Magic in the Mirror: Fowl Play (1997)

Starring Jamie Renée Smith, Kevin Wixted, Saxon Trainor, David Brooks, Godfrey James, Eileen T’Kaye, Gerrit Graham, Bryan J. Terrill, Eugen Cristian Motriuc, Ion Haiduc, Brent Morris, Iulia Gavril, Ileana Sandulescu, Daniela Marzavan, Stelian Nistor, Mihai Niculescu

Directed by Ted Nicolaou

Expectations: Moderate. I liked the first one.

On the general scale:

On the B-movie scale:


The first Magic in the Mirror film was a great blend of weird B-Movie thrills and kids’ movie charm, so I was hopeful that the sequel could deliver more of the same. It turns out that the sequel does just that, but upon receiving it I’m not sure that I actually needed any more. Magic in the Mirror: Fowl Play tries its best to move the adventure in a different direction, but even with this shift the story still boils down to the same beats as the original. For kids who enjoyed the first film, this will likely be a good thing, as the sequel scratches the same itch, but do kids who enjoy these movies still exist? If you’re looking for a bit more, you should probably look elsewhere, although if you’re reading this I’m not sure this applies to you. You’re a special type of person if you’re reading reviews of low-budget kids’ movies from the late ’90s. 🙂

After returning home from her adventure in the mirror world, Mary Margaret (Jamie Renée Smith) is helping her parents prepare for her mother Sylvia’s upcoming party. I honestly don’t remember why they were having a party, but I know it wasn’t a birthday, and I’m pretty sure it was something to do with Sylvia’s work in the field of making lasers that rip holes into other dimensions. Meanwhile, her partner in this work, Dr. Lazlo Tuttle (Mihai Niculescu), has decided to go rogue and use the machine for his own purposes. In doing so he lasers himself directly into Dragora’s palace, and if you forgot who Dragora is, she’s the Drake queen who enjoys nothing more than a good cup of “people tea.” This allows Dragora to enter our world unchecked, bringing with her a couple of Drake underlings and a serious grudge against Mary Margaret.

Continue reading Magic in the Mirror: Fowl Play (1997) →

Magic in the Mirror (1996)

Starring Jamie Renée Smith, Kevin Wixted, Saxon Trainor, David Brooks, Godfrey James, Eileen T’Kaye, Eugen Cristian Motriuc, Ion Haiduc, Ileana Sandulescu, Daniela Marzavan, Mihai Niculescu

Directed by Ted Nicolaou

Expectations: Low.

On the general scale:

On the B-movie scale:


B-Movies are always subjectively entertaining, so when I say that I found Magic in the Mirror to be one of the best Moonbeam films, I do so knowing full well that there will be others who absolutely can’t stand it. This usually should go without saying for any review, but with this movie I feel it bears repeating. One real key to my enjoyment of this movie (and not immediate & complete rejection) is that I love Howard the Duck. Yes, the movie. So the mere idea that Full Moon made a movie with a race of giant ducks was enough to put a smile on my face. The ducks of Magic in the Mirror are definitely not as well-realized as Howard in his film, but I found their limitations to be part of the charm (especially the flying). Anyway, I just wanted to get this out of the way right at the beginning, because I think this is great little fantasy adventure for kids, but I think the ducks will turn a lot of people off.

Mary Margaret Dennis (Jamie Renée Smith) is the daughter of two considerable, scientific talents. Her father works in the field of botany, following in the footsteps of his grandmother. He’s a little lacking in common sense, but his heart is in the right place. Mary Margaret’s mother (Saxon Trainor) is a physicist who is on the brink of finalizing a laser gun that shoots a hole into an alternate dimension. I’m sure there’s a more scientific way to describe it, but I’m not a physicist so that’s all I got. 🙂 Anyway, these are very engrossing jobs for parents to have, and as a result they aren’t as attentive as they should be with Mary Margaret. So when her great-grandmother’s mirror is bestowed on Mary Margaret, of course her ambitious idle hands will find a way to use it as a portal into another world.

