Shaolin Temple (1976)

Shaolin Temple [少林寺] (1976)
AKA Death Chamber

Starring Alexander Fu Sheng, Chi Kuan-Chun, Wai Wang, David Chiang, Ti Lung, Johnny Wang Lung-Wei, Yueh Hua, Wong Chung, Lau Wing, Bruce Tong Yim-Chaan, Phillip Kwok Chun-Fung, Li Yi-Min, Shih Szu, Ku Wen-Chung, Shan Mao, Chiang Sheng, Ku Feng, Lu Feng, Wong Ching, Tsai Hung, Chiang Nan, Shum Lo, Wang Han-Chen, Lee Sau-Kei, Liu Wai, Hao Li-Jen

Directed by Chang Cheh (with Wu Ma)

Expectations: Another Shaolin Cycle film. Yes, I’m still expecting greatness.


Shaolin Temple isn’t Chang Cheh’s last Shaolin film, but it is the last in his Shaolin Cycle that began with 1974’s Heroes Two. His later Shaolin films with the Venom Mob actors may relate in some ways, but I consider them separately from the Shaolin Cycle films. Anyway, Shaolin Temple is a great finale to Chang’s non-linear series with a habit of contradicting itself and re-telling different versions of the same story. Shaolin Temple showcases something that has been talked about in just about every film, but has yet to be shown in its full glory: the Shaolin Temple itself. In classic Chang Cheh fashion, it’s also not a typical martial arts film; it’s one that puts the Shaolin Temple and its teachings at the forefront of the film, above character development and even plot. If you’ve seen all the previous entries, this isn’t a big deal, but newcomers might be a little lost with the sheer amount of characters in the film.

Shaolin Temple is basically a prequel to Five Shaolin Masters and Heroes Two/Men from the Monastery/The Shaolin Avengers (and while we’re building shaky Shaw Shaolin timelines, Lau Kar-Leung’s The 36th Chamber of Shaolin would come directly before Shaolin Temple). It also re-tells/re-imagines certain aspects that would tie into those films, so it’s not the type of prequel that completely works. That doesn’t matter in this case, though, as these are folk tales just waiting to be re-imagined and re-told as the teller sees fit. In any case, the film opens with Hung Hsi-Kuan (here played by Wang Wai), Fang Shih-Yu/Fong Sai-Yuk (Alexender Fu Sheng), and Hu Huei-Chien (Chi Kuan-Chun) kneeling outside the Shaolin Temple in hopes of being accepted for training in the martial arts. The Grand Master (Ku Wen-Chung) decides that after five days of kneeling, the men are dedicated enough to withstand the hardships of Shaolin training. What ultimately sways him is his feeling that if he does not teach them, the very survival of the Shaolin martial arts might hang in the balance. They enter the temple, and it begins a new era of the temple training outsiders to aid their resistance against the oppressive Qing government.

Continue reading Shaolin Temple (1976) →

The Condemned (1976)

The Condemned [死囚] (1976)

Starring David Chiang, Tsai Hung, Lily Li Li-Li, Ku Feng, Woo Gam, Pai Ying, Kong Yeung, Chan Shen, Yuen Sam, Wong Ching, Shum Lo, Lee Hoi-Sang

Directed by David Chiang

Expectations: Moderate.


At first, The Condemned seems like it will be another in a long line of martial arts films where a hero comes to town and vanquishes the area’s marauding bandits. That is essentially what ends up happening, but the road there is far different than just about any other Shaw film I can think of. Ni Kuang has crafted yet another excellent script, and director David Chiang translates it to the screen quite effectively. It offers a rare starring role to one of my beloved supporting actors, Tsai Hung, and the interplay he has with David Chiang is thrilling to watch. Thanks to all of this, The Condemned is a real hidden gem of a film waiting for a new audience to rediscover it.

Feng Dagang (Tsai Hung) is a righteous martial artist who has been sent by his master to help Mr. Xue (Yuen Sam) with an especially nasty group of bandits. These guys rape, pillage and cause all sorts of mayhem at will, so it will be quite a task to defeat them. Mr. Xue is saddened that only the student has arrived to aid him, and he’s disheartened that Feng will remedy the problem sufficiently. But when the bandits attack Mr. Xue’s home, Feng proves himself to be a stalwart and capable fighter. The only problem is that when the police arrive, the situation looks as if Feng has been the perpetrator of all the death and violence in the Xue home.

