voice calls to her again, and because this is a horror movie she goes to investigate. You know she’s in for something nasty, even before the trademark green light of Hong Kong ghost movies shows itself. This rogue spirit possesses May’s body, coexisting with her own consciousness, and soon it begins to assert itself. As with most ghost movies, the who and why of this particular ghost are eventually explored, providing all kinds of interesting, disgusting twists towards a rather inspired, supernatural-heavy third act.

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Return of the Dead (1979)

Return of the Dead [銷魂玉] (1979)

Starring Ku Feng, Wang Lai, Lau Luk-Wah, Yeung Chi-Hing, Yueh Hua, Chan Wai-Ying, Si Wai, Yuen Sam, Cheng Miu, Ko Hsiang-Ting, Cheung Ching-Fung, Choh Seung-Wan, Tai Kwan-Tak, Chan Shen, Chun Wong, Wong Ching-Ho, Lau Wai-Ling, Shum Lo, Fung Ming, Lui Tat, Wang Han-Chen

Directed by Li Han-Hsiang

Expectations: Moderate. Hopefully it’s as good as The Ghost Story or better.


Li Han-Hsiang followed The Ghost Story with another horror anthology nine months later: Return of the Dead. It is a much more conventional anthology, with a framing story bringing together three stories which would otherwise have no connection. Return of the Dead is also not a sexploitation film (although it does brush up against the genre in a couple of scenes), so overall I imagine it is a much easier to digest film for traditional horror audiences. The only problem is that Return of the Dead just isn’t as good as it ought to be. The stories are all entertaining and engaging, but they lack a bit of oomph to really send them into a territory that inspires love. I liked the film, don’t get me wrong, it’s just that there’s not a lot to hang any sort of recommendation on.

The framing story is relatively light, showing the protagonists of the individual stories explaining how they came to reside in the insane asylum they all call home. The first story is likely to be familiar to horror fans, as it is an adaptation of the time-honored tale, The Monkey’s Paw. Here the paw is a necklace with a charm depicting the three wise monkeys (See No Evil, Hear No Evil, Speak No Evil). Ku Feng and Wang Lai play husband and wife, with their son played by Lau Luk-Wah. Lau works at a local factory, while his parents have a small, but successful fermented tofu business. Ku Feng’s character has adopted the name Wang Zhi-He to help sell his goods, as the real Wang Zhi-He was the man who discovered and popularized bottled, fermented tofu. If you know the story of The Monkey’s Paw, you’ll know what comes next. It is a simple, but effective moral tale, and Li Han-Hsiang adapts it well.

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The Enchanting Ghost (1970)

The Enchanting Ghost [鬼屋麗人] (1970)

Starring Chang Mei-Yao, Yang Li-Hua, Lui Ming, Lam Ban, Lee Hung, Julie Lee Chi-Lun, Sha Lee-Man, Ko Hsiang-Ting, Tsui Fu-Sheng, Tai Leung, Ko Hsiao-Pao, Ng Ho

Directed by Chou Hsu-Chiang

Expectations: Excited, I liked Chou’s The Bride from Hell.


Like last week’s film, The Ghost Story, The Enchanting Ghost falls into the category of Hong Kong horror with only minor elements of what usually defines a horror film. The Enchanting Ghost was also based on a story from Pu Songling’s 18th century collection of ghost stories and other assorted cautionary tales, Strange Stories from a Chinese Studio. This particular film is based on the story The Bookworm, for those interested in seeing how differently things play out in the two versions. As with most classic Hong Kong ghost films, your enjoyment of The Enchanting Ghost will depend on having properly set expectations for a slower pace and light supernatural elements. With that in mind, I thoroughly enjoyed The Enchanting Ghost from start to finish. It is a finely crafted film that definitely makes you wait for the ghostly happenings, but the journey towards them is also largely charming and entertaining.

Lang Yu Zhu (Yang Li-Hua, playing against gender as a male) is a scholar whose entire existence is consumed by his affection for learning and books. He doesn’t do much else, based in part on his particular love for a real-life poem by Emperor Zhenzong titled Quanxueshi (劝学诗). The poem is a love letter to studying, expressing that study can bring such things as fortunes, good harvests, and beautiful women. When we meet Lang, he is lovingly reciting these lines of the poem, and in a few short minutes he is given the chance to test the poem’s theories. Lang’s uncle covets his home, so he arranges with an official to seize it from Lang under the auspices of repaying the debt left by Lang’s father when he passed. Whether this debt is legitimate or not, Lang is thrown out into the street with nowhere to call home, so he decides to take up residence in the town’s derelict haunted house.

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The Ghost Story (1979)

The Ghost Story [鬼叫春] (1979)

Starring Yueh Hua, Woo Gam, Shirley Yu Sha-Li, Lisa Chiao Chiao, Wong Ching-Ho, Kara Hui, Lam Yeung-Yeung, Jamie Luk Kim-Ming, Lee Kwan, Ng Hong-Sang, Yeung Chi-Hing, Fung Ging-Man, Wang Han-Chen, Ku Wen-Chung, Tin Hoi-Fung

Directed by Li Han-Hsiang

Expectations: Curious, but not sure.


