Scanner Cop (1994)

Starring Daniel Quinn, Darlanne Fluegel, Richard Grove, Mark Rolston, Richard Lynch, Hilary Shepard, James Horan, Gary Hudson, Cyndi Pass, Luca Bercovici, Christopher Kriesa, Savannah Smith Boucher, Ben Reed, Brion James, Elan Rothschild

Directed by Pierre David

Expectations: Moderate, but hopeful. Anything with a “______ Cop” title is usually worth a watch.

On the general scale:

On the B-Movie scale:


I didn’t expect much going into Scanner Cop. As the fourth entry in the Scanners series of unrelated films, I figured they were probably fairly close to the bottom of the barrel. There are lots of cop movies from around this time, so I figured Scanner Cop was just another in a long line of clichéd cop movies (even if the naming convention of “______ Cop” always gets me excited for a movie). It is clichéd, without a doubt, but you can’t discredit the fact that Scanner Cop is actually a pretty damn good movie. It gets two key things right: amazing FX work by none other than unsung genre hero (and one of my favorite FX artists) John Carl Buechler, and a killer story. Unfortunately, the writing isn’t always up to par with the premise, featuring inventive lines such as “My men are dying! It’s a war out there!” populating a lot of the film’s cop dialogue exchanges. All of that is a moot point as the wild inventiveness of the situations take hold of your soul and never let go.

Consider the opening scene. A man, obviously a scanner, crashes through his dingy apartment looking for his medication. His young son looks on in fear as his father gets more and more outraged at his inability to find his pills. The father locks himself in the bathroom and while looking at his haggard face in the mirror, small human faces start pushing themselves out from his forehead. If that doesn’t sell you on Scanner Cop, then you’re beyond hope. I was howling with laughter, I was cringing in horror, I was abso-fucking-lutely riveted.

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$10,000 Blood Money (1967)

$10,000 Blood Money [10.000 dollari per un massacro] (1967)
AKA Guns of Violence, $10,000 Dollars for a Massacre

Starring Gianni Garko (billed as Gary Hudson), Fidel Gonzáles, Loredana Nusciak, Adriana Ambesi, Pinuccio Ardia, Fernando Sancho, Claudio Camaso, Franco Lantieri

Directed by Romolo Guerrieri

Expectations: Moderate. I had heard this was good, but I am treading lightly.


Finally, I get to review a Django clone film that actually has its own complete identity. This is truly a great spaghetti western and while it doesn’t approach the same caliber as Leone or Corbucci, it’s still on the short list of spaghetti westerns that might be enjoyed by a general audience.

The thing that really sets this film apart from the other Django clones is the characters. The focus is on the relationship between Django, a bounty hunter who has no problems working on both sides of the law, and Manuel, a true criminal who terrorizes those that stand in his way. Both characters have a level of depth that makes them likeable, hateable and just downright interesting all at the same time. At its heart this Western is not an action picture, as a lot of the other Django clones are trying to be. The story is character driven and a lot of its entertainment value comes from the constant back and forth play between Django and Manuel. On top of that are some good gun battles that counterpoint the character drama with some fun action.

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