Witchouse: Blood Coven (2000)

Witchouse: Blood Coven (2000)
AKA Witchouse 2

Starring Ariauna Albright, Elizabeth Hobgood, Nicholas Lanier, Kaycee Shank, Alexandru Dragoi, Adriana Butoi, Andrew Prine, Serban Celea, Claudiu Trandafir, Jeff Burr, Dave Parker

Directed by J.R. Bookwalter

Expectations: Not much, but hopefully fun like the first one.

On the general scale:

On the B-movie scale:


There’s a general assumption that sequels go down in quality from the original, and that is probably especially true in low-budget horror films. Witchouse: Blood Coven actually steps it up from the first film, with a much more fleshed-out script that delivers an actual story along with its low-budget thrills. The characters aren’t as unique and memorable as the first film, but they feel more realistic. Witchouse: Blood Coven has more in common with a traditional film that its cheapo predecessor, and so your enjoyment of it will depend on your particular leanings. For me, I appreciated the effort made, and I think it’s a better film than Witchouse, but I still think the first film wins in terms of overall entertainment.

The story of Witchouse: Blood Coven is not directly related to the first Witchouse, and that’s as it should be. I like the idea of similarly themed films grouped by an overarching title, and with the thin story running through Witchouse, it seems like a natural fit here. Anyway, Witchouse: Blood Coven takes place in Covington, Massachusetts, and it follows a university professor (Ariauna Albright) and her team of students as they investigate four unmarked graves unearthed during construction of a shopping mall. Something tells me this town has a few secrets…

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Witchouse (1999)

Starring Matt Raftery, Monica Serene Garnich, Brooke Mueller, Ashley McKinney Taylor, Dave Oren Ward, Ryan Scott Greene, Marissa Tait, Dane Northcutt, Kimberly Pullis, Jason Faunt, Ariauna Albright

Directed by David DeCoteau

Expectations: I feel like this is going to be rough.

On the general scale:

On the B-movie scale:


Witchouse is just like any number of Full Moon movies. It’s directed by David DeCoteau, it’s relatively short, and it carries a lighter tone than your average horror film. Where the conflict arises is that DeCoteau’s style has really settled into my heart over the course of writing about all these Full Moon films. Witchouse isn’t a great example of a DeCoteau film — it actually feels like his heart wasn’t in this one (even if his trademark “heartbeat on the soundtrack” is 🙂 — but regardless, I had a very fun time watching it.

Elizabeth (Ashley McKinney Taylor) lives in the Gothic mansion her family has inhabited for hundreds of years, and she’s throwing a party for her old school friends. The first couple to arrive, Bob & Margaret, find the mansion deserted, though. Like all good horror movie characters, they decide to check out the basement and fornicate, and wouldn’t you know it, they’re savagely murdered by a shadowy figure. And now, the party can begin…

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Voodoo Academy (2000)

Starring Debra Mayer, Riley Smith, Chad Burris, Kevin Calisher, Huntley Ritter, Ben Indra, Drew Fuller, Travis Sher, Rhett Wilkins

Directed by David DeCoteau

Expectations: Hopeful, the cover is promising.

On the general scale:

On the B-movie scale:


I never quite know what I’m getting myself into with a B-Movie, but I have developed a fond familiarity with the films of David DeCoteau after seeing about 30 of them. Voodoo Academy is an unexpectedly important film in DeCoteau’s filmography, so I’m glad it ended up in the final stretch of my Full Moon review series. If I had seen this a few years ago, it would be a homoerotic curiosity, but after seeing almost all the Brotherhood films, and a number of other post-2000s DeCoteau films, the resonance of Voodoo Academy is felt all the more. To put it bluntly, Voodoo Academy is basically the film that launched DeCoteau into the “hot guys in boxer briefs” genre, and honestly it’s one of his best movies.

The Carmichael Bible College is just about as unique as a college can be. The school only accepts six students at a time — it’s in an experimental phase — and its focus isn’t simply on bible studies. The good Rev. Carmichael (Chad Burris) heads the NeuroCystic Christianity Church, a new take on Christianity that recognizes God created both man and science. A main tent of the religion asserts that only through technology can man ascend to a higher closeness with the Lord. Rev. Carmichael also believes in the Catholic practice of confession, but his confessional is equipped with an electromagnetic device. Conventional confession relieves the burden of sin from the penitent man, but Rev. Carmichael’s device allows the sins to be eradicated from the mind, as well. He seeks to heal the soul through electromagnetic means, similar to the way that Scientologists go through auditing to clear themselves of past negativity.

