Hell Has No Boundary (1982)

Hell Has No Boundary [魔界] (1982)

Starring Derek Yee, Kent Tong Chun-Yip, Leanne Lau Suet-Wah, Yueh Hua, Lo Yuen, Chui Gai-Heung, Si Ming, Teresa Ha Ping, Liu Suk-Yee, Wong Ching-Ho, Chow Kin-Ping, Ng Hong-Sang, Ting Tung, Yat Boon-Chai, Leung Hak-Shun, Ho Pak-Kwong, Fong Ping, Wang Han-Chen

Directed by Richard Yeung Kuen

Expectations: High, that title is awesome!


Hell Has No Boundary has a great title, and it has one hell of a poster, but its grasp of coherency isn’t quite there. The film contains a wealth of memorable imagery, but thanks to its haphazard structure it’s a lot less of a movie than it could have been. I remember feeling a similar feeling after watching Seeding of a Ghost (the only other Richard Yeung Kuen film I’ve seen), so perhaps I just don’t fully connect with his style. I have a suspicion a repeat watch would help the film play better, but that will have to wait. For now, Hell Has No Boundary is an entertaining film that never quite lives up to its potential. That being said, it’s packed with a lot of fun stuff, so fans of Shaw Brothers horror should definitely give it a go.

A loving couple, Cheung (Derek Yee) and May (Leanne Lau Suet-Wah), are out camping on one of Hong Kong’s outlying islands. May hears a voice calling her name when they arrive at their camping spot, and later she has a disturbing dream of a mysterious looking creature and situations of death. When she wakes, the voice calls to her again, and because this is a horror movie she goes to investigate. You know she’s in for something nasty, even before the trademark green light of Hong Kong ghost movies shows itself. This rogue spirit possesses May’s body, coexisting with her own consciousness, and soon it begins to assert itself. As with most ghost movies, the who and why of this particular ghost are eventually explored, providing all kinds of interesting, disgusting twists towards a rather inspired, supernatural-heavy third act.

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Hex After Hex (1982)

HexAfterHex_1Hex After Hex [邪完再邪] (1982)

Starring Lo Meng, Nancy Lau Nam-Kai, Lau Dan, Cheng Siu-Ping, Lo Yuen, Yeung Chi-Hing, Lily Chan Lee-Lee, Lau Siu-Kwan, Law Ho-Kai, Yue Tau-Wan, Chow Kin-Ping, Wong Ching-Ho

Directed by Kuei Chih-Hung

Expectations: Moderate.

twostar


Hex After Hex is the final film of the Hex trilogy (which isn’t actually a trilogy), and it’s surprisingly related in a very small way to the previous film in the series, Hex vs. Witchcraft. Like that film, Hex After Hex is more comedy than horror, but here the ratios have been further adjusted so that it’s almost all comedy for most of the movie. A lot of this comedy comes by way of ghost shenanigans, but there’s also a heavy dose of strange and wacky natural occurrences — for instance: Lo Meng lotioning up his nipples, or saving his blow-up doll from a building’s demolition. There’s so many quick little moments like this that I’ll need another run through the film to really appreciate them.

As you might expect in a film featuring such madcap energy, the story in Hex After Hex doesn’t matter much (to the viewers or the filmmakers). The film opens with Ma Su (Lo Meng), the muscular neighbor of the main character in Hex vs. Witchcraft, finding the same bag of golden jewelry that kicked off the supernatural hijinks in that film. Once again, the bag also contains the spiritual tablet of Liu Ah Cui, but this time Ma Su flatly refuses to marry the spirit. He has no interest in marrying a ghost and money does not persuade him. Not to be thrown out in the cold, the spirit of Liu Ah Cui decides to take over the body of a different neighbor’s girlfriend, Yeung Suk Yi (Nancy Lau Nam-Kai), and seduce Ma Su. It works, and they spend a good portion of the film moving from one problem to the next, the ghost graciously getting them out of harm’s way as only she can. A series of hijinks with a flimsy plot isn’t such a bad thing because it’s all fun, but I have to admit that without any sense of purpose it does get a little tiresome after a while.

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