The Proud Youth (1978)

The Proud Youth [笑傲江湖] (1978)

Starring Wong Yu, Shih Szu, Michael Chan Wai-Man, Stanley Fung Sui-Fan, Lau Wai-Ling, Chong Lee, Ling Yun, Ding Ying, Yue Wing, Ku Feng, Wong Chung, Tin Ching, Yau Chui-Ling, Ching Miao, Chan Shen, Yang Chi-Ching, Teresa Ha Ping, Wong Ching-Ho, Ng Hong-Sang, Chan Wai-Ying, Yuen Wah

Directed by Sun Chung

Expectations: High. I have a feeling about this one.


When I was a teenager, I didn’t know anything about the wuxia genre, and fantasy wasn’t what I wanted from Hong Kong movies. Like many Western viewers, I generally saw wirework as a negative, thinking of it more as a crutch or an excuse not to do those incredible Hong Kong stunts I loved Jackie Chan for. A few wuxia films broke through my naive mental wall, though, and the Swordsman films — specifically Swordsman II — still hold a treasured place in my heart. So when I learned that The Proud Youth shared DNA with the Swordsman films, I was fascinated and excited by the prospect of revisiting this tale told through the Shaw Brothers lens.

The Proud Youth is based on the Jin Yong novel The Smiling, Proud Wanderer (笑傲江湖), and shares the book’s Chinese title (which literally translates to Laughing Proudly in the Martial World). Despite sharing titles, the film changed most of the character names for some reason. So if you’re familiar with the Swordsman movies (or the book), Brigitte Lin’s iconic Invincible Asia character is represented here as the castrated and effeminate Sima Wuji (Tin Ching), and Wong Yu plays the same character as Samuel Hui/Jet Li (or Chow Yun-Fat if you’re watching the 1984 TVB version 😀 ). While I haven’t read the book — no official English translation exists — The Proud Youth seemingly attempts to boil the whole thing down into one 90-minute movie, so the film covers some major events from both Swordsman and Swordsman II (I believe Swordsman III is largely unrelated to the book).

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Clan of Amazons (1978)

Clan of Amazons [秀花大盜 or 陸小鳳傳奇之一繡花大盜] (1978)

Starring Lau Wing, Ling Yun, Norman Chu Siu-Keung, Ching Li, Yueh Hua, Manor Chan Man-Na, Shih Szu, Ku Kuan-Chung, Cheung Ying, Chan Shen, Ngaai Fei, Lam Fai-Wong, Yang Chi-Ching, Teresa Ha Ping, Dik Boh-Laai, Lau Wai-Ling, Chong Lee, Kara Hui, Ou-Yang Sha-Fei, Yuen Wah

Directed by Chor Yuen

Expectations: I hope it lives up to previous Chor Yuen wuxias.


For Chor Yuen’s first film of 1978 (of five!), he once again returned to the fertile imagination of Gu Long. Clan of Amazons is based on the second novel in Gu’s Lu Xiaofeng series, The Embroidery Bandit (繡花大盜, Xiuhua Dadao), and the film shares the book’s title in Chinese. I’m guessing the Clan of Amazons English title refers to the all-female Red Shoe Organization in the film. Anyway, on the title screen there are also some characters identifying the film as a tale of Lu Xiaofeng, so perhaps this signals a hope to make many sequels. The film did well, hitting #16 at the year’s local box office, and TVB produced three TV series based on the novels (in 1976, 1977, and a few months after Clan of Amazons in 1978), but Shaw only produced a single sequel: 1981’s The Duel of the Century.

As for the film at hand, it is almost more of a mystery than anything else. It is, of course, a wuxia mystery, so it’s not without action or traditional martial clan intrigue. Whether you think Clan of Amazons has the goods necessary to offset all the talking, though, depends on your love of dense mystery stories. I love a good mystery, but I also love a rollicking action film so I found Clan of Amazons to be quite entertaining, while simultaneously a little too dry. It’s a hard film to dislike, though, as there are tons of great wuxia thrills packed into its 88-minute runtime.

