Looper (2012)

looperposter462012Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Noah Segan, Piper Perabo, Jeff Daniels, Pierce Gagnon, Xu Qing, Tracie Thoms

Directed by Rian Johnson

Expectations: Extremely high (but I should say that those expectations come completely from others’ reactions. I never saw a trailer or anything.)

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Looper has a lot of great ideas, but they’re crushed under the weight of the film’s negative aspects. I had fun with it, no doubt, but by the last 20 minutes of the film I was literally clawing at my chair, frantically wishing the film would end. I do respect the way it ultimately ended, although I could’ve done without the minute or so of strained slo-mo that was supposed to really drive the emotional impact home. Ugh. But I’m getting ahead of myself by already talking about the ending. Hold on… let me go back in time.

[All systems go in 3… 2… 1…] [We have time travel ignition.]

My expectations for Looper were absolutely through the roof. This is always a bad way to see a movie, especially one from a director I’m not on the fanboy train for. Rian Johnson has only made three features, but around the Internet his début film, Brick, is seemingly only talked about in hushed, hallowed tones. Since I saw it before I started this website, and I don’t plan on watching it again, let me just say that I hated Brick. Neo-noir, schmeo-noir. Sorry, Brick fans. And that’s very close to how I feel about Looper, except that I kind of liked this one when I wasn’t completely frustrated with it.

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Flash Point (2007)

Flash Point [導火線] (2007)
AKA City With No Mercy, City Without Mercy, The Signal

Starring Donnie Yen, Louis Koo, Ngai Sing, Ray Lui, Xing Yu, Fan Bing-Bing, Kent Cheng, Xu Qing, Teresa Ha Ping, Helena Law Lan, Tony Ho Wah-Chiu, Irene Wong Yun-Yun

Directed by Wilson Yip

Expectations: High. I’ve been pumped to see some more of the Wilson Yip/Donnie Yen films since I saw Ip Man, which was quite a while ago at this point.


Donnie Yen is a badass motherfucker. This should be a given, but some may not yet be familiar with his work. Flash Point isn’t a good starting point, but it will show you (eventually) just how badass Donnie Yen is. See the problem with this one, despite featuring the current reigning badass of Hong Kong cinema, is that it’s actually not much of a martial arts film until the final scene. There are flashes (and points), where bits of martial arts are sprinkled in but it never really lets loose until the final fight. This is a supreme disappointment to me, but regardless of this Flash Point remains entertaining and fast-paced throughout.

Yen plays a ruthless cop that has a nasty habit of beating the shit out of every criminal he takes down. He’s got a high rate of success at cracking cases, but the suits at the police force don’t like his brutal methods. In other movies this might be a vital plot point, or perhaps a wake-up call to Yen’s character, but in Flash Point it’s basically meaningless until the very end of the film when it all gets brought back around. Not that you need a point or a moral to the story. Anyway, he’s on the prowl for some asshole Triad dudes that are trying to make off with some money they fucked a bunch of Vietnamese gangsters out of. I recently wrote about the underdeveloped plot in Merantau, and how it wasn’t necessary to the film to have it be much more developed. In Flash Point we have the opposite, where the plot is too developed and becomes so convoluted at times that it’s hard to keep track of what exactly is going on. The thing is, it doesn’t matter. Before you know it, you’ll catch back up and figure out what’s going on. This isn’t a Bergman film, so the real reason you’re here is for a fun thrill ride, and Flash Point delivers on that promise.

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