The Silver Emulsion Podcast: Ep. 107 – Righting Wrongs

This week on the Silver Emulsion Podcast, Stephen and I talk about Corey Yuen’s action classic, Righting Wrongs (AKA Above the Law), starring the incomparable Yuen Biao and Cynthia Rothrock! Listen and enjoy! 🙂

Watch Righting Wrongs (AKA Above the Law) along with us on the Dragon Dynasty US DVD or the Hong Kong Blu-ray!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Warren Zevon – Lawyers, Guns and Money

Outro:

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

The Silver Emulsion Podcast: Ep. 104 – Bloodsport

This week on the Silver Emulsion Podcast, Stephen and I check in with one of the greatest films of all-time: Newt Arnold’s BAD ASS Bloodsport! Listen and enjoy! 🙂

Watch Bloodsport along with us on Blu-ray (with TimeCop), DVD, iTunes or Amazon Prime!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Paul Hertzog – Kumite

Outro:

  • Paul Hertzog – Flashback / Martial Science / Father And Son / Training / Tree And Sword

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Top 10 1976–1977 Shaw Brothers Martial Arts Films

1976 and 1977 were wonderful years for the Shaw Brothers studio, filled with an abundance of great films that made narrowing this list to 10 a challenging proposition. Wuxias, largely following the patterns set by the films of King Hu and Chang Cheh, had fallen out of favor by the early ’70s, but Chor Yuen’s 1976 film Killer Clans — and the many that followed it — injected new life and new ideas into a faded genre. Chor’s unique re-focusing of the genre towards literary adaptations and tales showcasing mental fortitude over purely physical abilities made him a driving force in the industry, and the next monumental figure in the history of the wuxia genre. Meanwhile, Lau Kar-Leung released his next two films during these years, pushing the realistic kung fu seen in Chang Cheh’s Shaolin Cycle films to new heights. During this period, Chang Cheh was also forced to reckon with the fact that he was no longer the driving force of Hong Kong action filmmaking, as his time in Taiwan came to a close.

These years also saw the rise of other Hong Kong cinema luminaries outside of the Shaw system. Sammo Hung’s first directorial effort, The Iron-Fisted Monk, was a huge hit, Richard Ng became a star with both the #1 & #2 film of 1977 (John Woo’s The Pilferer’s Progress & Karl Maka’s Winner Takes All!), and the Hui Brothers continued their blockbuster dominance with 1976’s The Private Eyes. Jackie Chan was also on the verge of superstardom with the looming release of Yuen Woo-Ping’s Snake in the Eagle’s Shadow a few months into 1978, but during 1976–1977 he was still making a string of films for Lo Wei. Other non-Shaw fan favorites released during these years include: The 18 Bronzemen, One-Armed Boxer Vs The Flying Guillotine (Master of the Flying Guillotine), The Secret Rivals, The Hot, the Cool and the Vicious, The Invincible Armour, Snuff-Bottle Connection, Broken Oath, and many, many more. With this introduction, I hope to paint a brief picture of these years in Hong Kong cinema, both to refresh memories or to spur new fans to dive deeper. 🙂

As usual, I’ve included links to iTunes/Amazon/DDDHouse for easy access if you’re looking to get the films. The availability is current as of the posting of this list. eBay is always a good option, as well, if my links don’t turn up any results. If you’re interested in what’s below the cut and you don’t want to troll through my review archive, I have ranked lists on Letterboxd for every year I’ve finished in the Shaw Brothers Chronological review series. You can find 1976 here and 1977 here.

OK, OK, let’s get to the list!


#10 Judgement of an Assassin (1977)
Directed by Sun Chung
Reviewed August 10, 2018

Judgement of an Assassin was Sun Chung’s first wuxia since 1972’s The Devil’s Mirror, a film I absolutely adore. Sun’s return exists in a middle ground between the brooding darkness of Chor Yuen and the comic book sensibilities of Chang Cheh’s The Brave Archer, delivering fun and exciting choreography in a wonderful package. It feels like an underseen film, and that should definitely not be the case. With its near-perfect combo of entertaining action and a beautifully structured story, this is a movie that all Shaw Brothers fans should see.

Judgement of an Assassin is currently only available on an out-of-print Region 3 DVD or VCD. Check Amazon or eBay, and keep your fingers crossed that Celestial may release the film digitally sometime in the future.

