Starring Lee Marvin, Richard Burton, Cameron Mitchell, O.J. Simpson, Lola Falana, David Huddleston, Luciana Paluzzi, Linda Evans
Directed by Terence Young
Klansman is an abysmal experience. It’s a race relations film, so you’d expect it to take some stance against racism. Instead, the film, like the lead character, is hesitant to come out in favor of a side (and not in a through-provoking ambiguous way). In fact, the film actually feels like it’s saying you shouldn’t interfere with the unstoppable juggernaut of the Klan, and that the races should just mind their own and stay segregated. Yeah. W. T. F.
Klansman began its life as a 1967 novel by William Bradford Huie, which was subsequently optioned and offered to Sam Fuller to write and direct as a film. Fuller jumped in head-first, delivering a script that sought to show the KKK in a brutally realistic manner. Production started to roll forward and Lee Marvin was cast as the Klan leader, the film’s lead. But before the cameras rolled, Paramount got cold feet about Fuller’s vitriolic version, replacing him with British director Terence Young and having his edgy script completely re-written. Fuller had taken the novel’s story as a starting point for his own socially charged yarn, and in the rewrites his villainous Klan leader character was changed back to the novel’s lead: a mild-mannered town sheriff caught in the middle of a race war.