2012

Stephen reviews: Superman vs. The Elite (2012)

Superman-vs-The-Elite-2012-Movie-Poster Starring George Newbern, Pauley Perrette, Robin Atkin Downes, Melissa Disney, Catero Colbert, Andrew Kishino, Dee Bradley Baker

Directed by Michael Chang

Like the previous two superman films I reviewed, Public Enemies and All Star Superman, this is an adaptation of a comic book storyline. Unlike those earlier films though, Superman vs. the Elite is based on a single issue rather than an entire series, which means a lot of elaboration must have gone into the plot in order to make it the standard hour and spare change length that these DC animated films tend to run at. Also unlike the previous two, it doesn’t seem to carry over the art style of the comic. This is largely just me jumping to conclusions, since I never read the comic book version, but I got a very cartoony vibe from the visual designs.

I didn’t really care for the aesthetics, but the quality of presentation is well done. Especially the CG which takes a back seat this time, much to my joy. So, despite some minor gripes, I have to say the film looks good. And I can stretch that statement to the entire film. It’s good. I’m not a fan of Pauley Perrette’s gravely voice as Lois Lane, but I’m running out of things to complain about in this film. It delivers a solid, exciting Superman adventure that surprised me by how strongly it held me to the chair. And despite the cartoony look, the subject matter was a lot more mature than I had expected.

Taken 2 (2012)

Starring Liam Neeson, Maggie Grace, Famke Janssen, Leland Orser, Jon Gries, D.B. Sweeney, Luke Grimes, Rade Serbedzija, Kevork Malikyan, Alain Figlarz

Directed by Olivier Megaton

Expectations: Low.

Have you ever had a sandwich made with stale bread that fell apart as you were eating it? That’s kinda how Taken 2 is. While I greatly enjoyed the middle section of the film, even as unbelievable and ridiculous as some of it was, the first and third acts were pretty damn mediocre. The opening clumsily references the previous film and sets up a contrived situation so that now more than one of Neeson’s family members are in peril. And the ending… well, we’ll get to that.

Taken 2 is a completely unnecessary sequel to a great film. There’s no reason to make this other than a paycheck, but based on my love of the original, I was willing to put those feelings aside enough to enjoy a dumb action movie. I didn’t expect it to be Taken, I just hoped that it wasn’t quite so bad as others have made it out to be. I guess this is where my love of bad movies comes in, as I was largely able to enjoy what Taken 2 was shoveling, despite the dumb story, some horrid editing and a ridiculous amount of close-ups limiting the audience’s field of view.

Sleepwalk With Me (2012)

Starring Mike Birbiglia, Lauren Ambrose, James Rebhorn, Carol Kane, Cristin Milioti, Aya Cash, Marylouise Burke, Loudon Wainwright III, Marc Maron

Directed by Mike Birbiglia (with co-director Seth Barrish)

Expectations: Pretty high.

Sleepwalk With Me is the type of movie that would be easy to come down on either side of. If you’re not that interested in stand-up comedy, particularly the beginnings of a stand-up’s career, then a lot of Sleepwalk With Me won’t resonate as well as it could. The film is about more than this, but it’s steeped in the culture so those without an affinity for it might be bored. But this is exactly as it should be in this particular film, because its writer/director/star is Mike Birbiglia, a great comic who’s taken a very successful one-man show and fashioned it into a narrative film. I’d also say a healthy dose of love for Woody Allen is in order for those considering this film, as it has something of that feel, while still being its own thing too.

On top of the stand-up storyline, we also have Mike’s relationship with his long-time girlfriend Abby (Lauren Ambrose). They’re happy, but he’s not ready to take the relationship further, while she’s basically in a holding pattern waiting for him to get there. And, as the title suggests, Mike is a sleepwalker (and no, that doesn’t mean he turns into a cat) and it’s becoming more and more of an issue. Of course, he also doesn’t want to visit a doctor, which would acknowledge the problem and take that part of his life (the “you have medical problems because you’re getting older” part) to the next level. So to say that Mike has some issues to deal with is an understatement.

Life of Pi (2012)

Starring Suraj Sharma, Irrfan Khan, Rafe Spall, Gautam Belur, Ayush Tandon, Tabu, Adil Hussain, Ayan Khan, Mohamed Abbas Khaleeli, Vibish Sivakumar, Gérard Depardieu, Wang Bo-Chieh, Shravanthi Sainath, Andrea Di Stefano, Elie Alouf

Directed by Ang Lee

Expectations: Moderate.

