Ravenwolf Towers (2016)

Starring Shiloh Creveling, Evan Henderson, Maria Olsen, Michael Citriniti, George Appleby, Sonny King, Jesse Egan, Rosemary Brownlow, Arthur Roberts, Robert Cooper, Nihilist Gelo, William Paul Burns, Tarashai Lee

Directed by Charles Band

Expectations: Not much. Perhaps a variation on the Evil Bong store format.

On the general scale:

On the B-movie scale:


Usually I try to keep up with the latest offerings from Full Moon, but Ravenwolf Towers slipped through the cracks. It originally debuted as an episodic series in December 2016, with new episodes to be released every subsequent full moon. My intentions were to review the complete series, like I did with Trophy Heads, their previous episodic release, but Full Moon stopped releasing new episodes after the third came out in February 2017. For a while I assumed they were just behind schedule — it happens to the best of us — so I continued to wait, and in November 2017 they released a feature-length version combining the three released episodes. My intentions were to review it ASAP, but then I got behind schedule myself and now here we are in the latter half of June 2018 and I’m finally reviewing Ravenwolf Towers. Why do I relate this long-winded history of putting off Ravenwolf Towers? Well… because Ravenwolf Towers is fantastic, a real achievement for Full Moon, and I’m sorry I ever waited to watch it. I imagine there are others who were similarly waiting to watch it, and I hope by relating my story I might get people off the fence and onto their favorite Full Moon streaming platform to watch it!

Ravenwolf Towers takes place in the titular building, a rundown hotel in Hollywood that’s been around since at least the 1920s. Jake (Evan Henderson) is hired on as an assistant manager, and things get weird before he even has a chance to settle in. The entire top floor is leased by a single family, access to this floor is only available via a special key to the elevator, and the family is not to be disturbed unless absolutely necessary. Ivan Ivanoff (George Appleby) — a character from the Decadent Evil movies and, most recently, Puppet Master: Axis Termination — rents a room and pays cash to avoid the standard forms and questions. His presence suggests a supernatural evil is afoot, but perhaps a better clue is the deformed monstrosity of a man who hides in a wardrobe and rips off a man’s arm during the film’s intro! 🙂

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Blood Dolls (1999)

Starring Jack Maturin, Debra Mayer, William Paul Burns, Warren Draper, Nicholas Worth, Jodie Fisher, Phil Fondacaro, Naomi McClure

Directed by Charles Band

Expectations: Moderate, it sounds fun and it has Phil Fondacaro.


Where do I start with this fucking movie? Blood Dolls goes the trashy route and does its best to shock and awe the viewer into liking it. It’s truly a movie that will only appeal to the most demented group of people in the audience, which realistically is probably a large subset of the people who even give a shit about Full Moon movies. I unfortunately am not so keen on this particular brand of demented film, the “demented for the sake of being demented” variety. So far I’ve seen four Full Moon films from 1999, and with the exception of Mysterious Museum, they’ve all been of a similar poor quality which makes me wonder if this was the turning point year for their quality films. I do have to give Blood Dolls a lot of credit for trying, as the story is a bit more thought out than your general Charles Band affair, it has nice widescreen cinematography and it does feature actors you may know, such as Phil Fondacaro or that bald guy from Darkman (Nicholas Worth).

The story is fairly simple but a synopsis won’t do justice to the absurd nature of the goings-on. Basically there’s an eccentric millionaire Travis that has lost his fortune to a trio of conniving bastards who banded together and fucked him over. Being the eccentric, evil genius type though, he refuses to lie down and take it, instead creating a machine to transform people into subservient killer dolls. Why? Because this is a Charles Band movie and Band really has a hard-on for small things killing people. Also at his command is a butler/henchman dude that perpetually wears clown makeup (played by William Paul Burns, genuinely the best actor in the film), an eyepatch-sportin’ midget played by Phil Fondacaro and a girl rock band in a cage in the back of his office.

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