Quick Takes: The Wolf of Wall Street, Dawn of the Planet of the Apes, Zombie

wolf_1The Wolf of Wall Street (2013)
threehalfstar

Starring Leonardo Dicaprio, Jonah Hill, Margot Robbie, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Jean Dujardin, Joanna Lumley, Cristin Milioti, Christine Ebersole, Shea Whigham, P. J. Byrne, Kenneth Choi, Matthew McConaughey
Directed by Martin Scorsese

In my teenage years, when I getting serious about my film obsession, Martin Scorsese was one of my favorite directors. The years haven’t been too kind to our relationship, though, as Scorsese hasn’t made a single film since Kundun that I’ve flat-out loved. The Wolf of Wall Street still isn’t quite there for me, but it is a finely made film that is incredibly entertaining and watchable even at a full three hours. Most importantly, Scorsese successfully dredges up that exuberant energy that made his earlier films sparkle. Leonardo DiCaprio proves (once again) that he deserves one of those coveted Oscar statues, in one of his best performances yet. But honestly, it was Jonah Hill that surprised me the most. Hill is a surprisingly good actor, I guess “surprisingly” because I always wrote him off as “one of those dudes in modern comedies that I don’t like.” While most of the movie is best described as vapid exuberance, it does end up relating something insightful about the American psyche and the power of money. If you’ve been cold on the last few Scorsese films, The Wolf of Wall Street is the real deal.

Dawn_1Dawn of the Planet of the Apes (2014)
twohalfstar

Starring Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee, Kirk Acevedo, Nick Thurston, Terry Notary, Karin Konoval, Judy Greer
Directed by Matt Reeves

I liked Dawn of the Planet of the Apes, but for me it was a big step down from the first one. A lot less emotionally engaging, and all the human characters were cardboard and boring. The story didn’t really grab me either, although I don’t know what else this movie could’ve been about. It’s a movie about the dawn of the war between apes and men, so you kinda have to show why they’re angry at one another, but I think it could have been far better executed. A good majority of the FX work is outstanding, but alongside the amazing stuff are chimps with faces that look flat and completely fake (such as Caesar’s son). I don’t understand why, because Caesar, Koba, Maurice and a good majority of the other apes all look near-real most of the time. Whatever… apes with machines guns made me smile. And they ride horses! The third movie will likely be a pretty hefty action film, but I’m not going in with great expectations after the so-so showing here by director Matt Reeves (who is also directing the third one).

Zombie_Flesh_eatersZombie [Zombi 2] (1979)
AKA Island of the Flesh-Eaters, Zombie Flesh Eaters, Zombie 2: The Dead are Among Us, Island of the Living Dead

twohalfstar

Starring Tisa Farrow, Ian McCulloch, Richard Johnson, Al Cliver, Auretta Gay, Stefania D’Amario, Olga Karlatos
Directed by Lucio Fulci

Zombie is surprisingly dull for the most part, except when the zombies come around with their muddy, worm-ridden faces. The characters — if you can even call them that — do some really dumbass shit, and the “story” is like a vague premise with dialogue attached to it. It’s seriously not much more than: A woman searches for her father on a strange island where the dead rise from their graves. And the search for Daddy isn’t even that big of a deal, as it’s pretty clear from the first scene what happened to him. The last half hour or so is pure zombie killin’ entertainment, though, and the gore throughout is awesome. Lots of great flesh-rippin’ bites and other gruesome sights, especially the bit where a splintered wood beam pierces through a character’s eye!

Throw Momma From the Train (1987)

Starring Danny DeVito, Billy Crystal, Kim Greist, Anne Ramsey, Kate Mulgrew, Branford Marsalis, Rob Reiner, Bruce Kirby, Joey DePinto, Annie Ross

Directed by Danny DeVito

Expectations: Low. One of those 80s movies I’ve never seen that could go either way.


Throw Momma From the Train has a lot of interesting aspects, but in the end they don’t add up to a wholly satisfying movie. As with all 80s films, some of this is pleasantly explained away with the “only in the 80s” mantra, but to dismiss all of the film’s faults with this argument would far too forgiving. To focus solely on the faults would also be a mistake, as the film does do a good job of entertaining. I don’t know, it’s a weird one for sure, and some of my strange feelings can be traced back to my knowledge of the film prior to watching it.

This is one of those 80s movies I never saw back in the day, but I heard and saw a lot about it upon its release. Between regular trips down the video store aisles to Anne Ramsey’s Oscar nomination, this film was seemingly everywhere in my young world. I remember my parents refusing to watch it (or maybe it was refusing to let me watch it), but there was something about that video box (and the whole forbidden fruit mentality that arose because of their restriction) that made me want to watch the film. Enjoying Billy Crystal and Danny DeVito helps too. Flash forward twenty-five years and I have finally realized this dream of youth. That mysterious film with the two guys sitting on the train tracks is no longer in the gigantic “To Watch” pile of my mind.

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