Mini-Review: Turtles Can Fly (2004)

Turtles Can Fly [Lakposhtha parvaz mikonand] (2004)

Starring Soran Ebrahim, Avaz Latif, Hiresh Feysal Rahman

Directed by Bahman Ghobadi


This is a good film, more for its power to stay with you, instead of its level of entertainment. It’s the eve of America’s invasion of Iraq and Kurdish refugees struggle with their television antennas to hear some small bits of news. Three wandering children; a girl, a possibly clairvoyant teenage boy with no arms and a blind toddler come to the camp in search of refuge. The film really isn’t about the plot though. Director Bahman Ghobadi seeks to paint a picture of what these villagers feel and endure on the brink of war.

It moves at a slow pace, but this is a haunting film, filled with amazing, wide-angle cinematography of the Iraqi landscape. All of the children (who aren’t trained actors) are outstanding and show a level of depth not generally present in child actors. The film ends on a perfect, understated note, skillfully illustrating disillusionment and the fragility of life. It is a tragedy and an emotionally heavy film.

Recommended if you’re in right mood.

Uncle Jasper reviews: [REC] (2007)

Starring Manuela Velasco, Javier Botet, Manuel Bronchud, Martha Carbonell, Claudia Font, Vicente Gil

Directed by Jaume Balagueró & Paco Plaza


On all accounts I should not have liked this movie. I am not a fan of the whole shaky camcorder pseudo-documentary horror genre. I am an old-school Romero zombie fan who still can’t justify a world where fast “infected zombies” have a place. I guess that makes REC all the more amazing.  I was a doubter, but Jaume Balaguero and Paco Plaza proved me wrong and demonstrated that if done right, shaky-cam filmmaking not only has a place, but can really up the ante in terms of genuine horror.

Something has to be said of the pacing and the way REC uses it to great effect. The movie starts off slow, and borderline mundane. A pretty, young news reporter, Angela and her cameraman Pablo are filming a “Cops” type TV series with a group of fire fighters. Realizing that her assignment is less exciting than it appears, she desperately tries to drum up some kind of interest and goes into great detail reporting on exciting aspects of the fire fighter’s lives such as empty briefing rooms, what they eat for dinner, and how big their suits are. Even when the fire fighters get what seems like a routine call and shit starts to go south, the film gets very interesting, yet the pacing still leaves plenty of time to react and wrap your head around the situation.

Continue reading Uncle Jasper reviews: [REC] (2007) →

The Lovely Bones (2009)

Starring Saoirse Ronan, Mark Wahlberg, Rachel Weisz, Stanley Tucci, Susan Sarandon, Rose McIver, Michael Imperioli, Christian Thomas Ashdale, Reece Ritchie, Charlie Saxton, Amanda Michalka

Directed by Peter Jackson

Expectations: Moderate. I heard bad things, but I love Peter Jackson so there’s no way I’m not watching this.


This is a tough movie for me to review. Emotionally, I loved it. It hit me hard and continues to resonate in the days following. Technically, I have some issues with it. Ultimately, for me, the emotional weight of the movie is far greater than any technical problems I had, and I am judging it a bit harsher anyway because of my Peter Jackson fanboy status. I’ve seen every one of his films and I enjoy them all. Yes, I even like Meet the Feebles.

Set in 1973, the film tells the story of Susie Salmon, a fourteen-year-old girl who blissfully walks home one day with the prospect of her first kiss consuming her mind. Instead, her neighbor rapes and murders her. Her spirit leaves her body and she continues to look down on her family from the afterlife. With The Lovely Bones, Jackson returns to a smaller type of movie similar to his 1994 film, Heavenly Creatures. My problem with some of Jackson’s choices in filming this movie is that instead of being in “small-movie mode,” he still seems like he’s in “big-effects-movie mode” having just come from Lord of the Rings and King Kong.

Continue reading The Lovely Bones (2009) →

Zombieland (2009)

Starring Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Amber Heard, Mike White, Bill Murray

Directed by Ruben Fleischer

Expectations: Lowest possible. Modern zombie movies generally rub me the wrong way, but I’m stupid and I keep watching them.


This is not a zombie movie. I repeat, this is not a zombie movie. If you love traditional zombie films such as the George Romero classics, you are better off just re-watching one of those. From what the film shows us, hardly any zombies inhabit Zombieland. Most of the “excitement” coming from the fights and betrayals that play out between the male and female survivors. Even the apocalypse cannot settle the battle of the sexes. All kidding aside, this is absolutely the antithesis of what a good zombie movie should be. It is a stupid attempt at making a zombie comedy, but instead of being clever (like Shaun of the Dead) this just disappoints repeatedly.

Rarely is the survival of the characters an issue and therein lies the problem. Survival should be the main theme of any zombie tale because the zombie horde is ever-growing and as one of the last remaining humans you must constantly tap into the primal instincts of fight or flight. Your nerves fray as you know that sooner or later, you will become one of them. None of that comes into play in Zombieland. Sure, the main character has these survival rules he’s constantly telling the viewer about, but the rules are nothing more than fluff to draw your attention away from the almost complete lack of honest zombie danger.

Continue reading Zombieland (2009) →

Uncle Jasper reviews: Friday Foster (1975)

Allow me to introduce my buddy, Uncle Jasper. He’s gonna chime in from time to time with a review, so give him a big welcome. First up, Friday Foster with Pam Grier!


