Starring Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Robin Tunney, Kathleen Robertson, Lois Smith, Phillip MacKenzie, Larry Cedar
Directed by Allen Coulter
I kicked off my run through the Superman films with Superman and the Mole Men, so it seems somewhat fitting that my last review before Man of Steel should come around full circle. Hollywoodland is centered around the death of George Reeves, star of Superman and the Mole Men and the TV series it spawned: The Adventures of Superman. Hindsight reveals this as a landmark series, and as part of the foundation for the superhero genre that now populates our multiplex theaters every summer. At the time, though, things were not quite all wine and roses. Reeves wasn’t especially fond of the Superman role, even though it gave him fame among the kiddos. If we buy into the film’s character being similar to the real Reeves, he struggled and hoped to get more well-respected roles (much like the Jayne Mansfield character in The Jayne Mansfield Story).
Hollywoodland combines two things I generally try to stay away from in film: movies about Hollywood (as in the filmmaking industry, not the city) and celebrity biopics. The film definitely had moments that reminded me why I feel this way, but the narrative is varied and interesting enough to largely sideline these personal issues. The film is definitely too slow and longer than it needs to be, though. First time filmmaker Allen Coulter tries to fight the boredom back with a time-jumping narrative structure, moving between the investigation of Reeves’s death and flashbacks of his troubled life. Sometimes this works well, and sometimes it feels like a crutch used to spice up a slow-moving storyline.