The Terminator (1984)

terminator_1Starring Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, Rick Rossovich, Bess Motta, Earl Boen

Directed by James Cameron

Expectations: Super high. Can’t wait to see it again.

fourstar


Everyone already knows that James Cameron’s second feature The Terminator is an incredible, groundbreaking film. Even if you don’t like it (for shame!), you still have to give it credit for the undying fan support it has garnered over the years; as Elvis would say, “50,000,000 fans can’t be wrong.” I’ve seen this film and its sequel more times than I could possibly count, yet it remains a perennial favorite.

This time around I noticed a few things I never had before. The most notable thing is that the film is almost purely visual during its first half. Hell, even a good portion of the second half is largely driven by pure action and carnage too, but its the first half that I want to focus on. The film begins with a quick scene of the future war. These scenes have always had a deep effect on me; I remember being absolutely riveted to them as a child. This ultimate manifestation of the post-apocalyptic, war-ravaged city ignites the fires of imagination, and even though we have little context for what’s happening on-screen, we cannot deny the power of the imagery being used. I mean, who saw this as a kid and didn’t remember the tank treads crushing human skulls?

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Aliens (1986)

Starring Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein, William Hope, Al Matthews, Mark Rolston, Ricco Ross, Colette Hiller

Directed by James Cameron

Expectations: Y’know, it’s Aliens. It’s good.


As I often say in reviews where I know I’m treading on hallowed ground: I’m just calling it like I see it. I’ve always wanted to burn (or re-burn) through the Alien films in one fell swoop, as until now I’ve only seen them with multiple years in between. Watching Aliens only a few days after Alien, with its tight, restrictive corridors and masterful atmosphere firmly rooted in my mind, was a completely different experience. Instead of purely enjoying the more action-packed take on the xenomorph, I found myself disappointed at the almost entire lack of the look and feel of Alien. I understand that this series is unique in that it has multiple creative forces behind it, but I couldn’t help but think that Aliens was far inferior to Alien. Obviously, this debate has been going ever since this sequel dropped, and ultimately it comes down to what type of movie you prefer, but for my money I have always (and apparently will always) prefer the original Alien to James Cameron’s loud, crammed-full-of-shit sequel.

Harsh words, I know, and honestly I don’t mean them to come off like they probably sound. I love Aliens, I truly do, but my undying love for Alien, coupled with the fact that its memory was as fresh as a newly hatched facehugger, led me to notice the trashy, mainstream-leaning nature of this film like never before. But I recognize that I’m being overly harsh and bringing in a hard-lined bias toward the atmospheric horror of the original. Where Alien transported you into the future and into a derelict alien ship, Aliens feels like you’re watching a movie. It delivers some fucking awesome visuals, but it fails to cohesively feel like a real place to me. At the end of the day, Aliens is a dope sequel to a much doper movie, aimed directly at those in the audience that prefer military clichés and the axiom “Bigger is Better” than silent terror and careful plotting. It’s a throw everything at the canvas sort of deal; James Cameron is clearly the Michael Bay of his era.

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