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To Kill a Jaguar (1977)

To Kill a Jaguar [絕不低頭] (1977)

Starring Chung Wah, Lau Wing, Nora Miao, Ling Yun, Wai Wang, Fan Mei-Sheng, Chan Shen, Hao Li-Jen, Siu Yam-Yam, Johnny Wang Lung-Wei, Lam Fai-Wong, Keung Hon, Lee Hang, Jamie Luk Kim-Ming, Gam Lau, Mak Wa-Mei, Alan Chan Kwok-Kuen, Wong Ching-Ho, Ting Lai-Na, Sai Gwa-Pau

Directed by Hua Shan

Expectations: Moderate. Don’t know what to expect, really.


I had never heard of To Kill a Jaguar until I compiled my chronological list of Shaw Brothers martial arts films, so I didn’t quite know what I was getting myself into. This is true of many Shaw films that I’ve reviewed, but in this particular case I feel that To Kill a Jaguar should be spotlighted as something unique and worthwhile. To Kill a Jaguar is every bit a ’70s Shaw picture, but it flirts with the multi-genre trade that would come to define Hong Kong cinema in the ’80s and ’90s, and perhaps most interestingly it is an adaptation of a non-wuxia Gu Long novel made amidst the sea of fan-favorite Gu Long adaptations from director Chor Yuen. I’m sure To Kill a Jaguar was greenlit due to the success of Chor’s films, and so then it should come as no surprise that the film is more similar to them than you might think at first glance.

Based on the 1973 Gu Long novel, Never Bow Down (絕不低頭, also the film’s Chinese title), our story begins with Bobo Kam (Nora Miao) arriving in Republic-era Shanghai in search of her father. It is a dangerous place where street gangs battle with knives and hatchets, and she stumbles into one such battle. One man stands out from the crowd with distinctive sideburns and a fistful of keys as his weapon; Jaguar (Chung Wah) is clearly not your average street thug. After the fight subsides, Bobo and Jaguar realize this isn’t their first time meeting. Jaguar was once known to Bobo as “Silly Kid,” a snot-nosed fat boy who played with Bobo and a mutual friend, He Lie, way back when in Stone Village. Things have definitely changed over the years for Bobo and Jaguar, and if you know anything about Gu Long stories, you know these characters are in for a lot more, as well.

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Death Duel (1977)

Death Duel [三少爺的劍] (1977)

Starring Derek Yee, Ling Yun, Candice Yu On-On, Ku Feng, Ou-Yang Sha-Fei, Chen Ping, David Chiang, Norman Chu Siu-Keung, Ku Kuan-Chung, Ngaai Fei, Gam Lau, Fan Mei-Sheng, Teresa Ha Ping, Yeung Chi-Hing, Lam Fai-Wong, Liu Wai, Cheng Miu, Shum Lo, Yueh Hua, Ti Lung, Lo Lieh, Nancy Yen Nan-See, Johnny Wang Lung-Wei, Chan Shen, Yuen Wah

Directed by Chor Yuen

Expectations: High. I like these Chor Yuen wuxias.


I’m not exactly sure what I expected going into Death Duel, but I felt off-kilter throughout most of the movie. I assumed it would be another in the lineup of great Chor Yuen adaptations from Gu Long novels, but I found it to be a somewhat poorly structured tale, and the character cameos from Chor’s previous films really threw me off. I’m not sure my experience is entirely the movie’s fault, though, as Death Duel is never boring or anything other than completely entertaining and fun; it all just felt sort of odd. I have a sneaking suspicion that like The Magic Blade, I’ll eventually re-watch the movie, love it, and wonder what I was thinking when I wrote this. In any case, Death Duel is both a great Chor Yuen film that delivers similar thrills to his previous mid-’70s wuxias, and a film in need of some focus.

