Judge Dredd (1995)

Judgedredd_1Starring Sylvester Stallone, Armand Assante, Rob Schneider, Jürgen Prochnow, Max von Sydow, Diane Lane, Joanna Miles, Joan Chen, Balthazar Getty, Maurice Roëves, Ian Dury

Directed by Danny Cannon

Expectations: Really low. I remember this being pretty awful.

On the general scale:
twohalfstar

On the B-movie scale:
threehalfstar


In the Third Millennium, the world changed. Climate. Nations. All were in upheaval… The Earth transformed into a poisonous scorched desert, known as “The Cursed Earth.” Millions of people crowded into a few Mega Cities where roving bands of street savages created violence the justice system could not control. Law as we know it collapsed. From the decay rose a new order. A society ruled by a new elite force… a force with the power to dispense both justice and punishment… They were the police, jury and executioner all in one. …They were the Judges.

You pumped? Seriously, this movie has so much going for it. Of course, there’s one of my all-time favorite action stars, Sylvester Stallone, cranking out all kinds of awesome crooked mouth yells. It also has dope robots, a cyborg who’s a member of a hillbilly desert cannibal family, and massive explosions. And let’s not forget about the kick-ass, flying future cycles, the cloning (and the incredible half-cloned, skinless dudes!) and Jurgen Prochnow’s German accent. And the villain’s name is Rico! C’mon! Judge Dredd is a perfect big-budget B-Movie. I know this isn’t a position many will agree with or defend, but I can’t help it if I like this kind of dumb stuff, can I?

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Man of Steel (2013)

manofsteel_1Starring Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe, Antje Traue, Harry Lennix, Richard Schiff, Christopher Meloni, Kevin Costner, Ayelet Zurer, Laurence Fishburne

Directed by Zack Snyder

Expectations: I’m so excited.

twohalfstar


When they announced Man of Steel as a darker, Nolan-influenced take on Superman, I rejoiced. The Christopher Nolan Batman films were great! So this would be too! What I failed to think about was that by darkening the character and his world, it inherently changes a lot of what I enjoy about the Superman films. This is definitely a better stab at Superman than audiences were given in 2006 with Superman Returns, but even that film had something of a sense of fun. Man of Steel is virtually devoid of fun, and in that I found it to be one of the least enjoyable films I’ve reviewed throughout my Superman review series.

Man of Steel is considered a complete reboot of the series, but in a lot of ways it’s something of a streamlined remake of Richard Donner’s Superman I and II. The film opens with a lengthy sequence on Krypton, setting up an interesting dynamic between Jor-El and General Zod, as well as the traditional “baby Supes blasting off of the dying world” that everyone expects. This begins something of a pattern with the film where it doesn’t exactly feel as unique and fresh as they’d like you to think it is. Imagine The Dark Knight containing scenes featuring the “Have you ever danced with the devil in the pale moonlight?” lines from Tim Burton’s Batman, and you’ll feel something of what I felt during this film. This is something they probably couldn’t avoid too much when trying to tell the story of General Zod, but I could have done without another version of Zod landing in middle America and smashing up a small town. There’s even a scene that’s very reminiscent of Supergirl‘s “flying ballet.”

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Hollywoodland (2006)

hollywoodlandStarring Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Robin Tunney, Kathleen Robertson, Lois Smith, Phillip MacKenzie, Larry Cedar

Directed by Allen Coulter

Expectations: Low.

threestar


I kicked off my run through the Superman films with Superman and the Mole Men, so it seems somewhat fitting that my last review before Man of Steel should come around full circle. Hollywoodland is centered around the death of George Reeves, star of Superman and the Mole Men and the TV series it spawned: The Adventures of Superman. Hindsight reveals this as a landmark series, and as part of the foundation for the superhero genre that now populates our multiplex theaters every summer. At the time, though, things were not quite all wine and roses. Reeves wasn’t especially fond of the Superman role, even though it gave him fame among the kiddos. If we buy into the film’s character being similar to the real Reeves, he struggled and hoped to get more well-respected roles (much like the Jayne Mansfield character in The Jayne Mansfield Story).

Hollywoodland combines two things I generally try to stay away from in film: movies about Hollywood (as in the filmmaking industry, not the city) and celebrity biopics. The film definitely had moments that reminded me why I feel this way, but the narrative is varied and interesting enough to largely sideline these personal issues. The film is definitely too slow and longer than it needs to be, though. First time filmmaker Allen Coulter tries to fight the boredom back with a time-jumping narrative structure, moving between the investigation of Reeves’s death and flashbacks of his troubled life. Sometimes this works well, and sometimes it feels like a crutch used to spice up a slow-moving storyline.

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