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Puppet Master: The Littlest Reich (2018)

Starring Thomas Lennon, Jenny Pellicer, Nelson Franklin, Charlyne Yi, Michael Paré, Barbara Crampton, Udo Kier, Alex Beh, Matthias Hues, Skeeta Jenkins, Anne Beyer, Victoria Hande, Betsy Holt

Puppet Cast: Blade, Pinhead, Tunneler, Torch (as Kaiser), Amphibian, Mechaniker, Grasshüpfer, Mr. Pumper, Junior Fuhrer, Autogyro, Money Lender

Directed by Sonny Laguna & Tommy Wiklund

Expectations: Low, but it’s getting some good reviews.


The idea of a Puppet Master movie without the input of Charles Band was probably great news to many fans. Band’s films have always been low-budget, but Full Moon’s recent output is noticeably more threadbare and trashy than anything from their ’90s heyday. Their last Puppet Master film, 2017’s Puppet Master: Axis Termination, was a great step in the right direction, but I can’t argue that anyone other than die-hard fans will get much out of it. That being said, a Puppet Master film without Band seems weird to me, as Band’s wacko sense of lighthearted macabre is an integral part of the foundation to nearly every Full Moon film. Puppet Master: The Littlest Reich has its own style and tone, which introduces its own problems and shortcomings, and as such it is likely to split both fans and newcomers alike.

Edgar (Thomas Lennon) is a 40-something comic book creator returning to live at his parents’ home after his recent divorce. Nearby a puppet auction is set to happen at the Toulon Mansion, once home to the Nazi puppet maker who died in a stand-off with the police. Edgar still has a Blade puppet found by his brother when they were kids, so he decides to go sell it at the auction. There’s a bit more to it, but that’s all that matters for my purposes here. It’s a ridiculously simple set-up, and not a very elegant one. The film is truly not concerned with telling a story, though; it’s nothing more than an excuse to bring a bunch of people to one location so the puppets can wreak havoc on them. If that’s all you want out of a Puppet Master movie, then this one definitely delivers. That has never been the focus of Band’s Puppet Master movies, but this is a parallel series so that’s not entirely surprising.

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Ravenwolf Towers (2016)

Starring Shiloh Creveling, Evan Henderson, Maria Olsen, Michael Citriniti, George Appleby, Sonny King, Jesse Egan, Rosemary Brownlow, Arthur Roberts, Robert Cooper, Nihilist Gelo, William Paul Burns, Tarashai Lee

Directed by Charles Band

Expectations: Not much. Perhaps a variation on the Evil Bong store format.

On the general scale:

On the B-movie scale:


Usually I try to keep up with the latest offerings from Full Moon, but Ravenwolf Towers slipped through the cracks. It originally debuted as an episodic series in December 2016, with new episodes to be released every subsequent full moon. My intentions were to review the complete series, like I did with Trophy Heads, their previous episodic release, but Full Moon stopped releasing new episodes after the third came out in February 2017. For a while I assumed they were just behind schedule — it happens to the best of us — so I continued to wait, and in November 2017 they released a feature-length version combining the three released episodes. My intentions were to review it ASAP, but then I got behind schedule myself and now here we are in the latter half of June 2018 and I’m finally reviewing Ravenwolf Towers. Why do I relate this long-winded history of putting off Ravenwolf Towers? Well… because Ravenwolf Towers is fantastic, a real achievement for Full Moon, and I’m sorry I ever waited to watch it. I imagine there are others who were similarly waiting to watch it, and I hope by relating my story I might get people off the fence and onto their favorite Full Moon streaming platform to watch it!

Ravenwolf Towers takes place in the titular building, a rundown hotel in Hollywood that’s been around since at least the 1920s. Jake (Evan Henderson) is hired on as an assistant manager, and things get weird before he even has a chance to settle in. The entire top floor is leased by a single family, access to this floor is only available via a special key to the elevator, and the family is not to be disturbed unless absolutely necessary. Ivan Ivanoff (George Appleby) — a character from the Decadent Evil movies and, most recently, Puppet Master: Axis Termination — rents a room and pays cash to avoid the standard forms and questions. His presence suggests a supernatural evil is afoot, but perhaps a better clue is the deformed monstrosity of a man who hides in a wardrobe and rips off a man’s arm during the film’s intro! 🙂

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Evil Bong 777 (2018)

Starring Sonny Carl Davis, Robin Sydney, Jessica Morris, Michelle Mais, Brooks Davis, Mindy Robinson, Peter Donald Badalamenti II (as The Don), Caleb Hurst, Adam Noble Roberts, Elina Madison, Tonya Kay, Jillian Janson, Tanya Tate, Circus-Szalewski, K. Harrison Sweeney, Noelle Ann Mabry, Leya Falcon

Directed by Charles Band

Expectations: High times.