Death Duel starts stunningly, though. Based on a relatively new story — serialized from June 1975 to March 1976, sharing the film’s Chinese title 三少爺的劍 (which translates to Sword of the Third Young Master) — the tale begins with Yen Shih-San (Ling Yun), as he arrives in a copse of trees at sunset. He’s called a meeting of elite swordsmen to test his martial skills, challenging the entire group at once and boasting that he will kill them all within 13 sword strikes. With this completed, only one man stands in Yen’s way to the top of the martial world: The 3rd Master, also known as the God of Swords. The 3rd Master is said to have an invincible sword technique, and Yen hopes to test his own invincible technique against it in a bid for the spot at the top of the ever-moving, tumultuous martial world. But when Yen tracks down the 3rd Master, he only finds his coffin. For all intents and purposes, Yen is now the greatest swordsman alive, but without challenging the reigning champion, what is this by-default glory worth?

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Clans of Intrigue (1977)

Clans of Intrigue [楚留香] (1977)

Starring Ti Lung, Yueh Hua, Li Ching, Nora Miao, Betty Pei Ti, Ling Yun, Tin Ching, Nancy Yen Nan-See, Chan Sze-Kai, Lau Wai-Ling, Chong Lee, Ku Feng, Ku Wen-Chung, Cheng Miu, Norman Chu Siu-Keung, Ku Kuan-Chung, Chan Shen, Teresa Ha Ping, Yeung Chi-Hing

Directed by Chor Yuen

Expectations: Super high.


Clans of Intrigue was Chor Yuen’s first of five films released in 1977, and if it is anything to go by, I am in for some real treats. While Clans of Intrigue isn’t the greatest action film, it’s one of the most engrossing and well-plotted wuxias I’ve seen. It’s as much of a mystery film as it is a wuxia, and as a fan of both genres this was a dream come true. I’ve always heard that Chor Yuen was an influential director in the wuxia genre, but after seeing this run of Killer Clans, The Magic Blade, The Web of Death and Clans of Intrigue, I have a newfound appreciation for him. Within these four films he laid the basic groundwork for the wuxias of the ’80s, redefining the genre beyond the precedent set earlier by King Hu and Chang Cheh. Chor Yuen is the link between the two eras, and his work is nothing short of brilliant.

Clans of Intrigue begins with a string of three mysterious murders. Someone clad in red and wearing a mask assassinates the masters of three martial arts clans by using the ultra-poison Magic Water. Meanwhile, the Thief Master Chu Liu Hsiang (Ti Lung) is hosting a meeting aboard his boat. Nan Gong Lin (Tin Ching), the head of Beggar’s Gang, and the Ingenious Monk Wu Hua (Yueh Hua) are his guests, but mid-way through their meal, another arrives. Kung Nan Yen (Nora Miao) from Palace Magic Water has come to arrest Chu for stealing the Magic Water and killing the masters. She reasons that he must be the one that did it, because only the Thief Master could have gotten inside the palace and taken the Magic Water back out with him. He assures her that he is innocent, and she gives him one month to find out who really did it, otherwise they will kill him. And just like that, the game is afoot!

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King Gambler (1976)

King Gambler [賭王大騙局] (1976)

Starring Chung Wah, Chen Kuan-Tai, Chen Ping, Shut Chung-Tin, Ou-Yang Sha-Fei, Wang Hsieh, Ku Feng, Fan Mei-Sheng, Teresa Ha Ping, Chui Ga-Lam, Wong Chung, A Mei-Na, Chan Mei-Hua, Liu Wu-Chi, Ma Chien-Tang, Chan Shen, Kong Yeung, Ku Wen-Chung, Terry Lau Wai-Yue, Ling Yun, Shum Lo, Yeung Chi-Hing, Cheng Miu, Wong Ching-Ho, Lau Luk-Wah

Directed by Cheng Kang

Expectations: Super excited to see more Cheng Kang… and it’s a gambling movie!


