Silver Emulsion Film Reviews

The Girl with the Dragon Tattoo (2011)

Starring Rooney Mara, Daniel Craig, Christopher Plummer, Stellan Skarsgård, Steven Berkoff, Robin Wright, Yorick van Wageningen, Joely Richardson, Geraldine James

Directed by David Fincher

Expectations: Low. I’m expecting the same reaction as the original, but hopefully Fincher can do something with it that excites me.

Didn’t I already write a review for this movie? Oh yeah, I did. The American version and the original Swedish adaptation of Steig Larson’s explosively popular novel are nearly identical, and therefore I feel almost exactly the same about both of them. There are some minor differences that allowed me to follow certain aspects of the story better in this version, but there were also underplayed moments where I only knew what was going on because I had already seen the Swedish version. This leads me to believe that the target audience for the American remake is specifically people who read the book, but didn’t want to see the Swedish film. And this gets me to the main reason I think this film exists: Americans don’t want to read subtitles. But you knew that already.

I wasn’t shy about my indifference to the original Dragon Tattoo film, and while Fincher’s version is a more entertaining version of the story, there’s just something inherently fucked up about remaking a movie that was literally just made. From an artistic standpoint, it’s pointless; the story has already been realized in the modern era and anything that Fincher added is minor to the point of meaningless. The biggest boon for this version is Trent Reznor’s score which amps up the tension perfectly in spots, but at other times it sticks out and forces its coolness on the audience without much impact.

Discussion: James Bond

With Skyfall‘s recent release, I thought it would be a good time to bring up the world-famous 007! James Bond is a film and literary icon, with an unprecedented series of film stretching from the 1960s all the way to today. And there’s no sign that interest in Bond’s adventures is waning, as each installment is met with excitement. So with this in mind:

Who’s the best Bond, and what’s your favorite Bond film?

For me, it’s easily Sean Connery. I like everyone else in the role too, but Connery is without question my favorite. He was the only Bond I saw growing up, so perhaps this had something to do with it. As for a favorite film, I’d say Goldfinger. I know, I know… it’s clichéd and quite obvious of me to go with those two, but they’re popular for a reason! I could just as easily go with From Russia With Love, a film that has only gotten better every time I see it, but Goldfinger has always been my go-to Bond fix. So what’s yours?

Samurai I: Musashi Miyamoto (1954)

Samurai I: Musashi Miyamoto [宮本武蔵] (1954)

Starring Toshiro Mifune, Rentaro Mikuni, Kuroemon Onoe, Kaoru Yachigusa, Mariko Okada, Mitsuko Mito, Eiko Miyoshi, Akihiko Hirata, Kusuo Abe

Directed by Hiroshi Inagaki

Expectations: Moderate. I liked this well enough when I saw it 10–12 years ago.

Sometimes you see films too early in your life and their intricacies are lost in a haze of unfulfilled desires and expectations. Samurai I: Musashi Miyamoto is one such film for me, as I saw it roughly 10–12 years ago, hoping for a rip-roarin’ samurai action film. It’s a film about the most famous samurai of all time so he should totally kick the most ass, right? While that logic still makes sense to me, it is a flawed way to approach this film, and is a big reason why I only moderately enjoyed it back then. This time, however, I was able to fully appreciate it for what it is: a tale of how Musashi Miyamoto becomes Musashi Miyamoto.

As the film opens Takezo (Toshiro Mifune) and Matahachi (Rentaro Mikuni) watch warriors marching to battle from their vantage point high in a tree. Takezo wants nothing more than to be out of his hometown, where people look down on him as a ruffian and a troublemaker, so he talks Matahachi into joining the troops with him. They fight together in the Battle of Sekigahara, but their faction loses and control of the area slips to the enemy party. Takezo and Matahachi now find themselves fugitives, and with Matahachi wounded they need to find shelter at all costs.

A Taste of Cold Steel (1970)

A Taste of Cold Steel [武林風雲] (1970)

Starring Chang Yi, Yau Ching, Essie Lin Chia, Shu Pei-Pei, Chen Hung Lieh, Wong Chung-Shun, Ku Feng, Wu Ma, Hung Lau, Simon Chui Yee-Ang, Fang Mian, Lee Kwan, Wang Hsieh, Lee Wan Chung, James Tin Jun

Directed by Griffin Yueh Feng

Expectations: Moderate. I like Yueh Feng, but the last movie was disappointing.

A Taste of Cold Steel is, like its title suggests, about an amazing sword that everyone wants to get their hands on. As soon as they see the radiant purple glow that emanates from it, they will stop at nothing to have it. It’s a slight variation on the theme of the martial world fighting over a world-class sword, but A Taste of Cold Steel sets itself apart in a couple of interesting ways.

