The Tuxedo (2002)

Starring Jackie Chan, Jennifer Love Hewitt, Jason Isaacs, Debi Mazar, Ritchie Coster, Peter Stormare, Mia Cottet, Romany Malco, Daniel Kash, Jody Racicot, Boyd Banks, Cecile Cristobal, James Brown

Directed by Kevin Donovan

Expectations: Super low. I remember hating this.


When I first saw The Tuxedo sometime around its original release, I thought it was the worst Jackie Chan movie I’d ever seen. I don’t remember my specific gripes, but my general distaste for the film has stuck with me ever since. Despite this years-long grudge against The Tuxedo, I started it this time with an open mind. The deer pissing in the stream during the film’s opening didn’t fill me with a lot of hope, but by the time the end credits rolled, I was shocked at just how entertaining the movie had been. It still exhibits many problems that American Jackie films have, but it also delivers something unique and in terms of tone it’s closer to Hong Kong than a traditional Hollywood movie (which really surprised me).

Jackie Chan plays Jimmy Tong, a taxi driver with a confidence problem. He’s in love with a woman who works at an art gallery, but he’s unable to get it together enough to ask her out. He thrives in his element, though, crisscrossing through the streets of New York in his taxi faster than anyone else could even imagine. His skills bag him a job working as a high-paid chauffeur for millionaire playboy/secret agent Clark Devlin (Jason Isaacs), and unbeknownst to Jackie this will forever change his life. He is soon roped into an international struggle of catastrophic proportions; you might even say that he is an accidental spy! 🙂

Continue reading The Tuxedo (2002) →

The Silver Emulsion Podcast: Ep. 25 – Chungking Express

Episode 25! This episode I’m talkin’ about Wong Kar-Wai’s Chungking Express!

Also on the show:

  • Sammo Hung’s Winners and Sinners
  • Hal Roach’s The Devil’s Brother starring Laurel and Hardy
  • Luigi Bazzoni’s Man, Pride and Vengeance
Music Notes

Intro:

  • Metallica – Enter Sandman

Incidentals:

  • Bob Dylan – Highway 61 Revisited (Take 7, False Start)
    • The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (iTunes, Amazon)

Outro:

  • Pat Boone – Enter Sandman

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! I’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using, such as iTunes.

Lady of the Law (1975)

Lady of the Law [女捕快] (1975)

Starring Lo Lieh, Shih Szu, Chang Pei-Shan, Dean Shek Tin, Yeung Chi-Hing, Chan Shen, Tung Lam, Ou-Yang Sha-Fei, Ying Ying, Ma Lee-Sha, Tung Choi-Bo, Cheng Lui, Chiang Tao, Law Hon, Li Min-Lang

Directed by Shen Chiang & Stanley Siu Wing

Expectations: Moderate.


Like last week’s All Men Are Brothers, Lady of the Law was a film that was completed (or at least mostly completed) a few years prior to its release in 1975. For various reasons, the Shaw studio had lots of movies sitting around in various states of completion. Some saw feature release (like Lady of the Law), others were kept as shorts and released together as anthology films (such as Haunted Tales), while many others were simply left unfinished, never to be seen again. According to some magazine scans available on the ever-resourceful Cool Ass Cinema website, it appears that Lady of the Law was initially shot in 1971. It is my assumption that it began life under director Shen Chiang, with Stanley Siu Wing later coming around and finishing it up for release. I don’t know this for sure, but I’ve heard similar stories on other movies (like Curse of Evil) so there’s definitely some precedent.

Unlike a lot of movies with behind-the-scenes drama, Lady of the Law is an absolutely thrilling film packed to the brim with wuxia entertainment and excitement. Literally just a day or so before I watched this movie, I was thinking to myself how I hadn’t seen a Shaw Brothers wuxia in a while, and how much I missed them (since they kind of stopped making them during these years I’m going through now). And then BAM! in comes Lady of the Law to rock my world and remind me just how much I love these wonderful wuxias of the Shaw Brothers. Shen Chiang crafted a couple of great ones, like The Winged Tiger and Heroes of Sung, but honestly I think Lady of the Law is his best film.

Continue reading Lady of the Law (1975) →

The Brotherhood II: Young Warlocks (2001)

Starring Forrest Cochran, Sean Faris, Stacey Scowley, Jennifer Capo, Justin Allen, C.J. Thomason, Noah Frank, Greg Lyczkowski, Julie Briggs, Ari Welkom, Holly Sampson

Directed by David DeCoteau

Expectations: Moderately high. The first was pretty good and I like David DeCoteau.

On the general scale:

On the B-movie scale:


I thoroughly enjoyed the first Brotherhood film, so my internal hype set me up to be somewhat disappointed with The Brotherhood II: Young Warlocks. Regardless of this, there’s no denying that the sequel is very entertaining. Anyone who enjoyed the first film is likely to enjoy this one as well. Both films follow similar structures, and I don’t know if the differences are distinct enough to build a sequel on, but both films are entertaining in their own ways and that’s what really matters, right?

