The Artist (2011)

Starring Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, Missi Pyle, Beth Grant, Ed Lauter, Joel Murray

Directed by Michel Hazanavicius

Expectations: High hopes, but moderate expectations.


I love film, if I didn’t I wouldn’t bother writing about it. I consider myself something of a film historian, not that I collect and catalog old works, but that I’m concerned with maintaining an understanding of the industry in its many forms throughout the years. Silent films were a huge part of my life about ten years ago, so much so that I was pretty much watching nothing else. It is this foundation that instantly gets excited when talk of a new silent film emerges. Then I happened to see the trailer and I realized that not only was it a silent film, The Artist is a film set in the silent era and its plot revolves around the film industry. Great. As much as I love film, I kinda hate films about Hollywood, so my expectations were instantly cut in half, which is honestly the best thing that could’ve happened.

And now that I’ve seen it, I can honestly say that I don’t really understand why it’s getting so much praise. I mean, I get it… if Drive was the movie that lit millennials’ bulbs in 2011, and The Tree of Life was the one that rang the bell for arthouse fiends, then The Artist is the film that floats the boat of the nostalgic lover of old Hollywood, but shouldn’t a film actually be good beyond the hype, pretense and nostalgia? All three of these critically acclaimed movies fell far short of the mark for me, and as much as I didn’t care for it, I’m tempted to say that The Tree of Life is the best of the bunch, regardless of my star ratings (which I stand by). Didn’t expect to ever say that.

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A Fork in the Road (2009)

Starring Jaime King, Josh Cooke, Missi Pyle, Daniel Roebuck, Silas Weir Mitchell, Rick Overton, William Russ

Directed by Jim Kouf

Expectations: Low. The trailer looked awful, but I gave it a shot.


I took a chance on this movie. I watched the trailer for it a long time ago, probably a year back, and thought it looked horrible. It was obviously shot on video and from what I remember of the trailer there were a lot of people yelling at each other. I generally would have written this movie off immediately as a Coen Bros. rip-off but when I saw it on Netflix Instant and I was in a forgiving mood, I decided to give it a go and put all of my preconceived notions aside. Surprisingly, I’m not sorry that I did.

A young child hangs out of a car window, playing with a fork. He drops said fork and where does it land? Well, dear readers, it lands in the road. Along comes a police cruiser transporting the convict Will Carson. It hits the fork in the road, flips and Will makes his escape. He hides out in a barn and notices some suspicious behavior at the house across the way. A woman drags a man’s body out of the house and struggles to put him into the trunk of a car. From here, as you can probably guess, hijinks ensue.

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