There are many gambling movies from all over the world, but the Hong Kong gambling film is a beast all its own. I am a huge fan of this sub-genre of Hong Kong cinema, and of the filmmaker most associated with it: Wong Jing. Over the course of my chronological Shaw Brothers series, I’ve covered a couple of early gambling films (The Casino, The Gambling Syndicate), but those films feel like extensions of the traditional action genre more than they resemble what the gambling genre evolved into. King Gambler, on the other hand, is right on the money when it comes to tone and style. The film was clearly an influence on Wong Jing, as both directors showcase similar ideas and sensibilities in how they portray gambling and the people involved in the games. As such, I really enjoyed Cheng Kang’s King Gambler. Apparently 1976 Hong Kong shared my enthusiasm, too, because the film made #9 at the yearly box office (with only a couple of Shaw films doing better that year).

King Gambler is a structurally interesting movie. It begins by introducing us to the Sha family and how their mastery in sleight of hand and other forms of trickery were passed down from one generation to another. We then see a short game of mahjong, in which one of the Sha family members (played by Shut Chung-Tin) beats the young Peng Tian Shi (Chen Kuan-Tai). The resentment of being so resoundingly beaten does not sit well with Peng, and when the film flashes forward many years, Peng is now a wealthy casino owner known as The Card Tyrant. He has not risen above his feelings surrounding the Sha family, though. Peng offers an elder Sha (Wang Hsieh) a job, but he refuses to use his superior hearing skills to cheat for Peng. Retaliation comes swift and brutal, leaving the elder Sha permanently blinded. This is merely the first few minutes of the film; the prologue. The majority of the movie concerns itself with the young members of the Sha family and how they deal with Peng in the wake of this offense.

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Killers on Wheels (1976)

Killers on Wheels [無法無天飛車黨] (1976)
AKA Karate Killers on Wheels, Madboys in Hong Kong

Starring Ling Yun, Terry Lau Wai-Yue, Danny Lee, Kong San, Lin Wen-Wei, Lee Chung-Ling, Mi Lan, Huang Jin-Tian, Yeh Kuang-Hui, Mai Yao-Li, Ou Wei-Ming, Huang Chieh-Shui, Li Shu-Hua, Leung Yeun-Hung, Wei Ming-Yu, Wong Jing-Jing, Ching Si, Wong Ching-Ho

Directed by Kuei Chih-Hung

Expectations: Excited, I love Kuei Chih-Hung movies.


Killers on Wheels begins rather innocuously. A couple of rich, spoiled kids, Johnny (Lee Chung-Ling) and Michael (Lin Wen-Wei), leave home on their motorcycles for a weekend camping trip with their friends on an outlying island of Hong Kong. Their father expresses his displeasure in his sons’ relentless pursuit of fun instead of responsibility, but his wife retorts that it’s fine because their sons’ friends “all come from good families.” Moments later the opening credits roll, and we get a taste of their true nature. They all ride motorcycles as a youthful biker gang, having fun however it makes sense in the moment. They are juvenile delinquents with endless energy and desires, and together on wheels they are a monumental force.

At the ferry dock, we meet Guo Jian-Zhong (Ling Yun) and his wife Chen Mei-Juan (Terry Lau Wai-Yue). They’re traveling to the outlying island with Jian-Zhong’s little sister, Guo Ji-Lia (Kong San), for a weekend getaway to a beach house owned by her boyfriend, Si Wei (Danny Lee). They are about as opposite as characters could get from the reckless youths on motorcycles. Guo Jian-Zhong is a responsible husband and a nice guy. His wife seemed somewhat sheltered from the realities of the outside world by Guo, showing us a hint that his character likes to be a protector. His little sister Ji-Lia is fun-loving and youthful, and equally oblivious to the dangers of the world. Her short leather miniskirt quickly attracts the attention of the biker kids, and it’s all downhill from there.

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