Continue reading The Condemned (1976) →

The Protectors (1975)

The Protectors [鏢旗飛揚] (1975)

Starring Lo Lieh, Chang Pei-Shan, Wang Hsieh, Yeung Oi-Wa, Lee Sau-Kei, Chan Shen, Dean Shek Tin, Wong Ching, Chan Chuen, Wong Ching-Ho, Wu Chi-Chin

Directed by Wu Ma

Expectations: Moderate.


As with quite a few of the films Shaw released in 1975, The Protectors was shot in 1971 and held back from release. The reasoning for this is up for anyone’s best guess, especially since it tells a complete, satisfying story with vibrant characters despite only running 62 minutes. Instead of making random speculations, I should focus on what’s here, and besides, The Protectors actually benefits from the extreme, barely feature-length brevity. It cooks the film down to its bare essentials, and since it’s a solid piece of work, it excels at entertaining in a way that only a good Shaw Brothers wuxia can.

The Eagle Escorts are known throughout the land as the security bureau to hire if you want to be sure your gold or silver arrives safely at its destination. The founder is aged and confined to his chair, but the company continues to thrive thanks to the skilled swords of Ling Xiao (Lo Lieh) and Guan Wang Long (Chang Pei-Shan). After another successful mission (that left tons of bandits dead on the trail), Ling and Guan return to headquarters. At the gate, welcoming them home, is Fang Yan Er (Yeung Oi-Wa), the object of Guan’s affection. She does not reciprocate these feelings, though, instead she is kind of infatuated with Ling. From his reaction, this is not the first time Guan has felt jilted, and this resentment is near the point of explosion.

Continue reading The Protectors (1975) →

All Men Are Brothers (1975)

All Men Are Brothers [蕩寇誌] (1975)
AKA Seven Soldiers of Kung Fu, Seven Blows of the Dragon II, Seven Kung Fu Assassins

Starring David Chiang, Fan Mei-Sheng, Chen Kuan-Tai, Wong Chung, Danny Lee, Wang Kuang-Yu, Yue Fung, Ti Lung, Chu Mu, Tin Ching, Tung Lam, Chen Feng-Chen, Bolo Yeung, Lau Gong, Wong Ching, Chang Yang, Betty Chung, Ku Feng, Tetsuro Tamba, Chin Feng, Chen Wo-Fu, Michael Chan Wai-Man, Bruce Tong Yim-Chaan

Directed by Chang Cheh & Wu Ma

Expectations: Super high! A sequel to one of my all-time favorite Shaw films? Yes, please!


The Water Margin is one of my all-time favorite Shaw Brothers films (along with all of Shaw’s other films based on the classic Chinese novel —  Delightful Forest, Pursuit, and to a lesser extent The Amorous Lotus Pan and Chang’s segment in Trilogy of Swordsmanship), so All Men Are Brothers had a lot to live up to. The key to my immense affection for each film lies in how they all carry their own style and are therefore able to stand on their own in companionship with the other films, like the 108 Liang Shan bandits themselves. All Men Are Brothers is another very welcome addition to this lineup, taking its own path along the way to dramatizing a section of the illustrious book.

All of the previous films dealt with chapters from either the beginning or the middle of the book, but All Men Are Brothers seeks to tell the end of the tale. It takes material mostly from Chapters 90–100 (out of 100 total chapters), which deal with the redemption of the outlaws through their struggle to defeat the rebellious Fang La and his generals. A couple of flashbacks tell earlier tales to provide some character depth, and the film opens with Yan Qing’s procurement of the bandits’ pardon from the emperor (which is detailed in Chapter 81), but the film is mostly concerned with bringing everything to a close.

Continue reading All Men Are Brothers (1975) →

The Gambling Syndicate (1975)

The Gambling Syndicate [惡霸] (1975)

Starring Danny Lee, Woo Gam, Ku Feng, Fan Mei-Sheng, Cheng Kang-Yeh, Lo Lieh, Chiang Nan, Wong Ching, Lee Pang-Fei

Directed by Chang Tseng-Chai

Expectations: High. I loved The Casino, so I’m eager to see what Chang Tseng-Chai has up his sleeve for this one.


Chang Tseng-Chai’s previous gambling film, The Casino, was a gambling drama with a dash of action. The Gambling Syndicate completely flips the equation and delivers an action film with a flavoring of gambling drama. Which film you prefer will be up to the type of movies you like, but each film has its own strengths and weaknesses. Regardless, they are both relentlessly entertaining and full of life.

