Science Fiction

Stephen reviews: Voices of a Distant Star (2002)

Voices of a Distant Star [ほしのこえ, Hoshi no Koe] (2002)
AKA Voices of a Star

Starring Sumi Muto, Chihiro Suzuki, Donna Burke, Mika Shinohara (original version), Makoto Shinkai (original version)

Directed by Makoto Shinkai

It’s hard to find an anime that can truly be called a low-budget film. You can’t grab a camcorder and some like-minded amateur actors and whip something up over a few weekends for a few thousand bucks. Animation is very labor-intensive work that requires some rather specific, and expensive, tools. Few anime justifiable as a film are ever made on a shoestring budget. And then you want one with an English release? Well, that basically leaves you with Voices of a Distant Star.

The entire production was done by Makoto Shinkai over a seven month period. It’s only a 25 minute film, but the amount of work it must have taken for one man to do it all is staggering. He directed it, he animated it (both the CG and hand-drawn elements), he edited it, he wrote it, he did just about everything in it except the acting. Oh, wait, he did that too for an early production version, and one of the DVD features is to watch the film with his original voice work, where he acted opposite his fiancée as the lead. So really the only thing he didn’t do himself was the music.

Stephen reviews: The Super Dimension Fortress Macross: Do You Remember Love? (1984)

The Super Dimension Fortress Macross: Do You Remember Love? [超時空要塞マクロス愛・おぼえていますか, Chōjikū Yōsai Makurosu: Ai Oboete Imasu ka] (1984)

AKA Macross: Do You Remember Love?, Super Dimension Fortress Macross the Movie, Macross: Clash of the Bionoids, Super Spacefortress Macross

Starring Mari Iijima, Arihiro Hase, Mika Doi, Akira Kamiya, Osamu Ichikawa, Eiji Kanie, Ryūnosuke Ōbayashi

Directed by Shōji Kawamori & Noboru Ishiguro

Here it is: Macross. The holy grail of sci-fi anime. It may not have as much mainstream recognition as some others, but within the industry, Macross is the preeminent giant robot anime. In America, it was turned into the first part of the Robotech series, one of the more popular cartoon shows of the ’80s. It even impacted the Transformers. The character Jetfire was created from a Macross toy, and while Michael Bay and Shia LaBeouf have been using the Transformers franchise as their own personal commode lately, that Macross inspired character is still around today.

There is no Robotech version of this film, which is an adaptation of the original Macross TV series, but because of the various copyright conundrums, it never got a proper American release. It did get an English dub under the title Macross: Clash of the Bionoids, but one version going by that title was edited into oblivion. (If someone makes a list of the most confusingly published movies, this one better be on it.) I didn’t have much trouble getting a DVD of the original Do You Remember Love, but it is an all region disc, so I think it’s an international release that somehow sidestepped the copyright problems. Sadly, that “perfect edition” is far from perfect. While it does have some good quality video, the subtitles are abysmally timed. The worst part is the karaoke subtitles, which cannot be turned off under any circumstances. Maybe someday we’ll get a good remastered Blu-ray edition in America, but don’t hold your breath.

Mini-Review: Another Earth (2011)

Starring Brit Marling, Matthew-Lee Erlbach, DJ Flava, William Mapother, Meggan Lennon, AJ Diana, Bruce Colbert, Paul Mezey, Ana Valle, Jeffrey Goldenberg, Joseph A. Bove

Directed by Mike Cahill

Expectations: Moderate. The sci-fi angle might be cool… I’m cautious though.

I love science fiction, and sometimes it leads me down paths that I’d rather have avoided. Another Earth is one of those experiences, and I am hard pressed to find any worthwhile point of the film to validate its existence, let alone its place on some lists as one of the year’s best. Everyone has their own viewpoint so I can’t begin to theorize as to why this film resonates with some people, but it definitely left me cold and bored.