Continue reading Magic in the Mirror (1996) →

Spellbreaker: Secret of the Leprechauns (1996)

AKA Leapin’ Leprechauns! 2

Starring Gregory Smith, Madeleine Potter, Godfrey James, John Bluthal, Tina Martin, James Ellis, Sylvester McCoy, Ion Haiduc, Mike Higgins

Directed by Ted Nicolaou

Expectations: Moderate. I liked the first one.

On the general scale:

On the B-movie scale:


Spellbreaker: Secret of the Leprechauns is a great, intriguing title, but to be honest it’s not the most fitting one for the film that bears it. There is some spell breaking to be had, but I can’t remember any great secret of the leprechauns that comes to light. Anyway, this shouldn’t get in the way of the fun, and who knows, maybe in the course of writing this review, I’ll somehow unlock the film and discover the secret of the leprechauns. 🙂

This film picks up a short time after the original. Michael Dennehy (John Bluthal) has returned to his home on Fairy Hill, where he lives in harmony with the leprechauns and the fairy folk. His grandson, Mikey Dennehy (Gregory Smith), is staying with Gramps (no sign of the other family members) and enjoying his time there. One day while fishing, a woman rides up on a horse and sparks a conversation. She introduces herself as Morgan (Madeleine Potter), explaining that she’s staying at a nearby castle. Michael thought the place was uninhabitable and haunted, but apparently it’s been recently cleaned up! Morgan does need a spot of help, though, so Michael volunteers Mikey to help the nice woman.

Continue reading Spellbreaker: Secret of the Leprechauns (1996) →

Leapin’ Leprechauns! (1995)

Starring John Bluthal, Grant Cramer, Godfrey James, Tina Martin, James Ellis, Sylvester McCoy, Sharon Lee Jones, Gregory Smith, Erica Hess, Mihai Niculescu, Dorina Lazar, Ion Haiduc

Directed by Ted Nicolaou

Expectations: Moderate.

On the general scale:

On the B-movie scale:


The Moonbeam films share so many similarities that I am no longer surprised to see re-used elements; I actually look forward to them now. Leapin’ Leprechauns comes from the mold of Dragonworld, though it uses its building blocks uniquely to make for a much different film experience. Shot on the rolling green hills of Ireland Romania, Leapin’ Leprechauns introduces us to a world of wonder and fantasy, the people who believe in it, and a few who do not.

Michael Dennehy (John Bluthal) has lived peacefully on Fairy Hill his entire life, and now in his elderly years gives brief tours of the grounds to visitors on bus excursions. He lives in harmony with the living world around him, including the wee leprechauns and the fairy folk. One day, Michael comes upon a pair of surveyors examining the land, and much to his surprise they’re working under the orders of his son living in America, John Dennehy (Grant Cramer). John wants to turn the land into an amusement park called Ireland Land, so he invites Michael to see the grandkids in the US (getting him out of the way for the surveyors to survey in peace). It’s kind of an inverse of Dragonworld, where an American boy is orphaned and comes to live in Scotland with his grandfather. In the back story of Leapin’ Leprechauns, John must have moved to the US at a young age with his mother or something, because he has zero trace of an accent or respect for his Scottish heritage. This makes me wonder about the wild, roving days of Michael, but all of this is far outside of the confines of Leapin’ Leprechauns.

Continue reading Leapin’ Leprechauns! (1995) →

Dragonworld: The Legend Continues (1999)

AKA Shadow of the Knight

Starring Drake Bell, Tina Martin, Andrew Keir, James Ellis, Judith Paris, Constantin Barbulescu, Richard Trask

Directed by Ted Nicolaou

Expectations: Low.

