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Mini-Review: Princess Iron Fan (1966)

Princess Iron Fan [鐵扇公主] (1966)

Starring Ho Fan, Yueh Hua, Pang Pang, Tin Sam, Cheng Pei Pei, Pat Ting Hung, Lily Ho Li Li, Cheng Miu, Shen Yi, Ng Wai, Lily Li Li-Li, Ku Feng, Man Sau

Directed by Ho Meng-Hua

Expectations: High, I really enjoyed the first film.


Princess Iron Fan is the second in the Shaw Brother’s four film series of Journey to the West films. It’s not nearly as episodic as the first film, this time only containing two stories, with most of the runtime dedicated to the second one. It’s interesting to me that this got titled after Princess Iron Fan, the subject of the first and much shorter tale, instead of after the film’s main villain and trickster the White Bone Demon (or the Lady White Skeleton depending on the translation) played wonderfully by Cheng Pei-Pei. No matter though, let’s get to what matters… is it a competent sequel?

The answer is a resounding yes. Princess Iron Fan doesn’t deal out anywhere near the amount of amazing FX and crazy visuals as The Monkey Goes West, but it does remain enjoyable throughout. Don’t worry though, you get your fair share of crazy shenanigans going on too. One of my favorite of these moments is when Monkey has to infiltrate Princess Iron Fan’s home to retrieve the only thing that can quell the flames impeding their journey, her iron fan. First he transforms into a three-inch tall version of himself and tickles his way through the serving girls to create a distraction. Then as the princess receives her scrumptious ginseng soup, he transforms into a fly and jumps in the bowl. He travels inside her stomach and then announces his presence. When the princess refuses to relinquish the fan, he hits her tender stomach walls with the end of his staff and performs ulcer-inducing somersaults. Her only recourse is to give in and my only option is to enjoy the shit out of this scene. I’ve seen tons of amazing and inventive sets from the Shaw Brothers, but the interior stomach is something completely fresh and very enjoyable.

Princess Iron Fan is a strong enough film on its own to win anyone over, but taken as a sequel it builds on The Monkey Goes West very well. It doesn’t flesh out the character of Sha Wujing (Sandy) at all though, but there’s still a couple of sequels to do that. I don’t need anything deep, but some explanation of him or a show of his powers would be nice. As of now he’s only the dude with the beard and the crescent moon staff. In any case, it’s clear that Monkey is and always will be the main character of these films. Even though he’s only a disciple to the Monk Tang on his quest for the Buddhist scriptures, it is Monkey’s journey that is the most interesting and easily relatable.

Mini-Review: Vicious Lips (1988)

Vicious Lips (1988)

Starring Dru-Anne Perry, Gina Calabrese, Linda Kerridge, Shayne Farris, Anthony Kentz, Christian Andrews, Mary-Anne Graves

Directed by Albert Pyun

Expectations: Moderate.


Coming at you like the love child of Purple Rain, Alien and Robinson Crusoe, Vicious Lips is not for the faint of heart. Not because of its over-the-top violence or its plethora of nude bodies. No, this one is firmly in the incredibly boring camp, but it’s the ridiculous WTF factor that makes Vicious Lips worth watching for B-Movie fans. The intergalactic girl band Vicious Lips is out one lead singer, but they’ve got the gig of a lifetime on the line. Matty, their manager, plucks a fresh-faced kid out of a high school talent contest and before she knows it, she off to fulfill her lifelong dreams. Along the way they crash land on a desert alien world and the cargo hold of their ship just so happens to be carrying a female killing machine, the Venusian Man-Beast!

The whole film’s story is pretty shoddily told from the get-go, with quick-cut editing and neon glows ripped directly from Prince’s Purple Rain film. This isn’t a bad thing, as I enjoy Purple Rain, but it’s nothing new. Director Albert Pyun does have an eye for quality shots and cinematography though, which isn’t enough to carry the movie, but it adds a lot more visual candy than I expected there to be. The music is also very enjoyable for fans of 80s music and it’s an absolute crime that a soundtrack was never made available.

For all its faults, Vicious Lips surprisingly wraps itself up pretty well and pays off better than expected in the end, with a finale so triumphant and enjoyable that I couldn’t help but be enamored with the movie, despite being bored throughout nearly its entire runtime. There’s not a lot that I feel needs to be said about this one, it’s awful but oddly enchanting for 80s music and B-Movie fans. There’s also a brief glimpse of a triple-breasted hooker a few years before Total Recall, though I doubt this is the first on-screen appearance of an accessory breast (yes, that’s the real medical term for it). Director Albert Pyun is known for being in a similar class with the madcap genius of Ed Wood, and Pyun showcases why in Vicious Lips without a doubt. He later went on to direct one of my favorite Full Moon flicks, Dollman, so I’m definitely interested in checking out more of his work, especially his first film The Sword and the Sorcerer, a low-budget 80s sword and sandal epic made in the wake of Conan the Barbarian.

Next week I’ll launch into another of Full Moon’s big series, the vampiric tale of Subspecies!

The Monkey Goes West (1966)

The Monkey Goes West [西遊記] (1966)

Starring Yueh Hua, Ho Fan, Pang Pang, Tin Sam, Fan Mei-Sheng, Kao Pao Shu, Nam Wai-Lit, Lee Ying, Diana Chang Chung-Wen, Chiu Sam-Yin

Directed by Ho Meng-Hua

Expectations: Moderately high. I’m insanely interested in this movie and the novel it’s based upon.


