Stephen reviews: Ghost in the Shell: Stand Alone Complex: Solid State Society (2006)

solidstatesociety_1Ghost in the Shell: Stand Alone Complex: Solid State Society [攻殻機動隊 STAND ALONE COMPLEX Solid State Society] (2006)

Starring Atsuko Tanaka, Akio Ohtsuka, Kouichi Yamadera, Kazuya Tatekabe, Masuo Amada, Osamu Saka, Takashi Onozuka, Taro Yamaguchi, Toru Ohkawa, Yutaka Nakano, Yuya Uchida

Directed by Kenji Kamiyama


When I started this journey through the Ghost in the Shell films I fully expected them to go straight downhill and never recover, and even though I still think the original 1995 film is the best, I’ve been pleasantly surprised by how well the franchise has held its quality. Solid State Society keeps that tradition going with another good blend of cyberpunk thrills and intellectual depth. I think that’s what holds the series up and keeps it from grinding to a halt. It has never drifted so far into action fluff that it becomes mindless, but it has also never forgotten to keep that visceral edge honed sharp.

Unlike the previous Stand Alone Complex films, this one is actually meant to be a film. It is not a compilation, or even an adaptation. The story was intended from the start to be a movie, and that has helped it avoid the flaws that brought down Individual Eleven. I was hoping that would translate into better animation, but unfortunately that didn’t happen. It still looks about the same as the other Stand Alone series. That’s no terrible insult or anything, but it would have been nice to get a visual boost.

Continue reading Stephen reviews: Ghost in the Shell: Stand Alone Complex: Solid State Society (2006) →

Stephen reviews: Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven (2006)

individual11_1Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven [攻殻機動隊 S.A.C. 2nd GIG Individual Eleven] (2006)

Starring Arsuko Tanaka, Akio Ohtsuka, Koichi Yamadera, Ooki Sugiyama, Osamu Saka, Rikiya Koyama, Sakiko Tamagawa, Taimei Suzuki, Ken Nishida, Takashi Onozuka, Taro Yamaguchi, Toru Ohkawa, Yuko Sumimoto, Yutaka Nakano

Directed by Kenji Kamiyama


As the title might suggest, this is a sequel to the previous Stand Alone Complex. It’s also a compilation film just like The Laughing Man. Because it’s a part of the same TV series, it has the same solid animation, though a little heavy on the CG for my tastes, and the same great dramatic Yoko Kanno scores. But somehow Individual Eleven didn’t entertain me as much as The Laughing Man did. It was a bit less action packed and more explanation packed. And this is in a franchise that is already very explanation heavy in the first place.

It doesn’t help that it mimics the opening scene of the original Ghost in the Shell film not once, but twice over the course of the movie. Yeah, I know, it was a cool scene, but I don’t need to see it reenacted all the time. After that opening that I’ve basically seen before, it dives into a very long fictional history lesson to set the groundwork for the events of the film. I can’t say that this was unnecessary, but it really dragged down the first part of the film. Things thankfully pick up from there, but I couldn’t get into it as much as the previous film. It may have just been that opening breaking the mood, but I wasn’t so fond of some other factors either.

Continue reading Stephen reviews: Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven (2006) →

Stephen reviews: Ghost in the Shell: Stand Alone Complex: The Laughing Man (2005)

SAC_laughing_manGhost in the Shell: Stand Alone Complex: The Laughing Man [攻殻機動隊 STAND ALONE COMPLEX The Laughing Man] (2005)

Starring Atsuko Tanaka, Osamu Saka, Akio Ohtsuka, Kohichi Yamadera, Yutaka Nakano, Toru Okawa, Takashi Onozuka, Taro Yamaguchi, Sakiko Tamagawa

Directed by Kenji Kamiyama


The Laughing Man is a compilation film of the Stand Alone Complex TV series. As such, it has a TV budget and it lacks the slick animation of the two Mamoru Oshii Ghost in the Shell films. It does have some pretty solid production values for a TV series, though, and strangely enough the CG is actually better than in Ghost in the Shell 2. There’s a good deal of it, but it’s not nearly as intrusive and actually makes an attempt to blend in with the line art of the character designs. It was a bit annoying to have every vehicle rendered by computer, but I’m more forgiving with something that obviously needs to make do with a lower budget. And since it’s not contrasted with such great standard animation, it’s less disappointing to see here.

