The Naval Commandos (1977)

The Naval Commandos [海軍突擊隊] (1977)

Starring Lau Wing, Chi Kuan-Chun, David Chiang, Alexander Fu Sheng, Shih Szu, Ti Lung, Bruce Tong Yim-Chaan, Chiang Sheng, Phillip Kwok Chun-Fung, Lu Feng, An Ping, Woo Kei, Shan Mao, Lee Sau-Kei, Chu Jing, Kwok San-Hing, Lam Fai-Wong, David Tang Wei

Directed by Chang Cheh (with Pao Hsueh-Li, Wu Ma, and Liu Wei-Bin)

Expectations: Pretty high.


The Naval Commandos was one of the last movies Chang Cheh made in Taiwan before returning to the Shaw studio in Hong Kong. It was produced in cooperation with Taiwan’s Central Film Company, and like 7-Man Army, the Taiwanese military assisted with the filming by providing vehicles and other tools of war to make the film realistic. This is evident throughout the film, but it is the most prominent during the film’s introduction and frame story. It depicts a training exercise simulating the many pieces involved in a successful beachfront invasion (similar to the D-Day invasion shown in Saving Private Ryan or The Big Red One). It works beautifully to set the stage for the wartime action drama to follow, as well as serving as a large-scale display of power for the Taiwanese military.

This introduction is great, and it perfectly frames the film, but the film’s primary story is far more interesting. Many years prior during the Second Sino-Japanese War, when the Chinese Navy was less advanced, the Japanese cruiser Izumo (referenced as Izuma in the subtitles) was docked in Japanese-controlled Shanghai in preparation for further attack on China. The Chinese Navy had nothing that could stand up to the Izumo in direct battle, so it is decided that a small group of men aboard a torpedo boat will try to perform a sneak attack disguised as a fishing boat. Getting there is not so easy, though, as there is a huge field of mines to be crossed and Japanese patrols to elude. It is a valiant plan in theory, but unfortunately it is derailed before it even has a chance of success. The men arrive in Shanghai, undeterred and focused on finding a new method of sinking the Izumo.

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Swordsman at Large (1971)

SwordsmanatLarge+1971-66-bSwordsman at Large [蕭十一郎] (1971)

Starring Wai Wang, Tina Chin Fei, Margaret Hsing Hui, Chow Sam, Got Siu-Bo, Liu Ping, O Yau-Man, Pak Lam, Yue Fung, Chu Jing, Chang Yi, Chen Hung-Lieh

Directed by Hsu Cheng-Hung

Expectations: Pretty low, based on it being a Hsu Cheng-Hung movie.

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As much as I’d like every movie to be made specifically for me, that just isn’t the case. Swordsman at Large is a great example of this, as it’s a handsome production of a rich, character-driven wuxia film in the old tradition of the genre’s roots, but as someone who highly values the changes and the advancements that Chang Cheh (and to a lesser extent Lo Wei) brought to the genre, I don’t care how handsome the production is, this is one movie that I just could not get into.

It must have been something of a big deal at its time, though, as it featured big name guest stars in glorified cameos. The stars in question are Chang Yi and Chen Hung Lieh, who basically come on-screen and promptly get killed. They mean absolutely nothing to the story of the film, but this is not the only moment in screenwriter Ku Lung’s script that is convoluted and meaningless in unnecessary ways. But this was Ku’s first credited script, so I can cut him some slack. He later went on to work with Lo Wei during the “Lo Wei Motion Picture Co., Ltd.” era, otherwise known as “the years Jackie Chan would rather forget” (and that I also just so happen be reviewing my way through currently!).

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The Fastest Sword (1968)

The Fastest Sword [天下第一劍] (1968)

Starring Liu Ping, Chu Jing, Go Ming, Han Chiang, Liu Wai, Chiu Keung, Lee Goon-Cheung, Law Hon, Man Gau, Chuen Yuen, Gam Lee-Sang, Man Man, Tai Leung, Ling Siu, Cheung Ching-Fung

Directed by Pan Lei

Expectations: Low.


Going into The Fastest Sword I had little to no expectations. It featured no one that I recognized from a quick look at the cast list and I had never heard of director Pan Lei either. The Fastest Sword took me by surprise though, as it’s actually a very good martial drama that revolves around the classic story trope of the cursed warrior who wants nothing more than to leave his past life behind him. It surprisingly brings together nearly all the necessary elements for a fun film: great directing, quality acting & martial performance, and a well-written screenplay.

The film opens with a badass swordsman from the South (Liu Ping) taking on three combatants who have come to avenge their brother’s murder. He quickly takes them out and an old man steps up and challenges the swordsman to a duel. If the old man wins, the famous Southern Sword must stay with him and train for three years. The cocky young man agrees and within the space of a few seconds he’s bested by the bearded elderly master. The film then moves into what is the first real extended master/pupil sequence I’ve seen while doing this review series, and I welcome the scene with open arms. It isn’t the training sequences martial arts fans are accustomed though (so don’t envision Challenge of the Masters), but it features some of the best moments of the film, specifically when the master tasks his student with carving a statue out of a giant rock. The master gives his student his task and then says, “I’ll be back in six months.” It’s a fantastic scene and one that eventually leads our hero to seek a new life as a mason in a small town.

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