The Silver Emulsion Podcast: Ep. 110 – The Goonies

This week on the Silver Emulsion Podcast, Stephen and I talk about one of my favorite films of all time: Richard Donner’s 1985 adventure classic The Goonies! Listen and enjoy! 🙂

As I mention in the episode, I once had a Goonies website, and on it I had a poll for users to select their favorite Goonie and Goonie quote. Well, I was poking around and apparently the newer version of the poll is still accessible! Go and rock the vote here!

Watch The Goonies along with us on the DVD, the Blu-ray, or the wonderful 3-disc Blu-ray set featuring The Goonies alongside Gremlins and Gremlins 2! Also available digitally on Amazon Prime or iTunes.

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • The Bar-Kays – In the Hole

Outro:

  • Cyndi Lauper – The Goonies ‘R’ Good Enough
    • The Goonies (Original Motion Picture Soundtrack) (iTunes, Amazon)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Superman II: The Richard Donner Cut (1980/2006)

2986690_640pxStarring Christopher Reeve, Margot Kidder, Gene Hackman, Terence Stamp, Marlon Brando, Sarah Douglas, Jack O’Halloran, E.G. Marshall, Ned Beatty, Jackie Cooper, Valerie Perrine, Clifton James, Marc McClure

Directed by Richard Donner

Expectations: I’m so excited.

threehalfstar


So all those problems I wrote about in my review for the theatrical version of Superman II? Gone. The Richard Donner Cut is head and shoulders a better film, reconstructing the original vision for the follow-up story to the first film perfectly. It’s a true shame that Donner wasn’t allowed to finish this at the time, as it really could have led to a much better Superman series if they let him continue making them after the first two films. Donner expresses a long-gone desire for doing this in the “Making Of” featurette on the DVD, and you can see the pain in his eyes. Even so many years later, it’s still a sore subject.

Watching the two versions of Superman II shows perfectly how editing and context can completely change scenes. Where certain scenes in Superman II feel long and out of place, within the context of the Donner cut they make sense and work naturally with the flow of the movie. The story slowly builds, where in the theatrical cut everything seemed to slowly go nowhere. So much of the first hour of that movie is painfully disjointed, a result of the producers and Richard Lester needing to rewrite key scenes and doing a poor job of it. I find it interesting that without prior knowledge of what was what, I took the most issue with the two main sections they added: the Eiffel Tower and the extended Niagara Falls bits. I guess this doesn’t bode well for the upcoming re-watch of Lester’s Superman III, does it?).

Continue reading Superman II: The Richard Donner Cut (1980/2006) →

Superman (1978)

Superman-Movie-Poster777Superman (1978)
AKA Superman: The Movie

Starring Christopher Reeve, Gene Hackman, Marlon Brando, Margot Kidder, Ned Beatty, Jackie Cooper, Valerie Perrine, Glenn Ford, Phyllis Thaxter, Jeff East, Marc McClure

Directed by Richard Donner

Expectations: I’m so excited.

fourstar


The tagline for Superman was, “You’ll believe a man can fly,” a boast inferring that the film would not just provide superhero entertainment, but believable superhero entertainment. And tonight, while watching Richard Donner’s Superman for the first time in probably 15 years, it was this quality that amazed me so. The level of believable, pure fantasy that is achieved in Superman is astounding. Star Wars may have exploded people’s minds with its never-before-seen special FX in space, but Superman had the harder task of doing similar things within our own world. This inherently puts Superman at a disadvantage, as we know definitively that these things aren’t possible in our world. But Superman does the impossible, making literally anything seem completely plausible, yet still grounded in reality. This was the first movie to show the potential of the superhero genre, and it’s still one of the best.

I decided to watch the Director’s Cut assembled by Richard Donner in 2000, and even at almost 2½ hours, it just flies by. Is it a bird? Is it a plane? Nope, it’s an awesome movie! There’s only a few scenes added, totaling about eight minutes, but within the context of the film they add so much value. I had already decided to watch Richard Donner’s re-cut version of Superman II based on a good hunch, but now I’m plumb fascinated by what it might contain. For those that don’t know, the two films were shot back-to-back and Donner had completed shooting about 75–80% of the sequel when he was fired. The producers then had most of the sequel re-shot, resulting in the theatrical release version of Superman II only containing something like 25% of Donner’s footage.

Continue reading Superman (1978) →

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