The first true Silver Emulsion Film Festival is over and I’m experiencing both relief and sadness. It was great fun and a good challenge and we managed to pull it off. We’ll definitely be doing more of these in the future, so check back periodically for updates on that. Now that it’s all over, I wanted Jasper and I to give a brief overview of the eight films we covered, sort of a digest version, encompassing our feelings about the eight films as a whole and against one another.
Far and away and unsurprisingly, Django is the best of the bunch. It is original in its take on Kurosawa’s Yojimbo, which itself has its roots in the literary work of Dashiell Hammett. It fascinates me to think of just how many films can be made off of this relatively simple story. Corbucci sets his film apart by maintaining an artistic vision throughout, painting his canvas with sharp characters, gratuitous violence and threads of social commentary. Unlike a lot of spaghetti westerns, Django innovates and redefines what a western can be. I’m looking forward to proceeding deeper into Corbucci’s catalog and hopefully discovering some more gems.
As for the imitators, I mostly enjoyed them. I was surprised that none of the films used the coffin or a machine gun at all, which makes me think that a lot of these were simply retitled or rewritten to contain the name Django to drum up business. Honestly, I would have liked to see at least one of them dragging a coffin, but because it is such a unique idea I don’t know that any of the films could have pulled it off with any of the same panache that Franco Nero did. If I try to imagine Anthony Steffen or Ivan Rassimov dragging a coffin in their respective movies, it doesn’t even work in my head so it’s probably for the best that they didn’t go that route. Although, for comedic purposes I wouldn’t mind seeing George Eastman from Django Kills Softly, dragging around a hefty coffin, all the while sporting that jovial toothy grin of his.
Hit the break to see my ordered list of the films and Uncle Jasper’s take on it all.