Don’t Look Now (1973)

dont_look_now_xlgStarring Julie Christie, Donald Sutherland, Hilary Mason, Clelia Matania, Massimo Serato, Renato Scarpa, Giorgio Trestini, Leopoldo Trieste

Directed by Nicolas Roeg

Expectations: Very high.

threehalfstar


Don’t Look Now is definitely a horror film, but outright calling it such creates a general expectation that it’s similar to other horror movies. It’s not. Even thriller is a bad genre designation, as the pace is much too slow without much that provides genuine thrills. But psychological thriller fits Don’t Look Now a lot better, as nearly every moment of the film engages the mind, usually on multiple levels simultaneously. The film carries an air of foreboding doom for its characters, remaining creepy and unsettling right down to its final frame. It’s definitely not a film for everyone, but for those willing to sit with it, Don’t Look Now delivers the goods.

The film begins with the children of John (Donald Sutherland) and Laura (Julie Christie) playing in the woods beyond their house. The filmmaking foreshadows that something disastrous is about to occur, and the psychological elements immediately creep in. Meanwhile, John is inside the house examining slides of church windows. He becomes preoccupied with a red-jacketed figure in the church’s pews, all the while his daughter plays outside in a red rain slicker amidst the ominous camera of director Nicholas Roeg.

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Meridian (1990)

Meridian (1990)
AKA Meridian: Kiss of the Beast, Phantoms

Starring Sherilyn Fenn, Malcolm Jamieson, Charlie Spradling, Hilary Mason, Phil Fondacaro, Vernon Dobtcheff, Alex Daniels, Vito Passeri, Angelo de Bianchi, Salem Badr

Directed by Charles Band

Expectations: Low. This one looks kinda cheesy.

On the general scale:

On the B-Movie scale:


I rarely know much about these films before watching them, in an effort to remain open-minded and free from pesky expectations. In the case of Meridian, I had only seen the poster. It gives off something of an erotic, Gothic vibe and surprisingly, that’s exactly what Meridian is. And it’s good! Imagine that. Meridian is something completely different for Charles Band and I for one welcomed the change readily. Too many times I’ve sat down to a Full Moon film devoid of plot, FX and entertainment for the sake of reviewing all of their films, but Meridian was actually quite enjoyable to watch.

Without giving too much away, Meridian is about a girl, a castle and a centuries-old mystery that surrounds them both. It’s more of a Gothic romance than a real horror film, but I think horror fans looking to branch out from the everyday slasher film might still enjoy it… I did. The story plays with conventions and expectations just enough to keep you guessing (to a degree), and it continued to surprise me up until the end. It definitely has its missteps and some of the characters/plot points are underused/unfulfilled, but for what it is Meridian was quite impressive. It’s an interesting Full Moon film that stands alone in terms of story and focus, and for that, it’s worth checking out.

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Uncle Jasper reviews: Robot Jox (1990)

Robot Jox (1990)

Starring Gary Graham, Anne-Marie Johnson, Paul Koslo, Robert Sampson, Danny Kamekona, Hilary Mason, Michael Alldredge

Directed By Stuart Gordon


 

My scarce memories of Robot Jox stem more from the trailer than from my first (and only) viewing of the film way back in the early 90s. When Will and I were scheduling reviews for the remainder of 2010, I plopped Robot Jox on there as an excuse to revisit this long forgotten gem after all of these years. Imagine my surprise when Will got back to me with the news that it was an Empire film! …Doh! Being only about 11 years old at the time, I obviously had no idea. Since Will is our resident expert on all things Charles Band, I was a little wary about taking the reigns, but he has given his blessing and I’m proud to contribute my first entry into the long running Empire / Full Moon series here at Silver Emulsion!

Any movie fan who even occasionally dips their feet into the waters of Science Fiction no doubt has seen their share of dystopian futures. You have heavy-handed, big-brother police states like 1984, rain-slicked neon cyberpunk slums ala Blade Runner, and the savage survival world of Mad Max. That’s all fine and dandy, but all we really need to solve the serious problems of the future are gigantic fucking robots stomping the balls off of each other out in the arid hills of Death Valley.

Continue reading Uncle Jasper reviews: Robot Jox (1990) →

Dolls (1987)

Starring Stephen Lee, Guy Rolfe, Hilary Mason, Ian Patrick Williams, Carolyn Purdy Gordon, Cassie Stuart, Bunty Bailey, Carrie Lorraine

Directed by Stuart Gordon

Expectations: Low. I didn’t know this was Empire International before I started watching it, otherwise I would have expected more initially.

On the general scale:

On the B-movie scale:
threestar


With Dolls, I’m continuing my trek through the Empire International/Full Moon catalog. My girlfriend, after watching Ghoulies with me, felt a strong urge to re-watch this film which she had seen as a kid. As the credits began to roll and I saw Empire and Charles Band’s name, I immediately knew why she was compelled to re-watch Dolls. The power of the Full Moon had struck once again and she was powerless to do anything but watch this again. On the strength of Ghoulies I knew that I wanted to watch more of these films, but I had not expected Dolls to be one of them. I love it when a plan comes together. I happened to post my review of Ghoulies last Tuesday and now with this on Tuesday, I’m thinking of making every Tuesday for a while dedicated to Empire International or Full Moon films. I was trying to think of a snappy name for the day, but all I could come up with was Terror Tuesdays or Tuesday Trash. If anyone can think of something cool, let me know. Anyway, look forward to more of Charles Band’s brand of horror.

Dolls does not live up to the bar that Ghoulies set in my head. I still enjoyed this a great deal, it’s just not nearly as well made or fun as Ghoulies was. With that out of the way, let’s get down to business. Dolls opens with a girl named Judy riding in a car with her dad and stepmother. The parents here are downright evil and verbally abusive to little Judy. While a normal, well-adjusted person might be offended by their insults, I simply thought to myself, “Hmm, I hope they’re doing what I think they’re doing… setting these bastards up for some seriously gratifying death scenes!” The car breaks down and they all start hoofing it down the road in the pouring rain.

Continue reading Dolls (1987) →

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