AKA Superman: The Movie
Starring Christopher Reeve, Gene Hackman, Marlon Brando, Margot Kidder, Ned Beatty, Jackie Cooper, Valerie Perrine, Glenn Ford, Phyllis Thaxter, Jeff East, Marc McClure
Directed by Richard Donner
Expectations: I’m so excited.
The tagline for Superman was, “You’ll believe a man can fly,” a boast inferring that the film would not just provide superhero entertainment, but believable superhero entertainment. And tonight, while watching Richard Donner’s Superman for the first time in probably 15 years, it was this quality that amazed me so. The level of believable, pure fantasy that is achieved in Superman is astounding. Star Wars may have exploded people’s minds with its never-before-seen special FX in space, but Superman had the harder task of doing similar things within our own world. This inherently puts Superman at a disadvantage, as we know definitively that these things aren’t possible in our world. But Superman does the impossible, making literally anything seem completely plausible, yet still grounded in reality. This was the first movie to show the potential of the superhero genre, and it’s still one of the best.
I decided to watch the Director’s Cut assembled by Richard Donner in 2000, and even at almost 2½ hours, it just flies by. Is it a bird? Is it a plane? Nope, it’s an awesome movie! There’s only a few scenes added, totaling about eight minutes, but within the context of the film they add so much value. I had already decided to watch Richard Donner’s re-cut version of Superman II based on a good hunch, but now I’m plumb fascinated by what it might contain. For those that don’t know, the two films were shot back-to-back and Donner had completed shooting about 75–80% of the sequel when he was fired. The producers then had most of the sequel re-shot, resulting in the theatrical release version of Superman II only containing something like 25% of Donner’s footage.
But here I am ramblin’ on about Superman II and I haven’t even watched it yet! While it might have been prudent to edit these bits out, I decided to keep them in because they illustrate perfectly the frame of mind that Superman left me in: pure, childlike excitement. I remember the feeling I used to get watching these Christopher Reeve Superman movies when I was a kid, but for many years I disregarded them because I felt bored by the character. “He can do anything… who cares? I can’t relate to that,” I thought. But I was missing the point completely. Superman, the superhero who can do anything, is notable because he can do anything! That means that the circumstances he finds himself in must be HUGE! In this movie Superman single-handedly lifts a tectonic plate, for God’s sake; how can a comic fan not get excited by something like that?
A lot of this raving fanboy emotion stems directly from the film’s FX work, and how well-realized it all is. For instance, when Superman is under the crust of the Earth, everything is red, molten and stylized in just the right way to make it thrilling and believable. In some ways, it’s probably believable because I want to believe, but hey, if you’re reading this I’m going to assume you’re in a similar boat and not completely closed off to this kind of stuff. But while underground-based fantasy may be nice, the real linchpin to the success of Superman is the flying, as evidenced by the film’s tagline. If the flying looked dumb, the whole film would crumble, no matter how good everything else was. And the marketing department had the balls to call attention to it on the poster? It’s the kind of boast that under different circumstances might have been accompanied by a money-back guarantee, and if it were, I can’t imagine they’d have had to pay much out, because… well… the flying is awesome.
The film knows what it has going for it, too, and one of the best instances of this, actively toying with the audience’s expectations, comes right at the opening. The film begins with a theater showing a B & W short about Superman in the old Academy ratio screen size, recalling past incarnations of the character in the serials and TV’s Adventures of Superman. The nostalgic moment is then completely shattered by a truly amazing credit sequence that grows right out of the old-school screen and blasts into widescreen color. This technique has been used in many films looking to make such an impact, most recently Oz: The Great and Powerful, but here I found it especially effective. It’s like Richard Donner’s version of Paul Hogan’s classic line about a knife in Crocodile Dundee, “That’s not Superman… This is Superman!”
There are some small issues that I could have with the film, but I simply can’t let a couple of little things mar a great experience. Some of it wasn’t even a problem, it was just me noticing how ’70s a lot of it felt at times, in the same way that watching a great movie from 2013 will inevitably feel like a product of its time when seen 35 years later. Rarely can an artistic work completely transcend its time, even the great ones, and Superman is no different. But that’s no reason to discredit it. There are also a few things with Lex Luthor that don’t make sense, but I quickly wrote those off because this is a comic book movie and it’s more about having fun than nitpicking. Do I really need to question where Luthor got a mobile home on a truck within a few seconds? Does it matter? I’d say not, but I can understand others not sharing my position, especially if they are younger and didn’t grow up with a huge love of the character and these specific films.