I’ve started and re-started this review a handful of times, struggling to find a good way to begin discussing Life of Pi. The central question in the film is one that’s challenging to talk about, especially when trying to remain free of spoilers. But would a philosophical question constitute spoilers? In this case, it probably would be, but the central question in Life of Pi isn’t necessarily a new concept so maybe not. Because of this philosophical basis, Life of Pi is a different type of movie than your average blockbuster. The TV spots may have called this “The next Avatar” (in order to get butts in seats), but while Life of Pi is a very visual film, the colorful, fantastical visuals are mostly window dressing to the central philosophical question.

A novelist lost for ideas has been guided to talk with an Indian man living in French Canada. He’s been told that this man has a fantastic story to tell. The Indian man is Pi, and he does indeed tell quite the tale. It begins with the story of how he received his unusual name and quickly moves along from there. The story beats aren’t all that important, though, it’s really about the questions that the story is built upon that provides the film its power and lasting appeal.

Frankenweenie (2012)

Starring Catherine O’Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, Winona Ryder, Robert Capron, James Hiroyuki Liao, Conchata Ferrell

Directed by Tim Burton

Expectations: Fairly low. I’m only watching this because my girlfriend thought I should see it because I love the Universal Monster movies.

The simple fact of Frankenweenie‘s existence as a 2012 feature brings up some questions in my mind. Having spent the last decade or so making adequate to poor movies, Tim Burton decided to return to his roots and remake his 1984 short film, Frankenweenie. It’s a great idea for a film, and with the short never having the release it deserved, this version of Frankenweenie represents a good way for fans to experience this inspired homage to the Universal Monster movies from the young/old mind of Burton. But to return to his roots at such a creatively bankrupt time in his career is also somewhat distressing. Is this merely a remake aimed at eliciting some response from those that grew up adoring the likes of Beetlejuice, Pee Wee’s Big Adventure or Batman?

The answer, for me, was a bit of both. Frankenweenie is a gloriously made film, perfectly evocative of the era it seeks to recreate and pay homage to. At the same time, it also seems to be aimed directly at fans already familiar with his work, with visual, audio and story references to his previous, iconic works. But despite my reservations, this resurrected version of Frankenweenie does have that old Burton magic throughout. It’s easily his best film in years, and one hopes that this is a sign of things to come in the future. The fact that his next film will reunite him with the Ed Wood screenwriters for a biopic starring Christoph Waltz and Amy Adams definitely piques my interest more than most of this other recent films have.

Magic Mike (2012)

Starring Channing Tatum, Alex Pettyfer, Matthew McConaughey, Cody Horn, Joe Manganiello, Matt Bomer, Adam Rodríguez, Kevin Nash, Olivia Munn, Gabriel Iglesias

Directed by Steven Soderbergh

Expectations: High. I’m becoming quite the Soderbergh fan.

The greatness of Magic Mike is not immediately apparent. On the surface, it’s something of modern, male stripper version of Boogie Nights, but to simply write it off as that is to miss the point of Magic Mike completely. Its power lies in its characterizations of Mike (Channing Tatum), Adam (Alex Pettyfer) and Dallas (Matthew McConaughey), but I only really cracked it in the minutes following the film, as I tried to put into words what I liked about how screenwriter Reid Carolin and Steven Soderbergh had constructed the movie.

The surface story is your classic tale of a young kid being brought into the rich, alluring world of a moneymaking business where all his wild dreams can come true. You’ve seen it all before. This makes parts of Magic Mike predictable and somewhat obvious, but the film is really well-paced so you won’t mind so much, as long as you’re invested in the characters (and you love hot male action :)).

Beasts of the Southern Wild (2012)

Starring Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes, Pamela Harper, Gina Montana, Amber Henry, Jonshel Alexander

Directed by Benh Zeitlin

Expectations: Moderately high.

I feel like I’m becoming something of a broken record, as I keep going through the “big” 2012 releases and being less than impressed with a good portion of them. It’s these kinds of trends that rattle around in my brain when I’m considering going out to the theater, and that ultimately make me choose to stay home because I’m almost positive that I will be disappointed compared to people’s hype.

Anyway, Beasts of the Southern Wild! There’s a lot going on here, and most of it is under the surface or obscured through symbolism and metaphor. I’m not the brightest bulb in the bunch when it comes to uncovering hidden meanings, so I pondered the mysteries of what it all meant while I watched, and when it was over I was still left with many questions. I have to imagine that many of the disparate ideas and musings on problems both global and personal were to coalesce into meaning at some point, but it all must have gone right over my head.