The first Brotherhood is about vampires, so I honestly expected the whole series to be vampire-based. I don’t watch trailers or think too much about these movies before I watch them, but I guess I should have taken that Young Warlocks subtitle a little more seriously. The sequel’s mythology delves into witches and warlocks (but mostly just warlocks), and this is both brilliant and somewhat frustrating. I loved the secret society of the first film and I had hoped to go a little deeper into that. At the same time, the idea of a low-budget horror franchise based around a variety of college secret societies and their unique mythologies is wonderfully inspired and respectable.

Continue reading The Brotherhood II: Young Warlocks (2001) →

The Silver Emulsion Podcast: Ep. 24 – Headshot

Episode 24! This episode I’m talkin’ about the latest film of Indonesian action star Iko Uwais: Headshot!

Also on the show:

  • Jeff Lau’s Kungfu Cyborg: Metallic Attraction
  • Sammo Hung’s The Owl And Dumbo
  • Shunya Ito’s Female Prisoner Scorpion: Jailhouse 41
Music Notes

Intro:

  • Paddy Noonan and His Grand Band – Jigs
    • Irish Party: Recorded Live At The John Barleycorn (iTunes, Amazon)

Outro:

  • The Clancy Brothers with Tommy Makem – The Moonshiner
    • In Person At Carnegie Hall – The Complete 1963 Concert (iTunes, Amazon)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! I’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using, such as iTunes.

All Men Are Brothers (1975)

All Men Are Brothers [蕩寇誌] (1975)
AKA Seven Soldiers of Kung Fu, Seven Blows of the Dragon II, Seven Kung Fu Assassins

Starring David Chiang, Fan Mei-Sheng, Chen Kuan-Tai, Wong Chung, Danny Lee, Wang Kuang-Yu, Yue Fung, Ti Lung, Chu Mu, Tin Ching, Tung Lam, Chen Feng-Chen, Bolo Yeung, Lau Gong, Wong Ching, Chang Yang, Betty Chung, Ku Feng, Tetsuro Tamba, Chin Feng, Chen Wo-Fu, Michael Chan Wai-Man, Bruce Tong Yim-Chaan

Directed by Chang Cheh & Wu Ma

Expectations: Super high! A sequel to one of my all-time favorite Shaw films? Yes, please!


The Water Margin is one of my all-time favorite Shaw Brothers films (along with all of Shaw’s other films based on the classic Chinese novel —  Delightful Forest, Pursuit, and to a lesser extent The Amorous Lotus Pan and Chang’s segment in Trilogy of Swordsmanship), so All Men Are Brothers had a lot to live up to. The key to my immense affection for each film lies in how they all carry their own style and are therefore able to stand on their own in companionship with the other films, like the 108 Liang Shan bandits themselves. All Men Are Brothers is another very welcome addition to this lineup, taking its own path along the way to dramatizing a section of the illustrious book.

All of the previous films dealt with chapters from either the beginning or the middle of the book, but All Men Are Brothers seeks to tell the end of the tale. It takes material mostly from Chapters 90–100 (out of 100 total chapters), which deal with the redemption of the outlaws through their struggle to defeat the rebellious Fang La and his generals. A couple of flashbacks tell earlier tales to provide some character depth, and the film opens with Yan Qing’s procurement of the bandits’ pardon from the emperor (which is detailed in Chapter 81), but the film is mostly concerned with bringing everything to a close.

Continue reading All Men Are Brothers (1975) →

Stephen reviews: Ghost in the Shell: The New Movie (2015)

Ghost in the Shell: The New Movie [攻殻機動隊 新劇場版 Kōkaku Kidōtai Shin Gekijō-ban] (2015)
AKA Ghost in the Shell: The Rising

Starring Maaya Sakamoto, Kenichiro Matsuda, Mayumi Asano, Kazuya Nakai, Ikkyuu Juku, Miyuki Sawashiro, Shunsuke Sakuya, Takurou Nakakuni, Tarusuke Shingaki

Directed by Kazuya Nomura


A few years back I did a rundown of all the Ghost in the Shell films. Since then there have been a few more releases in the franchise, and I figured I would give them a glance before checking out the new live-action film slated to release at the end of March. Now it’s never a good idea to call your new movie in a long running franchise “The New Movie.” It just means that a couple of years later when a newer, higher profile production starring Scarlett Johansson comes out your no-longer-new movie just sounds dumb, and probably confusing for the audience. But I can’t stop some idiot without a scrap of originality from doing just that, so unfortunately we’re stuck with it.

In another really confusing move for a film so concerned about its timeliness, Ghost in the Shell: The It Was New a Couple Years Ago Movie is actually a prequel to the original story, showcasing how Major Motoko Kusanagi put together the team of operatives that work for Section 9. This far into the series we have only heard small bits about her past, mostly that she has been a cyborg since childhood, so I was a bit unconvinced that exploring her background was a good idea. We’ve gone this far without it. Why do we need it now? But the film does go a good way toward establishing some of the motivation for her decisions at the end of the first film, so I think they actually did find a pretty good reason to go back and examine her history.

Continue reading Stephen reviews: Ghost in the Shell: The New Movie (2015) →

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