Arcade (1994)

arcade_1AKA Cyber World

Starring Megan Ward, Peter Billingsley, John de Lancie, Sharon Farrell, Seth Green, A.J. Langer, Bryan Dattilo, Brandon Rane, B.J. Barie, Humberto Ortiz, Jonathan Fuller

Directed by Albert Pyun

Expectations: Pretty high.

On the general scale:
onestar

On the B-movie scale:
twostar


Arcade is supposedly one of Full Moon’s most popular films, but after seeing it I have little understanding why that is. Video games were pretty popular in 1993, so maybe it’s just that an overwhelming amount of kids convinced their parents to rent this “video game movie” for them (wonder what they thought of the bloody suicide aftermath seen in the first couple of minutes!). But if Arcade actually did so well, Charles Band would’ve cranked out a sequel (or four). Hmmm, all I know is that people seem to harbor a nostalgic love for Arcade that is not in line with the film’s actual quality. That’s no crime, but it did come as a surprise.

Alex (Megan Ward) is having trouble coping with her mother’s recent suicide. She seeks solace with her group of friends: her boyfriend Greg (Bryan Dattilo), Nick (Peter Billingsley) and Stilts (Seth Green). Together they head down to their local arcade (Dante’s Inferno) where a new virtual reality game called Arcade is being test marketed. It’s no ordinary game, though, and after Greg tries it out he is nowhere to be found. Now it’s up to Alex and Nick to uncover the secrets of Arcade and find Greg!

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Dollman (1991)

Dollman (1991)

Starring Tim Thomerson, Jackie Earle Haley, Kamala Lopez, Humberto Ortiz, Nicholas Guest, Judd Omen, Michael Halsey, Frank Doubleday, Frank Collison, Vincent Klyn, John Durbin, Merle Kennedy, Luis Contreras, Eugene Robert Glazer, Richard D’Sisto, John Eastman, Christian Guzek

Directed by Albert Pyun

Expectations: Moderate, I remember liking this when I saw it as a kid.

On the general scale:
twohalfstar

On the B-movie scale:
threehalfstar


Dollman in some ways is the ultimate Full Moon film. It features a high-concept plot, lots of special FX (of varying quality) and that unmistakable brand of cheap humor laced into most of their titles. For instance, the whole opening sequence is a cavalcade of bad-quality fat jokes, which I suppose sets the tone accordingly, but it does so in such a ham-fisted way that many probably never made it past the scene. It’s unfortunate because once it gets going,  Dollman is a rip-roaring good time.

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