Quick Takes: The Wolf of Wall Street, Dawn of the Planet of the Apes, Zombie

wolf_1The Wolf of Wall Street (2013)
threehalfstar

Starring Leonardo Dicaprio, Jonah Hill, Margot Robbie, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Jean Dujardin, Joanna Lumley, Cristin Milioti, Christine Ebersole, Shea Whigham, P. J. Byrne, Kenneth Choi, Matthew McConaughey
Directed by Martin Scorsese

In my teenage years, when I getting serious about my film obsession, Martin Scorsese was one of my favorite directors. The years haven’t been too kind to our relationship, though, as Scorsese hasn’t made a single film since Kundun that I’ve flat-out loved. The Wolf of Wall Street still isn’t quite there for me, but it is a finely made film that is incredibly entertaining and watchable even at a full three hours. Most importantly, Scorsese successfully dredges up that exuberant energy that made his earlier films sparkle. Leonardo DiCaprio proves (once again) that he deserves one of those coveted Oscar statues, in one of his best performances yet. But honestly, it was Jonah Hill that surprised me the most. Hill is a surprisingly good actor, I guess “surprisingly” because I always wrote him off as “one of those dudes in modern comedies that I don’t like.” While most of the movie is best described as vapid exuberance, it does end up relating something insightful about the American psyche and the power of money. If you’ve been cold on the last few Scorsese films, The Wolf of Wall Street is the real deal.

Dawn_1Dawn of the Planet of the Apes (2014)
twohalfstar

Starring Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee, Kirk Acevedo, Nick Thurston, Terry Notary, Karin Konoval, Judy Greer
Directed by Matt Reeves

I liked Dawn of the Planet of the Apes, but for me it was a big step down from the first one. A lot less emotionally engaging, and all the human characters were cardboard and boring. The story didn’t really grab me either, although I don’t know what else this movie could’ve been about. It’s a movie about the dawn of the war between apes and men, so you kinda have to show why they’re angry at one another, but I think it could have been far better executed. A good majority of the FX work is outstanding, but alongside the amazing stuff are chimps with faces that look flat and completely fake (such as Caesar’s son). I don’t understand why, because Caesar, Koba, Maurice and a good majority of the other apes all look near-real most of the time. Whatever… apes with machines guns made me smile. And they ride horses! The third movie will likely be a pretty hefty action film, but I’m not going in with great expectations after the so-so showing here by director Matt Reeves (who is also directing the third one).

Zombie_Flesh_eatersZombie [Zombi 2] (1979)
AKA Island of the Flesh-Eaters, Zombie Flesh Eaters, Zombie 2: The Dead are Among Us, Island of the Living Dead

twohalfstar

Starring Tisa Farrow, Ian McCulloch, Richard Johnson, Al Cliver, Auretta Gay, Stefania D’Amario, Olga Karlatos
Directed by Lucio Fulci

Zombie is surprisingly dull for the most part, except when the zombies come around with their muddy, worm-ridden faces. The characters — if you can even call them that — do some really dumbass shit, and the “story” is like a vague premise with dialogue attached to it. It’s seriously not much more than: A woman searches for her father on a strange island where the dead rise from their graves. And the search for Daddy isn’t even that big of a deal, as it’s pretty clear from the first scene what happened to him. The last half hour or so is pure zombie killin’ entertainment, though, and the gore throughout is awesome. Lots of great flesh-rippin’ bites and other gruesome sights, especially the bit where a splintered wood beam pierces through a character’s eye!

The Artist (2011)

Starring Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, Missi Pyle, Beth Grant, Ed Lauter, Joel Murray

Directed by Michel Hazanavicius

Expectations: High hopes, but moderate expectations.


I love film, if I didn’t I wouldn’t bother writing about it. I consider myself something of a film historian, not that I collect and catalog old works, but that I’m concerned with maintaining an understanding of the industry in its many forms throughout the years. Silent films were a huge part of my life about ten years ago, so much so that I was pretty much watching nothing else. It is this foundation that instantly gets excited when talk of a new silent film emerges. Then I happened to see the trailer and I realized that not only was it a silent film, The Artist is a film set in the silent era and its plot revolves around the film industry. Great. As much as I love film, I kinda hate films about Hollywood, so my expectations were instantly cut in half, which is honestly the best thing that could’ve happened.

And now that I’ve seen it, I can honestly say that I don’t really understand why it’s getting so much praise. I mean, I get it… if Drive was the movie that lit millennials’ bulbs in 2011, and The Tree of Life was the one that rang the bell for arthouse fiends, then The Artist is the film that floats the boat of the nostalgic lover of old Hollywood, but shouldn’t a film actually be good beyond the hype, pretense and nostalgia? All three of these critically acclaimed movies fell far short of the mark for me, and as much as I didn’t care for it, I’m tempted to say that The Tree of Life is the best of the bunch, regardless of my star ratings (which I stand by). Didn’t expect to ever say that.

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