Hugo (2011)

Starring Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances de la Tour, Richard Griffiths, Jude Law

Directed by Martin Scorsese

Expectations: High, but really cautious. Everything I hear sounds good, but whenever I see footage it looks dumb.


OK, I’m going to try and rein in my negativity. I did like Hugo, but I take issue with much of it as a film. With all the film history stuff contained in the film Scorsese is preaching to the choir with me, and I doubt that any kids in the audience are going to take the film’s look back at the life’s work of George Méliès and run with it to their nearest DVD retailer to snatch up a copy of A Trip to the Moon. I don’t know… I think this is another case of me just being too jaded to truly appreciate the film at hand, although I have to say that I don’t think it’s an entirely well made film. For Scorsese to get so much respect for this movie is ridiculous as it shows very little of the clever, powerful director he once was. I have to imagine it’s because this is easily one of the safest and most boringly mainstream movies of his entire career, but hey, I generally hate movies about movies, so your mileage may vary.

Hugo is about a boy name Hugo who lives in the crawlspaces of the train station. He winds the clocks and pretty much keeps to himself, except to steal a little clockwork gear every once in a while. He does this because he’s got an automaton stashed away in his home, and he’s desperately trying to fix it. Despite this fantasy setup, the film is a lot more grounded than you’d expect it to be from the marketing. Don’t get me wrong, everything plays out in somewhat comical, ridiculous ways, but it still feels tied to our reality by all the film history lessons sprinkled throughout.

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(500) Days of Summer (2009)

Starring Joseph Gordon-Levitt, Zooey Deschanel, Chloë Moretz, Geoffrey Arend, Matthew Gray Gubler, Clark Gregg, Rachel Boston, Minka Kelly, Maile Flanagan, Patricia Belcher, Richard McGonagle

Directed by Marc Webb

Expectations: Extremely low.


This movie was better than I expected. It wasn’t great, but it had its moments. It’s one of those movies that people like to call “a cute little movie.” It tells the story of Tom (Joseph Gordon-Levitt), a greeting card writer, who believes that one day he will meet his soul mate. Enter Summer (Zooey Deschanel). But as the opening narration states, this isn’t a love story. It’s also not really a comedy. It’s more of a drama than the ad campaigns would have you believe.

The films unravels in a non-linear way, which I almost always feel is a clever device used to make a boring story more palatable. In this case it mostly works, but at only 97 minutes, it still feels really long. That is not to say that it’s uninteresting, just that some of the scenes could have been more engaging. The film is also an incredibly mainstream looking movie for an independent film. Tons of over-the-shoulder dialogue shots and close-ups. It’s not without innovation though. There are a few great ideas in the movie that are executed with perfection. Spoiling them would be just rotten of me, so I’ll just say that one of them involves the main character looking into a mirrored surface and seeing a very clever reflection. There’s also a fantastic split-screen scene involving expectations. I’ll leave it at that.

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