Let’s Get Harry (1986)

letsgetharry_1Let’s Get Harry (1986)
AKA The Rescue, Operation Harry

Starring Michael Schoeffling, Thomas F. Wilson, Glenn Frey, Robert Duvall, Gary Busey, Rick Rossovich, Ben Johnson, Mark Harmon

Directed by Alan Smithee (Stuart Rosenberg)

Expectations: None.

twohalfstar


An American ambassador and a plumbing engineer, Harry (Mark Harmon), are kidnapped by Colombian guerrillas and when word gets back to Harry’s brother, Cory (Michael Schoeffling), he’s not about to let Harry rot away in the back of a Colombian shack in the middle of the jungle. Cory first attempts to appeal to the proper channels, taking a trip to Washington with his buddy Pachowski (Thomas F. Wilson), but the politicians are all, “Sorry, son, we just can’t help you.” So Cory decides to ask himself WWHD (What Would Harry Do?), and he finds that the only answer is that Harry would board a plane to Columbia and do his best at being Rambo. And that’s exactly what Cory, Pachowski, Spence (Glenn Frey) and Kurt (Rick Rossovich) do. Let’s Get Harry is one of the many ’80s action films with a Colombian drug lord villain, but how many of those films feature his civilian buddies attempting a rescue mission?

But what the hell do four plumbers know about assaulting a Colombian drug lord’s camp patrolled by armed guards? Well, they know their limitations — not that they need to in an ’80s action film — so they hire Shrike (Robert Duvall), a no-nonsense recipient of the Medal of Honor who agrees to help them traverse the treacherous terrain. And because they can’t get to Columbia on gusto and skill alone, they enlist the help of local car dealer/big game hunter Jack Abernathy (Gary Busey). He refuses to fund their little excursion unless he comes along, so now their party is up to six members and they are ready to roll. (And really, if they cast Gary Busey in this and didn’t take him along…)

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The Terminator (1984)

terminator_1Starring Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, Rick Rossovich, Bess Motta, Earl Boen

Directed by James Cameron

Expectations: Super high. Can’t wait to see it again.

fourstar


Everyone already knows that James Cameron’s second feature The Terminator is an incredible, groundbreaking film. Even if you don’t like it (for shame!), you still have to give it credit for the undying fan support it has garnered over the years; as Elvis would say, “50,000,000 fans can’t be wrong.” I’ve seen this film and its sequel more times than I could possibly count, yet it remains a perennial favorite.

This time around I noticed a few things I never had before. The most notable thing is that the film is almost purely visual during its first half. Hell, even a good portion of the second half is largely driven by pure action and carnage too, but its the first half that I want to focus on. The film begins with a quick scene of the future war. These scenes have always had a deep effect on me; I remember being absolutely riveted to them as a child. This ultimate manifestation of the post-apocalyptic, war-ravaged city ignites the fires of imagination, and even though we have little context for what’s happening on-screen, we cannot deny the power of the imagery being used. I mean, who saw this as a kid and didn’t remember the tank treads crushing human skulls?

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