Starring Darrow Igus, Larry Bates, Sarah Scott Davis, Rhonda Claerbaut, Danny Wooten, Tangelia Rouse, Derrick Delaney, Nathaniel Haywood
Directed by Ted Nicolaou
On the general scale:
On the B-movie scale:
The Horrible Dr. Bones doesn’t lend itself to much of anything, whether we’re talking about writing a review, having a discussion, or just watching the movie for simple entertainment. Made to specifically target the black audience, The Horrible Dr. Bones is about an up-and-coming rap group looking for their big break. Hmm, sounds mysteriously similar to Ragdoll… but beyond this base-level similarity, the two films are very different.
The up-and-coming rap group in this film are the Urban Protectors, and we open on them arriving to an audition for the prestigious producer Dr. Bones. Well, actually it opens on Dr. Bones and his recording engineer making an auditioner’s head explode with the loudness of their jams, but I hate to mention it because it makes the movie seem like it might be an enjoyable horror experience. Anyway, the Urban Protectors wait their turn to perform by watching a couple of other groups perform, and since this is a Full Moon movie, we are “treated” to this as well. It’s not the music that bothers me — I love music and performance — it’s that everything is lip-synced rather poorly, so there’s never one moment that comes close to capturing the feel of a band performing for an audience.