The Gambling Syndicate begins by introducing us to the film’s casino and the villains who run it. We work through multiple levels of hierarchy in a short amount of time, and for the first 15 minutes or so it really feels like the film will live up to its title by focusing entirely on the villains. But there the film brings in the heroes, and never really returns to explore the syndicate further. This is one of the few strikes against the film, but in a film as quick-moving and fun as The Gambling Syndicate, this kind of flaw doesn’t really amount to much.

Continue reading The Gambling Syndicate (1975) →

Five Tough Guys (1974)

fivetoughguys_1Five Tough Guys [五大漢] (1974)
AKA Kung Fu Hellcats

Starring Chen Kuan-Tai, Wai Wang, Shut Chung-Tin, Fan Mei-Sheng, Wong Chung, Ku Feng, Lily Ho Li-Li, Ling Yun, Omae Hitoshi, Tung Lam, Cheng Miu, Wong Ching, Yeung Chi-Hing, Kong Yeung, Yeung Chak-Lam, Cheng Kang-Yeh

Directed by Pao Hsueh-Li

Expectations: Low, but the title is fun.

twohalfstar


There is an abundance of promise in Five Tough Guys. A dense, unique script from the illustrious Ni Kuang deals with the changing times when guns supplanted the years of training and expertise of kung fu masters. A group of excellent actors fill the roles, with superstar Chen Kuan-Tai heading up the cast, Ku Feng as the main antagonist, and Fan Mei-Sheng’s best role since The Water Margin. And the fights are choreographed by the experienced and notable pair of Lau Kar-Wing (brother of Lau Kar-Leung) and Huang Pei-Chih (brother of Tang Chia). The elements for a great film are clearly here, but unfortunately director Pao Hsueh-Li fails to bring them together into a cohesive package.

Like many of Ni Kuang’s scripts from this era, Five Tough Guys is based in part on Chinese history. The story is set during the early days of the Republic of China (around 1915), centered around General Tsai Song-Po (Ling Yun) and his rebellion against General Yuan Shikai. Yuan was the first formal president of the Republic of China, but at the time depicted in the film he was also attempting to restore monarchy to China by naming himself Emperor. He would eventually do this, which led to the National Protection War, but these events don’t occur during the course of Five Tough Guys. The film is just focused on the flight of General Tsai through enemy territory so that he can forward the rebellion’s cause.

Continue reading Five Tough Guys (1974) →

Young Lovers on Flying Wheels (1974)

youngloversonflyingwheels_2Young Lovers on Flying Wheels [電單車] (1974)

Starring Ti Lung, Rainbow Ching Ho-Wai, Helen Ko, Chin Chun, Chiang Nan, Dean Shek Tin, Lee Hoi-Sang, Lam Fai-Wong, Wong Ching, Lee Man-Tai, Lau Mei-Fung, Gam Lau, Wong Chi-Keung, Ho Pak-Kwong

Directed by Ti Lung

Expectations: Moderate. The title is fun and intriguing.

twohalfstar


Within mere seconds, Young Lovers on Flying Wheels has shown us both young lovers on the beach —  Song Da (Ti Lung) and Ye Wei (Helen Ko) — and a bunch of young riders zipping around on the flying wheels of their motorcycles. The tone is immediately light and a bit strange, as Ti Lung is wriggling on the sand to avoid Helen Ko’s kisses and eventually runs away and jumps into the ocean. OK, then! The title led me to believe this might be a motorcycle-themed delinquent youth romance picture to go along with the many films of Chang Cheh (and David Chiang’s The Drug Addict). It’s technically closer to those than any other Shaw films, but it lacks the hard-hitting drama necessary to pull that type of movie off. Ti Lung’s directorial debut is more of an action comedy with a moral, although without the drama the moral isn’t nearly as potent as it could have been.

Shortly after the beach shenanigans, Song Da and Yu Wei need to catch the bus back to town. They aren’t quick enough to make the big bus, and when the mini-bus comes around there just isn’t enough room for them both. Yu isn’t the kind of girl who likes to be kept waiting, so when a group of motorcyclists stop to help, she hops on the back of one of their bikes and rides off without Song Da. She’s a selfish girlfriend, pushing Song Da out of his comfort zone and influencing him negatively. Song Da is a dreamy, somewhat dense character, naive and looking for guidance. Watching Yu drive off with the motorcycle dudes, he dreams of one day having his own bike, and this dream quickly consumes him completely.

Continue reading Young Lovers on Flying Wheels (1974) →

Page 1 of 3123

Subscribe via Email!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 77 other subscribers

Ongoing Series

Top Posts & Pages