Another Earth tells the story of Rhoda, a promising high school student recently accepted to MIT. Around the same time, a heretofore unknown planet has appeared in the sky and while driving at night, a radio DJ informs his audience that they can make it out as a small blue dot, near the North star. Rhoda, preoccupied with her thoughts of the planet, cranes her head out of the car’s window to see it… and promptly smashes into a car holding a family waiting at a stop sign. Four years pass and Rhoda is a mere shell of the girl she could have been. Earth 2 (as it’s now known, and no, it’s not this Earth 2) has gotten a bit closer and Rhoda still wonders if there’s life on this habitable planet.

It’s important not to get excited for any of those sci-fi elements to pay off in any meaningful way, because they don’t. Another Earth is only a science fiction movie because without that added element, it’d be just another in a long string of tortured love stories where the perp and the victim become entangled in each other’s lives without the victim knowing it. It’s remarkably similar to Melancholia in using a science fiction backdrop for a character study, and both films feature a new planet springing up out of nowhere, but where Melancholia is about the end of the world and handling depression, Another Earth is about consequences. It’s not compelling though, and it’s painfully slow.

It’s not all that well-shot either. It takes on something of a Lars Von Trier vibe in the camerawork, as it’s all shot on video and lots of it is handheld with zoom adjustments mid-shot. This is director Mike Cahill’s first feature though, so many of the visual choices feel like he’s trying hard to be artful and meaningful, but for me they nearly all fell flat. I will say that I see a lot of potential here, and Cahill could easily deliver a quality film later on down the road. I don’t know that I’d jump at the chance to see it based on this disappointment, but I’ll try to keep my mind open.

The quick version: It’s slow, it’s boring, it’s not worth your time.

Josh Kirby… Time Warrior: Chapter 6, Last Battle for the Universe (1996)

Starring Corbin Allred, Jennifer Burns, Derek Webster, Barrie Ingham, Jonathan Charles Kaplan, Michael C. Mahon, Stacy Sullivan, Helen Siff, Charisma Carpenter, Johnny Green

Directed by Frank Arnold

Expectations: Low, but very much excited to be done with these!

On the general scale:

On the B-Movie scale:

At long last I find myself at the end of the lengthy Josh Kirby film sextet. It wasn’t easy, and it wasn’t always enjoyable, but damn if I didn’t get a few quality moments of WTF joy. I’m happy to report that one of the best of these comes in this film, the aptly titled entry: Last Battle for the Universe. While it is the last film, and there is a battle contained within, don’t get your hopes up for an epic confrontation between good and evil that will shake the pillars of the Earth. Nope, here it’s more along the lines of Josh Kirby wearing a thimble/bucket helmet and trading laborious blows with the evil villain contained in the time armor.

Once again, a Josh Kirby film is fairly unintelligible. I always get through the first few minutes following these pretty well, but as boredom and exhaustion sets in, I’m unable to keep up with all the lengthy jargon-driven dialogue exchanges. What I was able to decode was this: after finally retrieving the final Nullifier component, Josh’s time buddy Irwin 1138 reveals himself to be the true villain! As I suspected a couple of films ago (I think it was hinted at in Trapped on Toyworld), the evil Dr. Zoetrope is actually a nice guy. This is a change for the better, as I always thought his character was far more interesting and likable than Irwin’s. Anyway, Irwin steals Zoetrope’s time armor and whisks himself away. Where he goes is for later, as first Josh Kirby must probe the mind of Zoetrope to prove that he’s telling the truth (Read: Full Moon gets lazy once again and shows us a few minutes of footage from the previous films). It is after this blatant offering of stock footage that we finally find out where Irwin got off to, and it is here that the film hits an absolute high of insane, mind-boggling proportions.

Josh Kirby… Time Warrior: Chapter 5, Journey to the Magic Cavern (1996)

Starring Corbin Allred, Jennifer Burns, Derek Webster, Barrie Ingham, Matt Winston, Nick De Gruccio, Cindy Sorenson, Michael Hagiwara, Lomax Study, Mihai Niculescu

Directed by Ernest D. Farino

Expectations: Low. I kinda just want to be done with these, so anything more than absolute shit will be a win in my book.

