Trancers: City of Lost Angels (1988)

trancers_2Trancers: City of Lost Angels (1988)
AKA Trancers 1.5, Pulsepounders

Starring Tim Thomerson, Art LaFleur, Velvet Rhodes, Alyson Croft, Telma Hopkins, Grace Zabriskie, Helen Hunt

Directed by Charles Band

Expectations: Very high.

threestar


Like last year’s release of The Evil Clergyman, Trancers: City of Lost Angels (previously known as Trancers 1.5) was originally planned to be one piece of the anthology film Pulsepounders. Its three segments were to provide sequels to Empire International’s biggest films, theoretically also making Pulsepounders a hit. But the film was never finished and was left to waste away in the back of a warehouse… until now! Or until last year, anyway.

In this mini-Trancers film, Jack Deth must face yet another future villain out to get revenge on him. Edlin Shock was put behind bars by Jack eight years ago, but in order to get the plot moving, Jack’s boss McNulty is transferring this dangerous assassin to a new facility. She escapes by somehow blasting a hole in the ceiling and then forces the police scientists to send her down the line to where Jack Deth is in 1980s Los Angeles. Oh no!

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Trancers II: The Return of Jack Deth (1991)

Trancers II: The Return of Jack Deth (1991)
AKA Future Cop II

Starring Tim Thomerson, Helen Hunt, Megan Ward, Biff Manard, Martine Beswick, Jeffrey Combs, Alyson Croft, Telma Hopkins, Art LaFleur

Directed by Charles Band

Expectations: Moderate. It’s a sequel.

On the general scale:

On the B-movie scale:
twohalfstar


Six years after the original, Charles Band got around to making another Trancers film. He successfully reunites the entire cast of part one, as well as a few new faces. By this point, Empire International had collapsed and his new company, Full Moon Entertainment, had risen from its ashes to bring us more of the Charles Band brand of campy flicks I love. Trancers 2, just like in real life, picks up six years after the events of the original and Jack Deth is still stranded in the past, 1991 to be exact. Using the current year as the setting works really well, because acknowledging the production year allows the film to age a lot better. Instead of picking some arbitrary number for the time, we are treated to 1991, 1991 style. The Raiders are forever the Los Angeles Raiders and passenger vans come in two varieties, the Chevy Astro and the Ford Aerostar. Oh, it’s good to be back.

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