King Boxer [天下第一拳] (1972)
AKA Five Fingers of Death
Starring Lo Lieh, Wang Ping, Wong Gam-Fung, Tien Feng, Tung Lam, Fang Mian, Goo Man-Chung, James Nam Gung-Fan, Yau Lung, Chen Feng-Chen, Chan Shen, Gam Kei-Chu, Chiu Hung, Someno Yukio, Yeung Chak-Lam, Hung Sing-Chung, Bolo Yeung, Tsang Choh-Lam, Wong Ching-Ho
Directed by Cheng Chang Ho
Opening with the sound of an alarm, King Boxer lets you know straight away that it is a film to take notice of. As an advancement of the budding hand-to-hand genre, King Boxer is exactly the film the genre needed at this point in time. It builds on the foundation set by previous films — specifically The Chinese Boxer and Fist of Fury — and takes the genre closer to what it would later become. There’s no secret why this is the film that broke through to America and created a kung fu sensation; it’s an amazingly entertaining and well-made piece of work.
At the heart of the tale is the oft-told story of battling martial arts clans, but in King Boxer it’s the way the story is told that sets it apart. It is both rooted in martial arts traditions and something unique. It takes facets of the traditional kung fu film and orders them in a non-traditional way, resulting in a film that feels familiar, yet is never boring or predictable. It also explores its themes of jealousy, courage and cowardice much more fully than the traditional ’70s martial arts film, making King Boxer fulfilling on multiple levels.