The Silver Emulsion Podcast: Ep. 93 – The Super Inframan

This week on the Silver Emulsion Podcast, Stephen and I are talking about the first superhero film to come out of Hong Kong: 1975’s The Super Inframan, directed by Hua Shan! Listen and enjoy! 🙂

Watch The Super Inframan along with us at Amazon or iTunes!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Freddi Henchi & The Soul Setters – Funky To The Bone

Outro:

  • Ennio Morricone – Intermezzino Pop
    • Le foto proibite di una signora per bene (Original Motion Picture Soundtrack) (iTunes, Amazon)
      • AKA Forbidden Photos of a Lady Above Suspicion (1970), directed by Luciano Ercoli

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

The Battle Wizard (1977)

The Battle Wizard [天龍八部] (1977)

Starring Danny Lee, Tanny Tien Ni, Lin Chen-Chi, Shut Chung-Tin, Chiang Tao, Keung Hon, Wai Wang, Si Wai, San Shu-Wa, Gam Lau, Teresa Ha Ping, Leung Seung-Wan, Norman Chu Siu-Keung, Yeung Chak-Lam, Ko Hung, Hung Ling-Ling, Hao Li-Jen

Directed by Pao Hsueh-Li

Expectations: Excited because that title is fantastic.

On the general scale:

On the B-movie scale:


Some titles evoke worlds of wonder, others are dull and inspire confusion, but The Battle Wizard brings about very specific expectations of a magically adept sorcerer casting furious spells. Much to my delight, that is pretty much exactly what the film delivers (within the context of how magic is portrayed in the wuxia genre). Wuxia comes in varying degrees of fantasy, and The Battle Wizard is full-on, balls-to-the-walls fantasy. If that’s your thing, you will be hard-pressed to find a better example from this particular era. Chor Yuen’s The Web of Death comes to mind as a similarly well-realized vision of wuxia fantasy, but The Battle Wizard is much more wild and over the top. For me, this is a recipe for my new favorite wuxia, but your particular tastes and tolerance for late ’70s Hong Kong FX will dictate whether the film hits for you in the same way.

The Battle Wizard is based on the Jin Yong novel Demi-Gods and Semi-Devils (天龍八部), originally serialized from 1963–1966. Both works share the same Chinese title, which has apparently given translators a rough time over the years, with one alternate translation reading Eight Books of the Heavenly Dragon. No matter what you call it, The Battle Wizard runs a very slim 73 minutes, so it may come as a surprise that the novel is actually Jin Yong’s second longest work, only just shy of the character count of The Deer and the Cauldron. This is somewhat misleading, though, as Demi-Gods and Semi-Devils is broken into three separate, but interwoven stories, and The Battle Wizard is only attempting to adapt the first of these. Also, like previous Jin Yong adaptations, The Battle Wizard feels closer to a comic book than to traditional wuxias or Chor Yuen’s Gu Long films.

Continue reading The Battle Wizard (1977) →

The Brave Archer (1977)

The Brave Archer [射鵰英雄傳] (1977)
AKA Shaolin Archers, Kung Fu Warlords

Starring Alexander Fu Sheng, Tien Niu, Phillip Kwok Chun-Fung, Ku Feng, Ku Kuan-Chung, Johnny Wang Lung-Wei, Danny Lee, Li Yi-Min, Dick Wei, Lau Wai-Ling, Bruce Tong Yim-Chaan, Chu Jing, Yue Wing, Chan Shen, Fan Mei-Sheng, Suen Shu-Pau, Tsai Hung, Lam Fai-Wong, Lo Meng, Jamie Luk Kim-Ming, Lu Feng, Chiu Chung-Hing, Chow Git, Kara Hui, Yu Hoi-Lun, Wang Ching-Liang, Stephan Yip Tin-Hang, Lee Siu-Wah

Directed by Chang Cheh

Expectations: High. I’ve wanted to see this one for a while.


Sometime during the Jin-Song wars, two heroes of the Song dynasty are living with their wives in a quiet corner of the world. They’ve sworn their newborn children to be blood brothers, and when a wandering Taoist visits, he names the boys — Yang Kang & Guo Jing — and inscribes their names onto small swords. Unfortunately, this happy opening quickly turns sour when Jin soldiers attack and kidnap Yang Kang and his mother. In the wake of the skirmish, the Weird Seven, a group of powerful martial artists, take in Guo Jing and his mother, agreeing to raise the boy as their own. The Taoist promises to monitor and train Yang Kang, and in 18 years’ time, they will all meet up to see which boy possesses the superior kung fu. It’s a great setup for the film, but don’t get too attached. It does not resolve in this film at all, but that doesn’t mean that you can’t have fun on the journey that The Brave Archer provides. This is a different sort of wuxia, unique from Chang’s previous genre-defining work or Chor Yuen’s genre-redefining films.

I’ve heard a lot about The Brave Archer over the years; everything from “It’s great” to “It’s awful,” and everything in between. I arrived to the movie with my own baggage, as well. Knowing that this was Chang Cheh’s first film back in Hong Kong after the artistic freedom he experienced in Taiwan, and that in his memoir he states, “the five years of my second spell at Shaws warrant little mention,” it’s hard not to come into The Brave Archer with the idea that Chang was frustrated with the situation and the state of the Hong Kong industry. Having been the leader of the charge in the action genre for so many years, to now be relinquishing that title to Lau Kar-Leung and Chor Yuen (and those not at Shaw like Sammo Hung, and later Yuen Woo-Ping and Jackie Chan), make it a distinct possibility that he was coerced into making a wuxia — a genre he felt was tired and had reached its pinnacle with Golden Swallow — to satisfy the fanbase revitalized by Chor Yuen’s films. I have a feeling that’s only partially true, though. Chang also talks in his memoir of his great friendship with Jin Yong, so I can imagine Chang choosing the project and feeling a personal responsibility to do the work of his friend justice.

