Hugo (2011)

Starring Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances de la Tour, Richard Griffiths, Jude Law

Directed by Martin Scorsese

Expectations: High, but really cautious. Everything I hear sounds good, but whenever I see footage it looks dumb.


OK, I’m going to try and rein in my negativity. I did like Hugo, but I take issue with much of it as a film. With all the film history stuff contained in the film Scorsese is preaching to the choir with me, and I doubt that any kids in the audience are going to take the film’s look back at the life’s work of George Méliès and run with it to their nearest DVD retailer to snatch up a copy of A Trip to the Moon. I don’t know… I think this is another case of me just being too jaded to truly appreciate the film at hand, although I have to say that I don’t think it’s an entirely well made film. For Scorsese to get so much respect for this movie is ridiculous as it shows very little of the clever, powerful director he once was. I have to imagine it’s because this is easily one of the safest and most boringly mainstream movies of his entire career, but hey, I generally hate movies about movies, so your mileage may vary.

Hugo is about a boy name Hugo who lives in the crawlspaces of the train station. He winds the clocks and pretty much keeps to himself, except to steal a little clockwork gear every once in a while. He does this because he’s got an automaton stashed away in his home, and he’s desperately trying to fix it. Despite this fantasy setup, the film is a lot more grounded than you’d expect it to be from the marketing. Don’t get me wrong, everything plays out in somewhat comical, ridiculous ways, but it still feels tied to our reality by all the film history lessons sprinkled throughout.

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Harry Brown (2009)

Harry Brown (2009)

Starring Michael Caine, Emily Mortimer, Ben Drew, Charlie Creed-Miles, David Bradley, Jack O’Connell, Liam Cunningham

Directed by Daniel Barber

Expectations: High. Michael Caine? Revenge? Any questions?


Given Michael Caine’s revenge film pedigree, I was thoroughly excited to see him take one last stab at injustice. Harry Brown promised to fit that bill, but it surprised me by being a quiet film for the most part and fairly reserved in comparison to typical genre entries. The fact that Caine is a seventy-seven-year-old man contributes greatly to this tone, and realistically, I probably shouldn’t have built it up as much as I did. I was disappointed in the film, but this can be tied almost directly to my high expectations, so be wary of such things if you do choose to view this.

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Shutter Island (2010)

Starring Leonardo DiCaprio, Ben Kingsley, Mark Ruffalo, Michelle Williams, Emily Mortimer, Max von Sydow, Jackie Earle Haley, Ted Levine, John Carroll Lynch, Elias Koteas, Patricia Clarkson

Directed by Martin Scorsese

Expectations: High.


Scorsese’s first film back after winning Best Picture and Director for The Departed is Shutter Island, an adaptation of Dennis Lehane’s novel of the same name. Much as I’d like not to say it, Scorsese’s best films are behind him but Shutter Island is still leagues better than your traditional mainstream fare. His last truly great film in my eyes was Kundun, a long 13 years ago, and while Shutter Island doesn’t even come close to its level, it shows that he still holds the power to make a good film.

The story follows Teddy Daniels, a U.S. Marshall from Boston played by Leonardo DiCaprio, and his partner (Mark Ruffalo) as they make their way to Ashecliff Hospital. Their case is to find Rachel Solando, a patient that somehow escaped from her cell and has gone missing. I will leave it at that as a good portion of the fun comes from unraveling the mystery.

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