The Jade Raksha (1968)

The Jade Raksha [玉罗刹] (1968)

Starring Cheng Pei Pei, Tang Ching, Yeung Chi Hing, Fan Mei-Sheng, Ku Feng, Wong Ching-Wan, Lui Hung, Man Sau, Nam Wai-Lit, Siu Lam-Wun, Kong Lung

Directed by Ho Meng-Hua

Expectations: High, Ho Meng-Hua usually delivers.


The Jade Raksha is just another Cheng Pei-Pei revenge movie on the surface, but there is something a little more interesting than that underneath its clichéd exterior. While the fights are nothing particularly special and the choreography is even less notable, the twists and the turns of the script and the character’s journey really do work their way into your heart and by the end you’re reveling in wonderful secrets finally exposed and smiling right along with the characters. This one’s definitely only for the fans, but those that seek it out will find a competent, fun movie, even if it is somewhat average and forgettable overall.

Cheng Pei-Pei plays the Jade Raksha, a swordswoman out for revenge posing as a legendary ghost to get to her victims. She goes around the countryside murdering anyone with the surname Yan, because when she was a small child, a man bearing that name killed her entire family and left her for dead. Early in the film she meets up with the savvy Xu Ying Hao (Tang Ching), who quickly identifies her and strikes up a friendship. Xu has a quest of his own, to find the man who murdered his father many years prior. The two vengeance seekers quickly find that their task won’t be as straightforward as they thought, when friendships and allegiances get in the way.

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Mini-Review: Princess Iron Fan (1966)

Princess Iron Fan [鐵扇公主] (1966)

Starring Ho Fan, Yueh Hua, Pang Pang, Tin Sam, Cheng Pei Pei, Pat Ting Hung, Lily Ho Li Li, Cheng Miu, Shen Yi, Ng Wai, Lily Li Li-Li, Ku Feng, Man Sau

Directed by Ho Meng-Hua

Expectations: High, I really enjoyed the first film.


Princess Iron Fan is the second in the Shaw Brother’s four film series of Journey to the West films. It’s not nearly as episodic as the first film, this time only containing two stories, with most of the runtime dedicated to the second one. It’s interesting to me that this got titled after Princess Iron Fan, the subject of the first and much shorter tale, instead of after the film’s main villain and trickster the White Bone Demon (or the Lady White Skeleton depending on the translation) played wonderfully by Cheng Pei-Pei. No matter though, let’s get to what matters… is it a competent sequel?

The answer is a resounding yes. Princess Iron Fan doesn’t deal out anywhere near the amount of amazing FX and crazy visuals as The Monkey Goes West, but it does remain enjoyable throughout. Don’t worry though, you get your fair share of crazy shenanigans going on too. One of my favorite of these moments is when Monkey has to infiltrate Princess Iron Fan’s home to retrieve the only thing that can quell the flames impeding their journey, her iron fan. First he transforms into a three-inch tall version of himself and tickles his way through the serving girls to create a distraction. Then as the princess receives her scrumptious ginseng soup, he transforms into a fly and jumps in the bowl. He travels inside her stomach and then announces his presence. When the princess refuses to relinquish the fan, he hits her tender stomach walls with the end of his staff and performs ulcer-inducing somersaults. Her only recourse is to give in and my only option is to enjoy the shit out of this scene. I’ve seen tons of amazing and inventive sets from the Shaw Brothers, but the interior stomach is something completely fresh and very enjoyable.

Princess Iron Fan is a strong enough film on its own to win anyone over, but taken as a sequel it builds on The Monkey Goes West very well. It doesn’t flesh out the character of Sha Wujing (Sandy) at all though, but there’s still a couple of sequels to do that. I don’t need anything deep, but some explanation of him or a show of his powers would be nice. As of now he’s only the dude with the beard and the crescent moon staff. In any case, it’s clear that Monkey is and always will be the main character of these films. Even though he’s only a disciple to the Monk Tang on his quest for the Buddhist scriptures, it is Monkey’s journey that is the most interesting and easily relatable.

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