The Ghost Story is a sort of anthology film, but the way it’s told the second story is meant to represent the reincarnations of the characters from the first, and the leads are played by the same actors (Woo Gam & Yueh Hua). Some secondary actors reappear in similar roles, as well. But since there are two distinct segments and a framing story of a grandpa telling stories to a rapt audience, I suppose it’s as much of an anthology film as anything else. The stories here are adapted from Pu Songling’s ever-popular short story collection, Strange Tales from a Chinese Studio, first published in 1740. The bulk of the film is based on one of the most popular tales, The Painted Skin, while the first story is a bit harder to pin down.

There are 491 stories in the full version, but most English editions are whittled down to somewhere around 100 stories. The book I have has a story titled Making Animals that contains some elements present in the first segment of The Ghost Story, but other than that I was unable to identify the specific story being adapted. A six-volume, complete English translation was finished a few years ago by Sidney L. Sondergard, so perhaps one day I’ll figure it out. For now, though, we’ll have to be satisfied not knowing or assuming that Li wrote a new story around elements of Making Animals. Anyway, once he tells the kids to go to bed, our narrator begins a tale that occurred sometime during the reign of Empress Wu of the Tang dynasty. It is the story of Hua’s Inn, run by three sisters, and how a group of tired soldiers sought refuge there.

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Out of the Dark (1995)

Out of the Dark [回魂夜] (1995)

Starring Stephen Chow, Karen Mok, Wong Yat-Fei, Lee Lik-Chi, Lo Hung, Ben Wong Chi-Yin, Lee Kin-Yan, Heung Dip, Chow Chi-Fai, Tam Suk-Mui, Hau Woon-Ling, Leung Kar-Yan

Directed by Jeff Lau Chun-Wai


Out of the Dark is a great horror comedy to watch during the Halloween season, but describing it is going to be a little difficult. The film moves at absolute breakneck speed, and if you’re not ready the jokes, characters and plot alike will all fly past you before you even have time to notice they were there. I watched the first 15 minutes three times and I noticed new things and developed a better understanding every time. At this point, I’ve seen hundreds of Hong Kong films but this one really threw me! It is with movies like this where the language barrier hinders enjoyment the most, but if you’re able to lock into the groove of Out of the Dark, it’s a truly hilarious and transcendent film experience.

Out of the Dark centers around a Hong Kong apartment building and its inhabitants. An elderly resident has recently died, but her spirit is not ready to leave the building just yet. She haunts the apartment she shared with her son and his family, and she’s looking for revenge on those that caused her death. Enter Stephen Chow’s character Leon (one of the film’s references to Luc Besson’s The Professional), an odd guy who dresses in all black and talks to a lily plant he carries around in a pot. Together with the building’s ragtag security team and a few residents, Leon looks to help the spirit achieve her goal of justice.

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Corpse Mania (1981)

Corpse Mania [屍妖] (1981)

Starring Wong Yung, Tanny Tien Ni, Yau Chui-Ling, Walter Tso Tat-Wah, Tai Kwan-Tak, Eric Chan Ga-Kei, Lau Siu-Kwan, Gam Biu, Jenny Leung Jan-Lei, Wong Ching-Ho, Fong Ping, Shum Lo, Lam Wai-Tiu

Directed by Kuei Chih-Hung

Expectations: Very high.


A title like Corpse Mania suggests a pretty high-octane horror film, but this particular Kuei Chih-Hung film has more in common with Hex than it does his maniacal black magic films (Bewitched and The Boxer’s Omen). It’d be wrong to call Corpse Mania tame, though. It exists in a sort of middle ground between the two styles, utilizing the look of Hex (swirling fog and moonlit studio streets) and the gross-out horror of the black magic films. Corpse Mania is full of horrific delights, but above all the defining element is that it’s more of a Hong Kong giallo than anything else, building mystery and intrigue as the body count piles up. There’s even a classic Argento “Killer POV” shot!

Corpse Mania begins when Li Zhengyuan (Eric Chan Ga-Kei) moves into an old house with his sickly wife. When they arrive, they only have a single bag of luggage and Li’s wife must be carried inside, raising the suspicions of the neighbors. Li also wears sunglasses and covers his face like the Invisible Man, which definitely doesn’t help the situation. A few days later, a horrible smell emanates from the Li’s home, and when the police investigate they find the body of Li’s wife, naked and covered in mealworms. Upon further detective work, they determine that sexual intercourse had been performed after her death. As disturbing as that is, it is only the beginning of the mystery surrounding Li Zhengyuan!

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Black Magic @ ShawBrothersUniverse.com!

Hey there, Emuls-a-gators, my latest post for the official Shaw Brothers site went up yesterday! I re-watched Ho Meng-Hua’s trendsetting film Black Magic, and revised my old review into something fresh and exciting! Check out the new version and enjoy!

And if you’re looking to watch Black Magic (and why wouldn’t you be?), you can find it digitally on iTunes, Amazon Prime and other major digital stores. It’s also on DVD in the US and Blu-ray in the UK.

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