Starring Pam Grier, Yaphet Kotto, Carl Weathers, Scatman Crothers, Eartha Kitt and Godfrey Cambridge

Directed By Arthur Marks


I admit it, by the end of this movie I had no fucking clue what was going on… Some convoluted plot about a bunch of white dudes in afro wigs conspiring to take out all of the nation’s black leaders. But my God, if the merit of a film lies in its ability to entertain, then this is a masterpiece in the same league as Dolemite and Fantasy Mission Force.

Look, all you need to know is that Pam Grier has never looked better and Yaphet Kotto has never been more charming. I swear to God, every time he flashed that goofy-ass gap-toothed grin of his I kept thinking how much he resembled a black Ernest Borgnine. He and Pam make an awesome duo and I would have loved to see them share the screen more often. Scatman Crothers is somewhere in there as a pervy priest, and the black dude from The Love Boat is great as the neighborhood pimp (“You have to admit… my shit is HEAVY!!” he tells Pam). Somewhere in the middle you have Eartha Kitt as an over the top fashion designer and Carl Weathers backing a delivery truck into some effeminate dude in a phone booth, crushing him to death. Whew! What a cast they rounded up for this one! It plays like the Grand Hotel of 1970s black cinema.

This film would be one of Pam’s last for American International. It is nowhere near as raw as Coffy and lacks the urgency of Foxy Brown, but it would be silly to even compare them. The point of this movie isn’t to provoke outrage, it’s a party movie that just wants us all to look good and have fun. I’m not saying that Friday Foster is the superior film, but Pam does have a little more breathing room here and it’s nice to see her in the arms of a suave millionaire for a change instead of being hog-tied and raped by some drunken hillbilly.

This movie has enough car chases, rooftop fights, machine guns and titties to overcome any shortcoming it may have in terms of plot. In fact, this film stares plot straight in the face and laughs at it. Anybody willing enough to not take it too seriously will be greatly rewarded.

Once Upon a Time in China (1991)

My new friend J.P. and I share a love for Hong Kong movies. We are celebrating it with a special double-post, Siskel/Ebert kind of review for one film. Make sure you head over to his site when you’re done here to read his thoughts on the film. Now back to your regularly scheduled reviews.


Once Upon a Time in China [黃飛鴻] (1991)
AKA Wong Fei-Hung, Kungfu Master

Starring Jet Li, Yuen Biao, Rosamund Kwan, Jacky Cheung, Kent Cheng, Yee Kwan Yan

Directed by Tsui Hark

Expectations: High. I love this movie.


Bravery soaring! Magnanimity overflowing!

It has been at least eight years since I’ve seen this. Back when I was watching nothing but Hong Kong movies with my friends, this was one of our top films. Going into watching this again, I had incredibly high expectations. There was no way it could live up to those kind of hopes, and in some ways it doesn’t, but overall I still really love this film. My tastes have changed over the years and it struck me how old the film felt. It didn’t feel like 1991, it felt more like 1971. That was when it hit me. This movie has more in common at a base level with a traditional Shaw Brothers kung fu flick than I had ever noticed before. The fight choreography and wire work are completely modern, but it has the feeling and the charm of a classic from the Run Run Shaw studio. In this way, Once Upon a Time in China is a look back, while taking a step forward.

The fights are spectacular. They’re what you are here for, and if not, they should be. The umbrella fight early on is quite good, but nothing can prepare you for the final battle in the warehouse involving multiple ladders. Even with the wire-work, the sheer level of acrobatic and physical ability on display is amazing. I remembered this fight a lot better than I remembered the rest of the film because my friends and I used to re-watch this fight over and over back in the day. It’s truly fantastic. I was a little disappointed that Yuen Biao didn’t get more to do in the way of fighting, but as his character was a guy that wanted to learn kung fu, I suppose I can forgive this.

Continue reading Once Upon a Time in China (1991) →

A Serious Man (2009)

Starring Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed, Aaron Wolff, Jessica McManus, Alan Mandell, Adam Arkin, George Wyner, Amy Landecker

Written and Directed by Joel & Ethan Coen

Expectations: Moderately high. I love the Coen Bros, but they’ve burned me before.


Wow. I don’t know what to say. I honestly don’t feel qualified enough to form a complete response to this movie. I loved it. Absolutely one of the best films of 2009, but this is so not a film for everyone. The Coen Brothers generally make polarizing movies, but this is even in its own league within their filmography. It is probably their darkest and most personal comedy, and it instantly ranks with their best work for me. This also makes it a tough nut to crack. Immediately after watching I felt that I needed to see it again, and I would say that most would need a couple of viewings to really get their heads around it. If the ending to No Country for Old Men left you scratching your head, then you will want to assume that position once again. If you enjoy that sort of ambiguity as much as me though, then you are in for a treat.

A Serious Man tells the story of Larry Gopnik (Michael Stuhlbarg), who just can’t seem to get anything going in his direction. His wife is leaving him for a widowed family friend. His kids have zero respect for him. He’s almost tenured in his teaching job, but now that is up in the air as well. Don’t worry, this is all towards the beginning, but viewing this film isn’t so much about the plot as it is about the atmosphere and connecting to the sad helplessness of Larry. The film takes place in the late 1960s and it feels like it. Period details and music abound and delight.

Continue reading A Serious Man (2009) →

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