Starring George Eastman, Luciano Rossi, Liana Orfei, Mimmo Maggio, Peter Hellman, Spartaco Conversi, Claudio Biava, Federico Boido, Paul Maru, Antonio Toma, Martial Boschero, Giovanna Lenzi, Ilona Drash, Enrico Manera, Federico Pietrabruna
Directed by Massimo Pupillo (as Max Hunter)
Expectations: Low. I have hope going in to these clone films, but I’m not expecting much at all.
Django Kills Softly opens as a group of bandits ride up on a small family’s camp and murder them. Django comes down from a hill and kills the bandits that have stayed behind to loot the wagon. My first thought is that George Eastman is no Franco Nero. During the credit sequence, Eastman poses and smiles at the camera, clearly pleased with the good deed he has done. I knew then that this would be a different Django film, one that didn’t seek to actually use or expand on the character from the Corbucci film, but only use his name to capitalize on the success of the initial film and its drawing power. This Django doesn’t have a coffin or a machine gun and is more talkative and less dark. In fact, he’s only referred to as Django once towards the end of the film. In order to rectify this in my mind, I took to thinking of his character as a younger, more lighthearted version of Django, as if this was a prequel of sorts before things turned dark.