On the general scale:

On the B-movie scale:


Another 4/20, another Evil Bong movie! Somehow the last entry, Evil Bong 666, was one of the series’ high points, but I’d be lying if I said this gave me too much hope for the next film; it’s always better to have low expectations and be surprised, than to expect everything and be disappointed. In any case, my fears were mostly for naught, as Evil Bong 777 is nearly as fun and inventive as the film before it. My main complaint is that it’s more of a tease than a movie; the villains don’t do much of merit, and it ends on a fairly unsatisfying cliffhanger. That being said, the Evil Bong films were never about delivering a complete and balanced experience to the audience. Instead, they offer a range of oddball characters in oddball situations, and on these terms Evil Bong 777 does quite well.

Evil Bong 777 begins with a short recap of the events of Evil Bong 666 for those who forgot what happened, which is likely a large portion of the “medicated” audience. I definitely didn’t remember the specifics, and if there’s one thing I know about Evil Bong, it’s that intricate knowledge of the plot is essential to the series. 😀 Anyway, upon seeing the colorful images from a 4/20 gone by, I recalled all the weird fun that made up Evil Bong 666. To my surprise, this helps the Evil Bong 777 experience considerably, allowing you a minute to readjust your mind to the whacked-out world of Eebee and friends before diving back in. The recap also gave me the idea of a DVD extra where fans of the series try to explain the movies to people who have never heard of them; I’m positive the reactions would be hilarious. For my purposes here, though, I’ll just say that Rabbit, Faux Batty Boop, and Misty (along with the Gingerweed Man and Eebee) are behind the Venice Beach Magical Weed Dispensary where many of the films have taken place, but before you can say “Puff, Puff, Pass” they’re taking the weed circus on the road to Vegas thanks to a convenient Splyft limo ride.

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Deadly End (2005)

Deadly End (2005)
AKA Neighborhood Watch

Starring Jack Huston, Pell James, Nick Searcy, Terry Becker, Anina Lincoln, Meredith Morton, John Ennis, De Anna Joy Brooks, Irwin Keyes, Randall Bosley, Gil Glasgow, Janice Davies, Tim Devitt

Directed by Graeme Whifler

Expectations: Low.

On the general scale:

On the B-movie scale:


Like Vengeance of the Dead, Full Moon picked up Deadly End for distribution and re-titled it. The original title was Neighborhood Watch, and it is much more fitting than whatever Deadly End is supposed to signify. Regardless which title you prefer, Deadly End is probably the strongest film to be released by Full Moon during the 2000s. I know that isn’t saying much because of Full Moon’s relatively lackluster offerings during that time, but I’m confident that Deadly End would shine in any of Full Moon’s eras. The film’s budget is minimal, but the ingenuity and the craft on display is anything but. It’s really a shame that director Graeme Whifler — who also wrote Sonny Boy and co-wrote Dr. Giggles — didn’t go on to make any other features, as Deadly End is a strong, memorable debut.

Bob Petersen (Jack Huston) and his wife Wendy (Pell James) have moved across the country to a seemingly normal neighborhood in the Californian desert. One house has multiple “Keep Out” signs and barricades, and another has derelict appliances in the front yard, but as someone who lived in that area for about 30 years, I can attest to this not being too far outside the norm. But nothing is normal or innocent in this particular film, and things get dark fairly quickly. Before that turn, though, we meet Bob and Wendy during their first night in their new home. In their underwear, they crawl on the floor around a maze of boxes, flirtatiously meowing to each other. Not your average foreplay, but hey, it’s their house and they can do what they want. When they’re done playing cat and mouse cat, the couple passionately makes love. In these moments, the precious, deep love they have for one another is tangible. The scene is surprisingly affecting and erotic, not so much in a titillating way, but in accurately replicating the reality of a moment’s passion between two loving people. It is undeniable, and it is pure, and for the remainder of the film, this innocence will be systematically attacked and tested.

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