Puppet Master: The Littlest Reich (2018)

Starring Thomas Lennon, Jenny Pellicer, Nelson Franklin, Charlyne Yi, Michael Paré, Barbara Crampton, Udo Kier, Alex Beh, Matthias Hues, Skeeta Jenkins, Anne Beyer, Victoria Hande, Betsy Holt

Puppet Cast: Blade, Pinhead, Tunneler, Torch (as Kaiser), Amphibian, Mechaniker, Grasshüpfer, Mr. Pumper, Junior Fuhrer, Autogyro, Money Lender

Directed by Sonny Laguna & Tommy Wiklund

Expectations: Low, but it’s getting some good reviews.


The idea of a Puppet Master movie without the input of Charles Band was probably great news to many fans. Band’s films have always been low-budget, but Full Moon’s recent output is noticeably more threadbare and trashy than anything from their ’90s heyday. Their last Puppet Master film, 2017’s Puppet Master: Axis Termination, was a great step in the right direction, but I can’t argue that anyone other than die-hard fans will get much out of it. That being said, a Puppet Master film without Band seems weird to me, as Band’s wacko sense of lighthearted macabre is an integral part of the foundation to nearly every Full Moon film. Puppet Master: The Littlest Reich has its own style and tone, which introduces its own problems and shortcomings, and as such it is likely to split both fans and newcomers alike.

Edgar (Thomas Lennon) is a 40-something comic book creator returning to live at his parents’ home after his recent divorce. Nearby a puppet auction is set to happen at the Toulon Mansion, once home to the Nazi puppet maker who died in a stand-off with the police. Edgar still has a Blade puppet found by his brother when they were kids, so he decides to go sell it at the auction. There’s a bit more to it, but that’s all that matters for my purposes here. It’s a ridiculously simple set-up, and not a very elegant one. The film is truly not concerned with telling a story, though; it’s nothing more than an excuse to bring a bunch of people to one location so the puppets can wreak havoc on them. If that’s all you want out of a Puppet Master movie, then this one definitely delivers. That has never been the focus of Band’s Puppet Master movies, but this is a parallel series so that’s not entirely surprising.

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Evil Bong 777 (2018)

Starring Sonny Carl Davis, Robin Sydney, Jessica Morris, Michelle Mais, Brooks Davis, Mindy Robinson, Peter Donald Badalamenti II (as The Don), Caleb Hurst, Adam Noble Roberts, Elina Madison, Tonya Kay, Jillian Janson, Tanya Tate, Circus-Szalewski, K. Harrison Sweeney, Noelle Ann Mabry, Leya Falcon

Directed by Charles Band

Expectations: High times.

On the general scale:

On the B-movie scale:


Another 4/20, another Evil Bong movie! Somehow the last entry, Evil Bong 666, was one of the series’ high points, but I’d be lying if I said this gave me too much hope for the next film; it’s always better to have low expectations and be surprised, than to expect everything and be disappointed. In any case, my fears were mostly for naught, as Evil Bong 777 is nearly as fun and inventive as the film before it. My main complaint is that it’s more of a tease than a movie; the villains don’t do much of merit, and it ends on a fairly unsatisfying cliffhanger. That being said, the Evil Bong films were never about delivering a complete and balanced experience to the audience. Instead, they offer a range of oddball characters in oddball situations, and on these terms Evil Bong 777 does quite well.

Evil Bong 777 begins with a short recap of the events of Evil Bong 666 for those who forgot what happened, which is likely a large portion of the “medicated” audience. I definitely didn’t remember the specifics, and if there’s one thing I know about Evil Bong, it’s that intricate knowledge of the plot is essential to the series. 😀 Anyway, upon seeing the colorful images from a 4/20 gone by, I recalled all the weird fun that made up Evil Bong 666. To my surprise, this helps the Evil Bong 777 experience considerably, allowing you a minute to readjust your mind to the whacked-out world of Eebee and friends before diving back in. The recap also gave me the idea of a DVD extra where fans of the series try to explain the movies to people who have never heard of them; I’m positive the reactions would be hilarious. For my purposes here, though, I’ll just say that Rabbit, Faux Batty Boop, and Misty (along with the Gingerweed Man and Eebee) are behind the Venice Beach Magical Weed Dispensary where many of the films have taken place, but before you can say “Puff, Puff, Pass” they’re taking the weed circus on the road to Vegas thanks to a convenient Splyft limo ride.

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