Compilations can spell doom for a film in other ways, though (just look at the Yotoden Movie for an example of how bad things can get), but The Laughing Man is one of the better compilations I’ve seen. Partly this is because of its length. The Laughing Man clocks in at more than two and a half hours, and that means it has enough time to put in all the necessary content to make the story work. It’s still a little rushed at times, but everything you need is here. Although I really wanted an explanation of those girls curled up in Major Kusanagi’s bed. Were they spare bodies? Does she collect life-size dolls? Or were they just passed out after a satisfying S&M session? In a world full of cyborgs and robots the possibilities are endless. In fact, I’m not sure I want to know. The truth will probably never live up to my inflated expectations.

Continue reading Stephen reviews: Ghost in the Shell: Stand Alone Complex: The Laughing Man (2005) →

Stephen reviews: Patlabor: the Movie (1988)

patlabor1Patlabor: the Movie [機動警察パトレイバー 劇場版] (1988)
AKA Patlabor 1

Starring Miina Tominaga, Daisuke Gouri, Issei Futamata, Kouji Tsujitani, Michihiro Ikemizu,  Osamu Saka, Ryunosuke Ohbayashi, Shigeru Chiba

Directed by Mamoru Oshii


This film takes place back in 1999 when the police used giant robots called labors, hence the abbreviation of “patrol labor” into patlabor. What, you don’t remember getting pulled over by a giant robot? Man, if you were that drunk, then you really did deserve that ticket.

The film is a sequel to the TV series of the same name, but it stands on its own very well. I could tell that the characters and their roles had already been established, but I never felt too far out of the loop to understand the plot. The story itself is the primary focus of the film, and while the characters definitely have their personalities, it never focuses on any one person for very long. Instead it focuses on an investigation that the entire team is working on, with all the characters performing different duties.

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Stephen reviews: A Wind Named Amnesia (1990)

A Wind Named Amnesia [風の名はアムネジア Kaze no Na wa Amunejia] (1990)

Starring Kazuki Yao, Keiko Toda, Masaharu Satou, Kappei Yamaguchi, Daisuke Gori, Yuko Mita, Noriko Hidaka, Osamu Saka

Directed by Kazuo Yamazaki


Today I’m reviewing the only remaining Hideyuki Kikuchi novel adaptation, at least that I am aware of. Like Darkside Blues, it is not a horror film. And also like Darkside Blues, it is quite a bit more bland than the other adaptations of his works. I can’t claim Kikuchi as a better horror writer than a sci-fi writer since I haven’t read the novels, but his horror stories have definitely gotten the better film versions.

A Wind Named Amnesia has a more philosophical nature than Darkside. Not that Darkside didn’t have philosophical themes; it’s just that it mostly ignored them. Amnesia, though, aims straight for its principle themes, and as such is a more coherent work. While this does makes it a better film, the moments of fun action are weaker, which cranks the boredom factor up a bit, too. So which film you would prefer will probably have a lot to do with what you are hoping for.

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Stephen reviews: Slayers: the Motion Picture (1995)

Slayers [スレイヤーズ, Sureiyâzu]

Starring Megumi Hayashibara, Maria Kawamura, Osamu Saka, Tessho Genda, Minami Takayama

Directed by Hiroshi Watanabe & Kazuo Yamazaki


As you might have guessed by the title, Slayers: the Motion Picture is by no means the first product in the Slayers franchise. But unlike other anime movies, this is not a summary of a longer series or a sequel relying on previous events. It has no influence on the rest of the series, nor does the rest of the series influence it in any meaningful way, and its place in the timeline is mostly indeterminate. (Various websites assure me it’s a prequel, but there is nothing in the film to indicate that.) Therefore, it makes as good an entry point as any to the series.

Rather than the usual gang of misfits the series centers around, main character and master wizard Lina Inverse is wandering around on her own and is soon dragged off by fellow sorceress Naga to visit the famous hot springs of Mipross Island. I’m glad they kept the cast small, as the movie avoids the pitfalls of huge casts that plague many other anime films. Instead it is a classic odd couple routine where the two conflicting personalities of Lina and Naga collide.

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