Guardians of the Galaxy (2014)

guardians_1Starring Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Glenn Close, Benicio Del Toro, Laura Haddock, Sean Gunn, Peter Serafinowicz, Christopher Fairbank

Directed by James Gunn

Expectations: Super, super high. If I don’t like this, I’m going to be crushed.

threehalfstar


Guardians of the Galaxy is easily one of the best Marvel films yet. Other than The Avengers, I don’t think a single film in their line-up comes close to the amount of pure entertainment on display in Guardians. Pinpointing exactly why Guardians is such a successful piece of entertainment isn’t something that needs to be done, but if I want to write more than, “OOOOOOOOHHHHHHHHH GUARDIANS WAS DOPE!” I have to come up with something to talk about, right?

So let’s talk about the characters. While every Marvel movie is generally known to be a hit before it’s even close to a release date, Guardians of the Galaxy was a different story. Where characters like Iron Man and Thor allow most of the audience to bring some knowledge into the theater, most people have never even heard of the Guardians of the Galaxy. I read a lot of Marvel comics growing up and I only had a very limited, passing knowledge of their existence. This was Marvel’s first attempt at a film without the name recognition of a big character, and it was a huge gamble. But the film’s success proves that the public doesn’t specifically care if they know who’s who before entering the theater; they care more about seeing a fun movie, regardless of origin. So if you’re a big shot Hollywood exec reading this, take note! Stop raping our collective childhoods for rebootable franchises! The public will always be hungry for original content! (And yes, Guardians is technically adapted and not original content, but in the eyes of the average moviegoer this is an entirely new thing.)

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Super (2011)

Super (2011)

Starring Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon, Gregg Henry, Michael Rooker, Andre Royo, Sean Gunn, Stephen Blackehart, Greg Ingram, Linda Cardellini, Nathan Fillion, James Gunn

Directed by James Gunn

Expectations: High. I loved Slither, Gunn’s previous film.


Super is a superhero movie for the indie crowd with a lust for bold violence. It’s a small group, but man are they going to eat this shit up. For everyone else, I’m not sure exactly how they’ll react to it, should they see it. There were a couple of thirty-somethings that brought their elderly mother to the screening and I can only imagine the interesting conversations they had on their ride home. For all I know though, she brought them and secretly wishes to bash motherfuckers that cut in line with a wrench. You never can tell with these quiet types.

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Uncle Jasper reviews: Tromeo and Juliet (1995)

Starring Jane Jensen, Will Keenan, Valentine Miele, Maximillian Shaun, Steve Gibbons, Sean Gunn, Debbie Rochon, Lemmy

Directed By: Lloyd Kaufman


Tromeo and Juliet is the Troma vision fully realized. It may as well have been titled “Lloyd Kaufman’s Mission Statement in Five Acts.” It is a film so deviously ingenious in its execution that it manages to both subvert and pay tribute to Shakespeare’s original work while at the same time raising serious questions about what human beings choose to elevate or ridicule as art. It is hands down the best film I’ve seen in months and the only thing I could think about right now is getting this review finished so I can watch it again. Orson Welles had Citizen Kane, Frank Capra had It’s a Wonderful Life, John Ford had Stagecoach, and Lloyd Kaufman has Tromeo and Juliet. These films are all masterpieces from their respective creators… but only one of them features gigantic penis monsters and random acts of nipple piercing.

The most shocking thing about Tromeo and Juliet is just how faithful it is to the bard’s original story. I think this says a lot right off the bat. When you pop in a Troma film on DVD I’m sure most take on the lackadaisical attitude of “…well, it ain’t Shakespeare.” But wait! This time it is Shakespeare! Oh shit, what now? In concept alone the film forces you to pay attention, but the story is so screamingly accurate and fits so astonishingly well into the Troma mold that questions have to be raised about just how classy Shakespeare’s work really was, or just how lowbrow and awful a film like The Toxic Avenger should really be regarded. Never before have I seen the line between “art” and “trash” so thin and opaque. These blurred distinctions are enough to completely shatter the rigid perceptions held by elitist art snobs and make the lovers of B-grade trash feel vindicated in their pursuit for sleaze.

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