Journey to the West is one of the most influential and famous Chinese works of literature of all time. I’ve never read it myself, but years of watching Chinese cinema introduced me to the character of the Monkey King and the basic theme of the work. My knowledge of the actual book is vague, and a vague understanding of a 2,400 page book isn’t really understanding at all, is it? Due to my enjoyment of the Monkey King character, I’ve always been curious to see where he comes from and read the book. Then I found out that in the late 60s the Shaw Brothers and director Ho Meng-Hua cranked out a series of four films based upon the seminal work. It seemed like just the thing to dip my toes into the work without sitting down for the next couple of years trying to read my way through the over five hundred-year-old tale.

A Buddhist monk begins a perilous journey to the West, in search of important Buddhist scriptures. The only problem is that all the denizens of the dark, the demons and the undesirables, want one thing. To eat the flesh of the monk, as they believe it will provide them everlasting life. Along the way the monk Tang picks up three protectors to thwart these flesh-eating attackers: Monkey, a mischievous and magical creature that must learn to control his powers for good; Pigsy, an overweight glutton concerned primarily with any fine young females that come his way; and Sandy, a banished general of Heaven who now lives underwater. And let’s not forget the evil Dragon Prince transformed into the monk’s horse for the journey!

Continue reading The Monkey Goes West (1966) →

Quick Takes: Fast Food Nation, Spy Kids, Cannibal!: The Musical

Fast Food Nation (2006)

Starring Greg Kinnear, Wilmer Valderrama, Ashley Johnson, Bobby Cannavale, Catalina Sandino Moreno, Bruce Willis, Kris Kristofferson, Patricia Arquette, Ethan Hawke, Paul Dano, Luis Guzmán, Avril Lavigne
Directed by Richard Linklater

Visually appealing, Fast Food Nation does its best to adapt a non-fiction bestseller to a fictional film. It doesn’t necessarily work, as character dialogue is filled with lines from the book or scenes are specifically built around a piece of factual information instead of a traditional narrative conflict. It’s a very strange and unique film in this way, and one that ends up being pretty boring for someone like me that has read both Fast Food Nation and Upton Sinclair’s The Jungle. It served more to remind me of key moments in both, instead of actively engaging me.

Spy Kids (2001)

Starring Alexa Vega, Daryl Sabara, Carla Gugino, Antonio Banderas, Danny Trejo, Cheech Marin, Teri Hatcher, Alan Cumming, Tony Shalhoub, Robert Patrick
Directed by Robert Rodriguez

Initially I saw Spy Kids close to its original DVD release and thought it wasn’t that great. A few months ago I watched Rodriguez’s most recent kid’s movie, Shorts, and loved it to pieces, making me re-evaluate his offerings for younger viewers. Upon a re-watch, Spy Kids is excellent over-the-top fun, packing in more gadgets and spy intrigue than the last few Bond films combined. The first half is nearly perfect, but it all sort of unravels as it goes. Despite this adult problem I had, the film succeeds in funneling espionage action into a fun romp of a kid’s film. Recommended, especially if you have kids.

Cannibal!: The Musical (1993)

Starring Trey Parker, Matt Stone, Dian Bachar, Toddy Walters, Jason McHugh, John Hegel, Ian Hardin, Stan Brakhage, Robert Muratore, Edward Henwood, Andrew Kemler, Maseo Maki
Directed by Trey Parker

Made while attending college, Cannibal!: The Musical is an astoundingly professional production. Attempting to tell the story of real-life accused cannibalist Alferd Packer, Trey Parker and Matt Stone craft a funny and enjoyable black comedy with well-written songs and a great sense of the absurd. I expected quite the gorefest as this was picked up and released by Troma, but instead it’s mostly a comedic musical with touches of graphic violence thrown in for good measure.  When it does get violent, the low-budget FX are incredibly effective, especially the tongue-ripping and the axe to the face! Recommended to fans of Parker/Stone comedies fo sho.

Quick Takes: The Baxter, Burlesque, The Secret in Their Eyes

This is a new feature I’m trying out. Let me know if you think it’s a good idea or not. At certain times I end up watching more movies than usual and I don’t have time to write reviews for them all. This always nags at me, as these movies are seen but not weighed in on via the site, so I thought I’d throw them together in one Quick Takes post and leave it at that. Your thoughts?


The Baxter (2005)

Starring Michael Showalter, Elizabeth Banks, Michelle Williams, Justin Theroux
Directed by Michael Showalter

Great acting and some funny writing make this take on the romantic comedy fun and heart-warming. Michelle Williams is especially fantastic here, as are Michael Showalter and Elizabeth Banks. I generally hate romantic comedies, but The Baxter won me over with its interesting premise, quality script and nice visuals.

Burlesque (2010)

Starring Christina Aguilera, Cher, Eric Dane, Cam Gigandet, Kristen Bell, Stanley Tucci
Directed by Steve Antin

Burlesque isn’t a very good movie. It’s highly formulaic, it’s overlong, it’s derivative of every other film in the genre. But damn if Burlesque isn’t entertaining! The acting is surprisingly very good, even from Christina Aguilera. Cher and Stanley Tucci play off each other perfectly, selling the story that they’ve been friends for decades. Visually very pleasing and the songs are enjoyable, Burlesque is a good evening off for your brain. AND get this… it’s the directorial début from Steve Antin, Troy from The Goonies!

The Secret in Their Eyes (2009)

Starring Ricardo Darín, Soledad Villamil, Pablo Rago, Javier Godino, Guillermo Francella
Directed by Juan José Campanella

This Academy Award winning film for Best Foreign Language film is a stunner. Slow-moving and methodical, it is more of a character study than the detective thriller it might seem to be from the back of the box. As a character study it is extremely competent, with every moment informed by the deep well of character motivations that each actor has to pull from. The last fifteen minutes are fantastic and take the old “Would this character do that?” writing argument to a masterful conclusion. Highly recommended, as long as you don’t mind a slow-burning film.

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