On the general scale:

On the B-Movie scale:

Once again I find myself before my computer wondering just what I can write about a Josh Kirby film. I can say that at least this film is a definite improvement from the poor results of Part 3 and Part 4, but it’s still incredibly slow-paced and boring. That’s pretty much the Full Moon modus operandi though, stretching out every dialogue sequence and adding in about twice as many expository exchanges than there needs to be. Whatever, by this point in my trek through every one of the Empire International/Full Moon films I’m no longer surprised by this, but that doesn’t mean it’s any easier to sit through.

So at the end of Part 4 (and replayed here for our “enjoyment”), Josh Kirby and his buddies mysteriously transport to an unknown location because one of them puts the Nullifier back together in the wrong order. This leads them to another piece of the Nullifier, but soon after they fall through a crevice in the Earth. Once they get up and dust themselves off, they see a bunch of human size mushrooms all around them and Asabeth, claiming these are delicacies on in her homeland, quickly bites off a piece of one and enjoys. These aren’t your average six-foot mushrooms though, they’re alive! And poisonous! So Asabeth is pretty much out of commission for the movie and our heroes must venture to into the lair of The Muncher with the help of the mushroom people in order to rescue Puffball, the mushroom with the spores which act as antidote for the poison. Get all that?

Josh Kirby… Time Warrior: Chapter 4, Eggs from 70 Million B.C. (1996)

Starring Corbin Allred, Jennifer Burns, Derek Webster, Barrie Ingham, Steve Wilder, Gary Kasper, Ilinca Goia

Directed by Mark S. Manos

Expectations: Low, these are really trying my patience as they wear on.

On the general scale:

On the B-Movie scale:

OK, I’m barely going to be able to gather the necessary energy to write about this one. It’s definitely better and more tolerable than Part 3, but only slightly. So slightly in fact that those not paying close attention might not even notice! In some ways, I actually think Part 3 was better, if for nothing else than it allowed me enough ridiculous occurrences during its runtime to make for a good review. I can’t exactly say the same for Eggs from 70 Million B.C., so perhaps this is the lesser film. Oh what the fuck am I saying? Am I actually trying to convince myself that the goddamned toy movie was better? Trapped in Toyworld was clearly the harder film to slog through.

In this one Josh Kirby and the gang are rocketing through time in the time pod. They start to slow for no reason and they discover some eggs that have attached themselves to the pod’s intake vent. The doctor wisely decides that they should bring the alien eggs inside to investigate them. Good idea, Doc. Thanks for all the help. The eggs quickly crack open revealing cartoonish worms, but it’s OK because they’re cute and cuddly. Look, he’s tickling me! Oh, but it was all a clever ruse by the lead worm, as before our heroes can realize what’s happened his wormy friends have eaten their way through every duct, vent and shielded cable the pod has to offer. Thankfully in this world all that means is that they drop out of the time stream and into the Earth inhabited by the Asabeth’s half-human people. Convenient.

Creepozoids (1987)

Starring Linnea Quigley, Ken Abraham, Michael Aranda, Richard L. Hawkins, Ashlyn Gere (as Kim McKamy), Joi Wilson

Directed by David DeCoteau

Expectations: Low. Early DeCoteau has burned me before, but the poster looks fun.

On the general scale:

On the B-Movie scale:

I think the best place to start a review of Creepozoids is with the typed narrative intro that informs viewers of the world they are about to inhabit. It reads as follows:

1998 — Six years after the superpowers have engaged in a devastating nuclear exchange,
Earth is now a blackened husk of a planet.

Tiny clusters of survivors eke out a miserable existence in the ruins of the cities, and bands
of deserters roam the barren wastelands… hiding from mutant nomads and seeking shelter
from the deadly acid rains.

This exciting and somewhat clichéd setup is already more story than director David DeCoteau’s first film, Dreamaniac, had, and for the most part Creepozoids delivers on the promises set forth in the text. During the opening credits our group of heroes traverse the burned out urban wasteland, looking to find some shelter before another round of acid rain showers the Earth. Luckily they find what they seek, but unbeknownst to them, they’ve all sought refuge in a government science installation tasked with creating a higher form of life. Since this is a sci-fi/horror film, of course “higher form of life” means a ruthless, unstoppable monster.