Prometheus (2012)

Starring Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Logan Marshall-Green, Sean Harris, Rafe Spall, Emun Elliott, Benedict Wong, Kate Dickie, Guy Pearce

Directed by Ridley Scott

Expectations: High. Despite not liking the trailer, I’m dying to see this.


I take everything negative I ever said about Prometheus back. This is the real deal. A true science fiction film full of grand questions of existence and humanity, Prometheus is incredible. It has its flaws if you come at it with the wrong expectations, but for me, a high-concept lovin’ sci-fi fiend, it doesn’t get much better than this. This is a space exploration movie of the highest order, complete with its own symphonic theme song that’s probably the best Star Trek theme song that’s not actually a Star Trek theme song. Ridley Scott can clearly still throw down a phenomenal film, and I think my faith in his proposed Blade Runner sequel just grew exponentially (even if it does seem needless).

Prometheus is yet another movie you should go into cold, but one thing you should definitely know beforehand is that it’s not an Alien movie. It’s related, but if you expect corridor horror and rampaging xenomorphs you’ll be sorely disappointed. It’s definitely in the franchise, so fans of the series will recognize many things that shed some light on Alien, but the events here are never directly connected to anything that happens in that film. Herein lies some of the problems with Prometheus, though, as Alien is a film that works perfectly as is, with its secrets firmly kept in the dark.

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Blade Runner (1982)

Starring Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong

Directed by Ridley Scott

Expectations: High. This is my third time through, so I expect to like it more.


Blade Runner is not a film that I get overjoyed with while watching. I don’t even think it’s all that good. But it is unique, and it is well made, and I do like it quite a bit. I don’t expect that to make sense to anyone but me, but that’s just the way it is. I have tons of issues with this film, but regardless I continue to come back to it. If I say nothing more, that alone should tell you that Blade Runner is an interesting piece of cinema. For the record, I watched the 2007 Final Cut this time. I first saw the film about fifteen years ago when I watched a VHS of the International Cut. Roughly seven or eight years later, I watched the 1992 Director’s Cut on DVD.

After three viewings over the last fifteen years and reading the book around the second time I watched it, I still have a hard time following this movie. That could be interpreted as the movie and I just not connecting, or you could take it as the movie being poorly paced and just not telling its story very well. I’m willing to admit my fault when it’s due, but I have to be honest: I think it’s the movie’s fault this time. No amount of tinkering or re-editing can change it, Blade Runner is just a damn slow movie. I like it immensely more now than I did upon first seeing it, but I still think it’s wildly overrated.

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Alien (1979)

Starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto, Bolaji Badejo, Eddie Powell

Directed by Ridley Scott

Expectations: I love this shit.


I’ve never been much of a Ridley Scott fan, but goddamn if Alien isn’t a stunning, amazing piece of work. It’s undeniably one of the greatest genre films of all time, perfectly bridging the gap between science fiction, horror, and psychological thriller. There’s nothing I can say that hasn’t already been said about Alien, and even noting that everything’s already been said has been said ad infinitum. But still, I would like to share just a few of my observations during this most recent re-watch of one of my most favorite films.

When I was a kid, I watched this film several times, and its haunting, realistic, slow build-up to the reveal of the alien ship thoroughly grabbed me and refused to let go. To this day, this first hour or so of Alien is still my favorite, even though the Alien isn’t around yet. I enjoy this section for its ability to create a world, and give the characters a mystery to uncover that we can follow along with. These are just space truckers who got shafted; they are you and me thrust into the deep black of space and asked to investigate an alien ship. Ridley Scott’s camerawork is nothing short of perfect here, blending static, gorgeously composed shots with video footage from the ground team entering the ship. Just the use of video footage alone is ahead of its time and wonderfully effective, proving the point I was trying to make in my review of Chronicle about how the method of acquiring the footage is in certain cases directly proportionate to its ability to draw you in.

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