#9 The Shaolin Avengers (1976)
Directed by Chang Cheh (with Wu Ma)
Reviewed December 8, 2017

The Shaolin Avengers is top-notch Shaolin Cycle; a fantastic movie that cohesively combines the stories of Fang Shih-Yu and Hu Huei-Chien into one thrilling, entertaining package. Its greatness lies in its structure; the film opens with its finale, fading in and out into flashbacks that show how our heroes and villains all came to this particular battle. The structure removes a lot of the tension inherent in a traditional revenge story, but this is the point. Instead, I pondered the nature of life, how small moments remind you of people or places, and how important preparation is to success. The Shaolin Avengers is a film of pure entertainment that builds up more of the Shaolin mythology of the earlier films, or in other words, it’s every thing I could want out of a Shaolin Cycle film.

On disc, The Shaolin Avengers is currently only available on an out-of-print Region 3 DVD or VCD. Check Amazon or eBay. Digitally it is available for rental/purchase at iTunes, Amazon Prime, and other top digital platforms.

Continue reading Top 10 1976–1977 Shaw Brothers Martial Arts Films →

Winner Takes All! (1977)

Winner Takes All! [面懵心精] (1977)
AKA 泥鰍吃猛龍

Starring Richard Ng, Lok Shut, Rosalind Chan Yee-Hing, Tang Ching, Dean Shek Tin, Max Lee Chiu-Chun, To Siu-Ming, Addy Sung Gam-Loi, Lee Hoi-Sang, Ho Pak-Kwong, Karl Maka, Guy Lai Ying-Chau, Hon Kwok-Choi, Sammo Hung, Yue Tau-Wan, Peter Chan Lung, Hsiao Ho

Directed by Karl Maka

Expectations: Excited, but I don’t really know what to expect.


Winner Takes All! was independently produced, but it is the final film of 1977 that I’m covering as part of my chronological Shaw Brothers series. I chose to review it because it was widely successful in 1977, reaching #2 at the Hong Kong Box Office, incorporating comedy and kung fu in a way that would soon sweep the Hong Kong industry with the 1978 release of Snake in the Eagle’s Shadow and Drunken Master. Upon watching Winner Takes All!, though, I realized that its place in Hong Kong cinema history is far greater than simply “doing well at the box office,” as it represents another step in the dominance of Cantonese cinema in the wake of Michael Hui’s successes. In the three years prior to this (1974–1976), a Michael Hui-directed movie — all starring himself and his brothers — dominated the top spot of the Hong Kong box office. Hui would again top the charts in 1978 with The Contract, but he did not release a film in 1977.

Richard Ng is one of Hong Kong’s most famous and recognizable comedians. I’ve seen him in so many movies, it almost feels like he’s always been around. He apparently started on the Hui Brothers TV show in the early ’70s, and received his first major film role in Michael Hui’s 1976 smash-hit The Private Eyes. 1977 was the year Ng was cemented into Hong Kong cinema history, though, as he starred in both the #1 film (John Woo’s The Pilferer’s Progress AKA Money Crazy) and the #2 film, Karl Maka’s Winner Takes All. Like this film, all of Michael Hui’s films were filmed in Cantonese, and along with Chor Yuen’s mega-hits The House of 72 Tenants (1973) and Hong Kong 73 (1974), they were the impetus for the industry to shift towards the Cantonese language. In addition, Hui’s directorial debut, 1974’s Games Gamblers Play, essentially saved Golden Harvest from bankruptcy and paved the way for comedy’s rise as a dominant genre in Hong Kong cinema, both coupled with kung fu and not.

Continue reading Winner Takes All! (1977) →

The Silver Emulsion Podcast: Ep. 97 – Drunken Master II

This week on the Silver Emulsion Podcast, Stephen and I are talking about one of the greatest kung fu films of all time, the one and only Drunken Master II. Directed by the legendary Lau Kar-Leung and starring Jackie Chan, Anita Mui and Ti Lung, this is what movies are all about! Listen and enjoy! 🙂

Watch Drunken Master II along with us on Blu-ray, DVD or Amazon Instant Video!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Tsukasa Masuko – In-Game
    • From the NES game T&C Surf Designs: Wood & Water Rage (VGMPF)

Outro:

  • Jackie Chan – The Drunken Master (Cantonese Version)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Pursuit of Vengeance (1977)

Pursuit of Vengeance [明月刀雪夜殲仇] (1977)
AKA Moonlight Blade: Vengeance on a Snowy Night (literal translation of Chinese title)

Starring Ti Lung, Lau Wing, Lo Lieh, Paul Chang Chung, Derek Yee, Shih Szu, Wai Wang, Ku Kuan-Chung, Cheng Miu, Yeung Chi-Hing, Ou-Yang Sha-Fei, Norman Chu Siu-Keung, Chen Ping, Lam Fai-Wong, Fan Mei-Sheng, Wa Lun, Chan Shen, Ngaai Fei, Yue Wing, Liu Wai, Stephan Yip Tin-Hang, Keung Hon, Wong Ching-Ho, Shum Lo, Bruce Tong Yim-Chaan, Jamie Luk Kim-Ming, Mama Hung

Directed by Chor Yuen

Expectations: High. Can Chor Yuen go five for five in 1977?


