To Kill a Jaguar (1977)

To Kill a Jaguar [絕不低頭] (1977)

Starring Chung Wah, Lau Wing, Nora Miao, Ling Yun, Wai Wang, Fan Mei-Sheng, Chan Shen, Hao Li-Jen, Siu Yam-Yam, Johnny Wang Lung-Wei, Lam Fai-Wong, Keung Hon, Lee Hang, Jamie Luk Kim-Ming, Gam Lau, Mak Wa-Mei, Alan Chan Kwok-Kuen, Wong Ching-Ho, Ting Lai-Na, Sai Gwa-Pau

Directed by Hua Shan

Expectations: Moderate. Don’t know what to expect, really.


I had never heard of To Kill a Jaguar until I compiled my chronological list of Shaw Brothers martial arts films, so I didn’t quite know what I was getting myself into. This is true of many Shaw films that I’ve reviewed, but in this particular case I feel that To Kill a Jaguar should be spotlighted as something unique and worthwhile. To Kill a Jaguar is every bit a ’70s Shaw picture, but it flirts with the multi-genre trade that would come to define Hong Kong cinema in the ’80s and ’90s, and perhaps most interestingly it is an adaptation of a non-wuxia Gu Long novel made amidst the sea of fan-favorite Gu Long adaptations from director Chor Yuen. I’m sure To Kill a Jaguar was greenlit due to the success of Chor’s films, and so then it should come as no surprise that the film is more similar to them than you might think at first glance.

Based on the 1973 Gu Long novel, Never Bow Down (絕不低頭, also the film’s Chinese title), our story begins with Bobo Kam (Nora Miao) arriving in Republic-era Shanghai in search of her father. It is a dangerous place where street gangs battle with knives and hatchets, and she stumbles into one such battle. One man stands out from the crowd with distinctive sideburns and a fistful of keys as his weapon; Jaguar (Chung Wah) is clearly not your average street thug. After the fight subsides, Bobo and Jaguar realize this isn’t their first time meeting. Jaguar was once known to Bobo as “Silly Kid,” a snot-nosed fat boy who played with Bobo and a mutual friend, He Lie, way back when in Stone Village. Things have definitely changed over the years for Bobo and Jaguar, and if you know anything about Gu Long stories, you know these characters are in for a lot more, as well.

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The Water Margin (1972)

watermargin_10aThe Water Margin [水滸傳] (1972)
AKA Seven Blows of the Dragon, Outlaws of the Marsh

Starring David Chiang, Tetsuro Tamba, Toshio Kurosawa, Ku Feng, Chin Feng, Fan Mei-Sheng, Yueh Hua, Wong Chung, Ti Lung, Lily Ho Li-Li, Pang Pang, Tung Lam, Wu Ma, Cheng Lui, Paul Chun Pui, Chen Kuan-Tai, Danny Lee, Wu Chi-Chin, Lee Hang, Lau Dan, Lei Lung, Zhang Yang, Leung Seung-Wan, Lo Wai, Lee Wan-Chung, Shum Lo, Wong Ching-Ho, James Nam Gung-Fan, Lau Gong, Cheng Miu

Directed by Chang Cheh, Wu Ma & Pao Hsueh Li

Expectations: High.

fourstar


The Water Margin is a classic of Chinese literature, a novel written in the 14th century that has inspired and entertained the Chinese people ever since. That’s quite the run for a novel, and judging by the amount of quality storytelling in Chang Cheh’s The Water Margin, it’s with good reason. The novel, also known as Outlaws of the Marsh, is about a group of 108 men and women who came together at Liang Shan Mountain in an effort to fight the corrupt Imperial ruler. Chang Cheh’s adaptation attempts to bring a small slice of the overall story — chapters 64-68 — to the silver screen, focusing on the tale of how Lu Junyi the Jade Unicorn (Tetsuro Tamba) and his protégé Yen Qing (David Chiang) came to join the group. At the same time, Chang casts virtually every actor employed by the Shaw studio, resulting in a true martial arts epic that feels huge and sprawling. Certain characters might not get much screen-time or development — Chen Kuan-Tai is on-screen for less than 10 seconds, drinking a bowl of wine — but it is made very clear that this is a teeming world full of rich characters. We may not be privy to all the details, but you can rest assured that every character has a motive and a rich backstory.

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