First, the blade actually glows purple every time it’s unsheathed on-screen. People’s faces and everything around them glows marvelously purple; this is definitely a candidate for Prince’s favorite martial arts film (if he engages in such primal pleasures as this). It looks to have been achieved with a spotlight carefully highlighting the sword, but most of the time you can’t really tell and it looks quite fantastic and realistic.

Prometheus (2012)

Starring Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Logan Marshall-Green, Sean Harris, Rafe Spall, Emun Elliott, Benedict Wong, Kate Dickie, Guy Pearce

Directed by Ridley Scott

Expectations: High. Despite not liking the trailer, I’m dying to see this.

I take everything negative I ever said about Prometheus back. This is the real deal. A true science fiction film full of grand questions of existence and humanity, Prometheus is incredible. It has its flaws if you come at it with the wrong expectations, but for me, a high-concept lovin’ sci-fi fiend, it doesn’t get much better than this. This is a space exploration movie of the highest order, complete with its own symphonic theme song that’s probably the best Star Trek theme song that’s not actually a Star Trek theme song. Ridley Scott can clearly still throw down a phenomenal film, and I think my faith in his proposed Blade Runner sequel just grew exponentially (even if it does seem needless).

Prometheus is yet another movie you should go into cold, but one thing you should definitely know beforehand is that it’s not an Alien movie. It’s related, but if you expect corridor horror and rampaging xenomorphs you’ll be sorely disappointed. It’s definitely in the franchise, so fans of the series will recognize many things that shed some light on Alien, but the events here are never directly connected to anything that happens in that film. Herein lies some of the problems with Prometheus, though, as Alien is a film that works perfectly as is, with its secrets firmly kept in the dark.

Stephen reviews: Fist of the North Star (1986)

Fist of the North Star: the Movie [劇場版世紀末救世主伝説北斗の拳 Gekijōban Seikimatsu Kyūseishu Densetsu Hokuto no Ken, Fist of the North Star the Movie: Legend of the Century’s End Savior] (1986)

Starring Akira Kamiya, Chikao Ohtsuka, Kenji Utsumi, Toshio Furukawa, Kaneto Shiozawa, Mie Suzuki, Tomiko Suzuki, Yuriko Yamamoto, Junpei Takiguchi

Directed by Toyoo Ashida

I hope you’re ready for the most intense, hyper-masculine orgy of ultra-violence ever made, because I sure as hell am. I haven’t seen this movie since high school, and after watching Expendables 2 I was suddenly in the mood for cocky, musclebound men performing manly feats of impossibility. So I tracked down the DVD and found that Fist of the North Star has aged like a fine wine; its ridiculous violence and ’80s styling making it a savory delight even better than I remembered.

The DVD case proudly advertises Fist of the North Star as “the most violent and action packed animated film of all time,” and my first reaction when I saw the box was disbelief. There has to be something even more over the top. But I really couldn’t think of many examples. Maybe Berserk or Claymore, but even those didn’t seem to fit the bill. Now that I’ve watched the film again, I can say that no, there is nothing I am aware of that has more violence and more machismo concentrated into one package.

Enemy Territory (1987)

Enemy Territory (1987)
AKA Manhattan Warriors, Terror Night – Hochhaus in Angst

Starring Gary Frank, Ray Parker Jr., Jan-Michael Vincent, Frances Foster, Tony Todd, Stacey Dash, Deon Richmond, Tiger Haynes, Charles Randall, Peter Wise, Robert Lee Rush, Lynnie Godfrey, Theo Caesar

Directed by Peter Manoogian

Expectations: High. I’ve heard good things.

On the general scale:

On the B-movie scale:

Like many great action films, Enemy Territory kinda sneaks up on you. After a dope rap song and some fun establishing shots of New York City, we’re introduced to Barry, an asshole insurance agent who’s on his last legs at his company. His boss calls him into his office and offers him one last chance to stick around. The only catch is that he’s got to venture deep into the projects to get an insurance policy signed, and if he doesn’t get back out before night falls, he may never get out alive. Of course, the shit hits the fan rather quickly and Barry is stuck on the twentieth floor of the Lincoln Tower with a bloodthirsty gang known as the Vampires hot on his trail.

As soon as the film starts, it never lets up. Within the first 10 minutes, Barry is inside the building and it’s already turning sour. 10 minutes after that and the first casualty of the evening has occurred. But during this first altercation Barry picks up a good Samaritan in Ray Parker Jr.’s character, Willy. Yes, you read that right, THE Ray Parker Jr. of the Ghostbusters theme song fame. Turns out the dude can act (although he didn’t get much work besides this), and his unlikely partnership with Barry forms the foundation the film builds from. This is a low-budget action film, so the characters are never developed more than they need to be, but they form a strong team regardless.