Continue reading The Brave Archer (1977) →

The Mighty Peking Man @ ShawBrothersUniverse.com

Hey there, Emuls-a-kongs, my latest post for the official Shaw Brothers site went up last week! I reviewed Ho Meng-Hua’s 1977 film The Mighty Peking Man… Check it out here and enjoy! Fans of my chronological Shaw Brothers series might be interested to know that The Mighty Peking Man was released between The Brave Archer and Judgement of an Assassin, so I almost watched it in order with the series.

And if you’re looking to watch The Mighty Peking Man, you can find it digitally on iTunes, Amazon Prime and other major digital stores. It’s also on Region B Blu-ray via 88 Films.

Killers on Wheels (1976)

Killers on Wheels [無法無天飛車黨] (1976)
AKA Karate Killers on Wheels, Madboys in Hong Kong

Starring Ling Yun, Terry Lau Wai-Yue, Danny Lee, Kong San, Lin Wen-Wei, Lee Chung-Ling, Mi Lan, Huang Jin-Tian, Yeh Kuang-Hui, Mai Yao-Li, Ou Wei-Ming, Huang Chieh-Shui, Li Shu-Hua, Leung Yeun-Hung, Wei Ming-Yu, Wong Jing-Jing, Ching Si, Wong Ching-Ho

Directed by Kuei Chih-Hung

Expectations: Excited, I love Kuei Chih-Hung movies.


Killers on Wheels begins rather innocuously. A couple of rich, spoiled kids, Johnny (Lee Chung-Ling) and Michael (Lin Wen-Wei), leave home on their motorcycles for a weekend camping trip with their friends on an outlying island of Hong Kong. Their father expresses his displeasure in his sons’ relentless pursuit of fun instead of responsibility, but his wife retorts that it’s fine because their sons’ friends “all come from good families.” Moments later the opening credits roll, and we get a taste of their true nature. They all ride motorcycles as a youthful biker gang, having fun however it makes sense in the moment. They are juvenile delinquents with endless energy and desires, and together on wheels they are a monumental force.

At the ferry dock, we meet Guo Jian-Zhong (Ling Yun) and his wife Chen Mei-Juan (Terry Lau Wai-Yue). They’re traveling to the outlying island with Jian-Zhong’s little sister, Guo Ji-Lia (Kong San), for a weekend getaway to a beach house owned by her boyfriend, Si Wei (Danny Lee). They are about as opposite as characters could get from the reckless youths on motorcycles. Guo Jian-Zhong is a responsible husband and a nice guy. His wife seemed somewhat sheltered from the realities of the outside world by Guo, showing us a hint that his character likes to be a protector. His little sister Ji-Lia is fun-loving and youthful, and equally oblivious to the dangers of the world. Her short leather miniskirt quickly attracts the attention of the biker kids, and it’s all downhill from there.

Continue reading Killers on Wheels (1976) →

Killer Clans (1976)

Killer Clans [流星蝴蝶劍] (1976)

Starring Chung Wah, Yueh Hua, Ku Feng, Ching Li, Wong Chung, Lo Lieh, Danny Lee, Yeung Chi-Hing, Cheng Miu, Ngaai Fei, Wang Hsieh, Lam Wai-Tiu, Chen Ping, Ling Yun, Fan Mei-Sheng, Teresa Ha Ping, Kong Yeung, Tin Ching, Cheng Kang-Yeh, Ku Kuan-Chung

Directed by Chor Yuen

Expectations: Super high. Been looking forward to these Chor Yuen wuxias for a long time.


In the lineage of Shaw Brothers wuxias, Killer Clans represents the dawn of a new paradigm. The number of wuxia films released by the studio had diminished considerably from the early days of the genre, when literally every martial arts film was a sword-swingin’ tale of chivalrous heroes. In the few years prior to Killer Clans, a good portion of the wuxias released by Shaw were actually holdovers from earlier years, finally released and then promptly forgotten. But Killer Clans, based on Meteor, Butterfly, Sword (流星·蝴蝶·劍), a 1973 novel by Gu Long, performed well enough to make the year’s box office top 10 (either #6 or #7, depending on the source).

To say that this new direction in wuxia filmmaking was a success is an understatement, but it almost never was. Like Chang Cheh, ever searching for a subject that would light the fires of passion, Chor Yuen felt stagnant and in need of a fresh style of film. Chor had abandoned wuxia filmmaking for Cantonese comedies (The House of 72 Tenants, etc.) and dramas (Sorrow to the Gentry, etc.), but the diminishing box office takings of these films demanded he look elsewhere for his film ideas. He decided to adapt some wuxia novels in a style unlike the traditional Shaw wuxia film, but Run Run Shaw rejected every one of his pitches saying that they wouldn’t make money.

Continue reading Killer Clans (1976) →

The Silver Emulsion Podcast: Ep. 42 – The Killer

Episode 42! This week we’re grabbing a pair of mics and shooting at your ears with our thoughts on John Woo’s classic 1989 film The Killer! Listen and enjoy! 🙂

Music Notes

Intro:

  • Giuseppe Verdi – Aida: Grand March
  • The J.B.’s – Hot Pants Road

Outro:

  • James Brown & The J.B.’s – There It Is

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using, such as iTunes.

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