I expected to enjoy Pursuit of Vengeance, but the film surprised me and outdid every expectation I had for it. In researching the previous Chor Yuen films based on Gu Long’s Little Li Flying Dagger series (The Sentimental Swordsman & The Magic Blade), I read a basic plot synopsis of the novel that Pursuit of Vengeance is based on, Bordertown Prodigal (邊城浪子, Biancheng Langzi). It mentioned that the main characters, Ye Kai (Lau Wing) and Fu Hong-Xue (Ti Lung), both had love interests, and that the events of the book are what leads Fu to becoming the disillusioned, hard-boiled swordsman we see in The Magic Blade. So naturally I expected some sort of typical romantic storyline within the dangerous Chor Yuen martial world. The film is far removed from this, though, with nary a single love interest to be found. The film definitely does not need them, but because I was expecting it to figure in somewhere along the line, I spent the film looking for the seeds of this non-existent sub-plot and wound up admiring how cleverly plotted and perfectly paced the film is without it.

Like any good wuxia, Pursuit of Vengeance is full of twists that shouldn’t be revealed in wholesale by the likes of me. The Wan Ma clan is inviting swordsmen to their school, and they refuse to take no for an answer. When Fu Hong-Xue says he will not visit, the emissary for the clan says that he will remain there in the road, waiting for Fu’s acceptance, as long as it takes. Of course, this can’t be an innocent gesture, and Fu is too savvy to agree. Ye Kai is also invited, as are others, and it becomes clear that a specific group of people are being pulled together by the Wan Ma clan. What is their purpose? Who is in pursuit of vengeance? You’ll have to watch the movie! It’s too good for me to delve any deeper into the story, suffice it to say that many things are not what they seem and it will take our heroes’ every wit and sense to survive.

Continue reading Pursuit of Vengeance (1977) →

Chinatown Kid (1977)

Chinatown Kid [唐人街小子] (1977)
AKA Chinatown Kung Fu

Starring Alexander Fu Sheng, Sun Chien, Phillip Kwok Chun-Fung, Lo Meng, Jenny Tseng, Shirley Yu Sha-Li, Siu Yam-Yam, Johnny Wang Lung-Wei, Yeung Chi-Hing, Wong Ching-Ho, Lo Dik, Chiang Nan, Yue Wing, Wang Han-Chen, Ku Kuan-Chung, Teresa Ha Ping, Kara Hui, Tsai Hung, Wong Lik, Chiang Sheng, Dick Wei, Wang Ching-Liang, Jamie Luk Kim-Ming, Lu Feng, Chin Chun

Directed by Chang Cheh

Expectations: Interested to finally see the longer cut.


Chinatown Kid is a great Chang Cheh film with a strong following, but it’s one of the few films that had a restoration tarnish its legacy. The story goes that when Celestial went to their Shaw archives to remaster Chinatown Kid, the only print they found was an alternate version that was much shorter, featuring re-shot scenes and a unique ending. This was back in the early 2000s, so at this point, nearly 20 years later, it’s probably safe to say that this shorter version is the only one that will ever be officially released by Celestial. It’s unfortunate because it’s almost assuredly not Chang Cheh’s original cut, but it is better than nothing. For this review, I watched the film twice: once with Celestial’s shorter version (which I’ve seen before), and once with the Venomsfan custom edit that combines a full-length VHS with a couple of extra scenes only found in the Celestial cut.

The story remains fairly constant across the two versions. Tang Dong (Alexander Fu Sheng) is an illegal immigrant who has just arrived in Hong Kong to help his aging grandpa. Finding a job is a struggle without a Hong Kong ID card, but Tang Dong is resourceful, street smart, and willing to work hard to make ends meet. He is largely driven by a materialistic desire to have cool stuff (like a digital watch), but he’s a nice guy at heart. Meanwhile in Taiwan, Yang Jian Wen (Sun Chien, in his debut role) has just returned home from two years service in the army. He shares Tang Dong’s willingness to work hard for his goals, but his family isn’t poor, and he is more book smart and responsible. Both characters end up in San Francisco by very different means (one studying abroad, the other running from the law), and they quickly befriend one another while working at a restaurant.

Continue reading Chinatown Kid (1977) →

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