The Bride from Hell (1972)

The Bride from Hell [鬼新娘] (1972)

Starring Margaret Hsing Hui, Yang Fang, Lui Ming, Got Siu-Bo, Kong Ha, Chang Feng, Carrie Ku Mei, Pan Chieh-Yi, Chang I-Fei, Chiu Keung

Directed by Chou Hsu-Chiang

Expectations: For some reason, I’m not expecting much.


Prior to its Blu-ray release from 88 Films, The Bride from Hell barely registered on my radar. Anything titled The Bride from Hell is surely worth a look, especially to a big fan of Hong Kong horror like myself, but this was a film that I literally never heard anyone talking about. Coupled with a production year in the early ’70s, I kind of wrote it off as a tame example of early Shaw horror before the gross-out glory days of Kuei Chih-Hung. But then here it is, receiving a Blu-ray release before many other, well-known Shaw horror films, and it came with a rather loving and excited endorsement from 88 Films. My expectations remained muted, and perhaps because of this, I really, really enjoyed this one. The title is perhaps a little misleading, and a Google translation of the Chinese title says that it means “Ghost Bride” which makes a lot more sense.

The Bride from Hell is relatively slow, but I was hooked from the first moment. A coffin sits in a marsh of swirling fog and tall grasses. It opens and a woman emerges, twirling and bathed in the time-honored traditional green light of the Hong Kong horror film. Then we meet a pair of fellas walking by a lake, Nie Yun Peng (Yang Fang) and his servant Da Huo Zi (Got Siu-Bo). A woman stands forlornly at the edge of the water, but when they approach they fear she is a ghost and run off. They seek refuge in a country home, where Anu (Margaret Hsing Hui) lives with a servant of her own (Kong Ha). During the night, both of the men decide to peep on their female counterpart, but when they’re caught they propose marriage to make it right. So begins the supernatural shenanigans of The Bride from Hell.

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The Fastest Sword (1968)

The Fastest Sword [天下第一劍] (1968)

Starring Liu Ping, Chu Jing, Go Ming, Han Chiang, Liu Wai, Chiu Keung, Lee Goon-Cheung, Law Hon, Man Gau, Chuen Yuen, Gam Lee-Sang, Man Man, Tai Leung, Ling Siu, Cheung Ching-Fung

Directed by Pan Lei

Expectations: Low.


Going into The Fastest Sword I had little to no expectations. It featured no one that I recognized from a quick look at the cast list and I had never heard of director Pan Lei either. The Fastest Sword took me by surprise though, as it’s actually a very good martial drama that revolves around the classic story trope of the cursed warrior who wants nothing more than to leave his past life behind him. It surprisingly brings together nearly all the necessary elements for a fun film: great directing, quality acting & martial performance, and a well-written screenplay.

The film opens with a badass swordsman from the South (Liu Ping) taking on three combatants who have come to avenge their brother’s murder. He quickly takes them out and an old man steps up and challenges the swordsman to a duel. If the old man wins, the famous Southern Sword must stay with him and train for three years. The cocky young man agrees and within the space of a few seconds he’s bested by the bearded elderly master. The film then moves into what is the first real extended master/pupil sequence I’ve seen while doing this review series, and I welcome the scene with open arms. It isn’t the training sequences martial arts fans are accustomed though (so don’t envision Challenge of the Masters), but it features some of the best moments of the film, specifically when the master tasks his student with carving a statue out of a giant rock. The master gives his student his task and then says, “I’ll be back in six months.” It’s a fantastic scene and one that eventually leads our hero to seek a new life as a mason in a small town.

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