But I think naysayers would have to concede that the lengthy action finale involving Superman doing non-stop acts of heroism is a thrilling piece of editing and filmmaking. Even amidst the current cavalcade of superhero films, I’d argue that this sequence still stands as one of the best in the genre. The FX work is so good that many of the shots are seamless, and even the ones that aren’t still look pretty great, especially so if you’re really engaged with the action. And topping off all the awesome of the finale, the film ends with Superman flying into space and winking at the camera as if to say, “Yeah, I’m dope.”
Superman was an absolute triumph of fantasy and science fiction filmmaking in its day, and it continues to influence superhero films and general blockbusters alike. Through my teenage years and into my adulthood, I may have been somewhat ashamed of my love of these movies, pushing Superman and its sequels aside as relics of my childhood, but watching Superman tonight fully rekindled my childhood love of the character. Richard Donner’s Superman was always one of my favorite films growing up and I’m as shocked as anyone to realize that it’s just as good now as it was then. Superman resurrected the kid inside me, and it feels so good. It wasn’t you, Superman, it was me, and I hope I never forget how much fun you are to have around.
Personally, while I did watch the director’s cut of the original Superman, I thought it was a little bloated and I think I would have preferred to watch the original theatrical cut of it. That said, it is an amazing movie and currently the best Superman movie out there right now, they got the special effects right and I totally agree that some of the 70’s sensibilities got to me a little bit, but everything else about the movie holds up fantastically. It’s an amazing movie and your Superman viewing just goes downhill from here, though I do think it’s a great choice to watch the Donner cut.
Out of curiosity, I know there’s a Bollywood remake of this movie available on YouTube, are you going to be watching that one as well?
I can understand if you thought it was a bit bloated. It kind of is, even if I enjoyed it start to finish. But I don’t think it’s the director’s cut scenes that make it bloated. I thought those scenes were some of the best bits.
Hahahaha, I hope it doesn’t go too far downhill! When I was a kid I watched Superman III and Supergirl far more than the others, so I’m actually looking forward to those. I’m really looking forward to the Donner cut of Superman II also.
And very astute of you to mention that Bollywood Superman film! I will indeed be reviewing that one, although that one will be a little while later in the series.
Wonderful movie. I’ve only watched the theatrical cut, but it’s one of my favorites. Might be my favorite superhero film of all time; it’s definitely jockeying for position.
Glad it rekindled your love of the character. I think you’re spot on regarding how to make the character fun for people, which is what this movie did so well.
Yeah, it’s one of the best superhero films, and I might say it was my favorite also, depending on my mood. Hopefully the new one captures some of this magic.
Silver it’s been too long! Nice review of an old classic. I remember seeing it in the theater with my father and brother and thinking it was the second only to the legendary Star Wars. Gene Hackman and Ned Beatty were superb especially with his bald head phobia. Though many people make fun of her, my heart goes out to Margot Kidder dealing with her mental illness, I know someone who suffered from the same affliction and it is nothing to joke about. I was thinking of showing it to my two step daughters soon not it is at the top of the list.
It has been a while JP, thanks for stopping by! I can only imagine seeing this during its original run. Musta blown people’s minds. Kidder is the perfect Lois Lane, and yeah, mental illness is definitely not something to take lightly. Hopefully your step-daughters enjoy this one, it’s a classic indeed.
While I admit it hasn’t aged well (some of the costuming is unfortunately dated) there’s something about Superman that just trranscends the years. It’s the perfect example of a great story, well told. That’s all you need for a film to last in popularity, really. One of my top 3 films as a kid (Never-Ending Story and Short Circuit being the other 2) I will happily watch this film whever it’s on TV or I have a spare few hours to kill on DVD. How I miss Christopher Reeve.
Sidebar: potentially, this film could be superseded by Snyder’s Man Of Steel… thoughts on this prospect?
Ah, I like the Superman costume in this! Unless you mean the other costumes, which are pretty dated. But it’s a ’70s movie, so you can’t really fault it for that. But yeah, this one is just perfectly told. Thumbs up to Neverending Story and Short Circuit too, those were also very high in my rotation as a kid!
I don’t think there’s any way Synder’s new film can claim the top spot. I’m hopeful, but I have little faith that Snyder can actually deliver a film that I really like. If they can successfully ground the character while also believably making him the fantastic superhero, like this film did, then maybe there’s a shot for it. Do we know if they’re going full origin in the new film or not? If so, it will probably cover a lot of the same ground, and be something of a comparable film to this. We’ll see… I’d love to be blown away.