On the general scale:

On the B-movie scale:


Dragonworld: The Legend Continues might sound like a sequel to Full Moon’s Dragonworld, but no, it’s actually a prequel! The legend continues… in the past! In this particular case, though, the title seems to refer to the story line used to craft the film, continuing the legend from Dragonworld that explained how a baby dragon was suddenly in 1990s Scotland after all the dragons died out hundreds of years ago. This was one of my favorite parts of the original, so it was a great surprise to see it continued. This makes Dragonworld: The Legend Continues a more-than-worthy follow-up to Dragonworld, and in a lot of ways I actually like this one better.

John McGowan is roughly around age 11 or 12 in Dragonworld: The Legend Continues, and his grandfather Angus (Andrew Keir) is teaching him about the magical properties of their land. Angus attempts to show John the power of the ley lines intersecting underneath a circular grouping of stones, but this causes lightning to strike and crack the center stone. Unfortunately for the McGowans and their dragon Yowler, this stone was the prison of the evil knight MacClain (Constantin Barbulescu), AKA the guy who killed all the dragons. Immediately after being released, he sets out to finish what he started and kill Yowler.

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Dragonworld (1994)

Starring Courtland Mead, Alastair Mackenzie, Brittney Powell, Lila Kaye, Andrew Keir, John Calvin, Jim Dunk, John Woodvine, Janet Henfrey

Directed by Ted Nicolaou

Expectations: Low.

On the general scale:

On the B-movie scale:


I’ve been watching the Full Moon films in a fairly random order, so I generally associate the Moonbeam films with a certain style that developed during Full Moon’s leaner years when everything was shot in Romania. I’m so accustomed to this “flavor” that I forgot entirely that the origins of Moonbeam go back to the years when Full Moon was partnered with Paramount, and as such they are much higher budgeted films. Dragonworld — the third Moonbeam film released — is one of these Paramount/Full Moon endeavors, and it’s decidedly more ambitious than pretty much every other Moonbeam film I’ve seen.

John McGowan (Courtland Mead) is a five-year-old American orphan traveling to Scotland to live with his paternal grandfather, Angus (Andrew Keir). John is scared and not entirely prepared to handle this kind of intense life change at his age. Living in a remote Scottish castle might sound like a great idea to get away from the current state of American politics for you or I, but to John it’s a bit isolating. His grandfather starts him on the path of learning the bagpipes — with the wonderful line, “Put your sadness into the music.” — and one day while practicing he wishes for a friend. Smoke billows, the earth shakes, and before you can say The Bonnie Banks o’ Loch Lomond a baby dragon emerges from this geological anomaly.

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The Horrible Dr. Bones (2000)

horribledrbones_1Starring Darrow Igus, Larry Bates, Sarah Scott Davis, Rhonda Claerbaut, Danny Wooten, Tangelia Rouse, Derrick Delaney, Nathaniel Haywood

Directed by Ted Nicolaou

Expectations: Low.

On the general scale:
onestar

On the B-movie scale:
twostar


The Horrible Dr. Bones doesn’t lend itself to much of anything, whether we’re talking about writing a review, having a discussion, or just watching the movie for simple entertainment. Made to specifically target the black audience, The Horrible Dr. Bones is about an up-and-coming rap group looking for their big break. Hmm, sounds mysteriously similar to Ragdoll… but beyond this base-level similarity, the two films are very different.

The up-and-coming rap group in this film are the Urban Protectors, and we open on them arriving to an audition for the prestigious producer Dr. Bones. Well, actually it opens on Dr. Bones and his recording engineer making an auditioner’s head explode with the loudness of their jams, but I hate to mention it because it makes the movie seem like it might be an enjoyable horror experience. Anyway, the Urban Protectors wait their turn to perform by watching a couple of other groups perform, and since this is a Full Moon movie, we are “treated” to this as well. It’s not the music that bothers me — I love music and performance — it’s that everything is lip-synced rather poorly, so there’s never one moment that comes close to capturing the feel of a band performing for an audience.

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