Predator 2 (1990)

Starring Danny Glover, Gary Busey, Rubén Blades, Maria Conchita Alonso, Bill Paxton, Robert Davi, Adam Baldwin, Kent McCord, Morton Downey Jr., Calvin Lockhart, Kevin Peter Hall

Directed by Stephen Hopkins

Expectations: Low. I re-watched this a few years ago (right before starting SE and hated it).

On the general scale:

On the B-Movie scale:


What a difference a couple of years makes. Many times I’ve mentioned how my love of B-Movies has allowed me to sit back and enjoy many films that I would’ve never been able to before. Predator 2 is a great example as I loved it when it was new, but re-watching it just a few years ago proved trying on my patience. I bitched about how it wasn’t doing what I thought a Predator movie should do, and that they probably should have never made a sequel. But in the interest of reviewing the Predator series leading up to my eventual reviews of the two AVP films (Oh God, am I actually watching those movies?), I reluctantly put the disc in and threw all expectations out the window. C’mon, Predator 2! I’m here! Do it! Kill me now! Give me your best.

Predator 2 responded with such force and vigilance that I was shaken to my core. How could I have possibly disliked this film just a few, short years ago? It’s all thanks to starting Silver Emulsion and really exploring my love of film in its many forms that I’m now able to recapture that childhood glee of watching Danny Glover take on the baddest motherfucker this side of Jupiter. I take back every bad thing I ever said about Predator 2 in the last couple of years, because Predator 2 is pure fun.

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Predator (1987)

Starring Arnold Schwarzenegger, Carl Weathers, Elpidia Carrillo, Bill Duke, Jesse Ventura, Sonny Landham, Richard Chaves, R.G. Armstrong, Shane Black, Kevin Peter Hall

Directed by John McTiernan

Expectations: High. One of my all-time favorites.


OK, I’ve dicked around with enough questionable Arnold films such as Jingle All the Way, Hercules in New York and Batman and Robin. It’s time for the big guns; it’s time for Predator, baby!

I have an interesting history with Predator. I grew up in a family that scraped by any way they could, and in a house of movie lovers, that meant recording as many movies as possible off of TV. I grew up watching Predator in its edited TV form thanks to a broadcast one night on FOX, so after seeing that version 50+ times, the legitimate theatrical version will forever seem like some sort of extended, unrated cut to me. For whatever reason, even though I’ve seen the real version a number of times now, the “new” scenes never make enough of an impact on me to override my memories and therefore they always feel fresh.

Predator kicks off in style with a cool space intro scene (half of which was missing from my original copy), followed by an equally cool scene of Schwarzenegger and his team arriving at a remote HQ by helicopter. There’s no dialogue, instead we hear the thunderous and incredible score from Alan Silvestri. This is absolutely one of my top film scores of all time, and it’s never far from my mind. Every time I hear it, I get pumped to arm wrestle my buddy standing up, to shoot indiscriminately with a mini-gun into the dense jungle, to call an alien an ugly motherfucker. The score’s main theme, which kicks off the film, manages to simultaneously evoke the military team aspect of Arnold and his men, the jungle setting, and the alien predator hunting them down for sport. While I’m tempted to say something about wishing that Silvestri was still delivering scores on this level, after something as amazing as this and Back to the Future, I think he’s given enough. Silvestri has many other strong scores from this period (I’m especially partial to the fun steel drums of the Summer Rental score), but for me Predator and Back to the Future are the pinnacles of his career, elevating their movies infinitely higher than would otherwise be possible.

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