Mad Max Beyond Thunderdome (1985)

madmax3_1Mad Max Beyond Thunderdome (1985)
AKA Mad Max 3

Starring Mel Gibson, Tina Turner, Angelo Rossitto, Angry Anderson, Helen Buday, Tom Jennings, Robert Grubb, Paul Larsson, Bruce Spence, Adam Cockburn, Frank Thring, Edwin Hodgeman, Rod Zuanic

Directed by George Miller & George Ogilvie

Expectations: Vroom?

threehalfstar


Mad Max Beyond Thunderdome is the much-maligned entry of the Mad Max trilogy, and I had only seen it once in my teenage years prior to this re-watch. Back then, I expected it to be Road Warrior 2, and when it wasn’t I called it a shitty movie. I guess it’s fair to assume that a sequel would somewhat resemble the films that came before it, but in this particular case it’s the wrong way to come at Mad Max Beyond Thunderdome because there’s virtually no way to enjoy it if you do so. But when considered on its own, and as a continuation of the wasteland and the societal issues built up in the previous films, Mad Max Beyond Thunderdome is a fantastic sequel.

This one is far more story-driven than the other films, making it a more traditional film in a very non-traditional franchise (and thus probably causing more people to be perturbed). Anyway, we open with Max making his way across the great desert via camel-drawn wagon. He gets robbed by a huckster pilot (who is totally not the Gyrocopter pilot from Road Warrior even though they’re both played by Bruce Spence), so Max continues on his way to Barter Town on foot. Once there Max attracts the attention of the town’s leader, Aunty Entity (Tina Turner), who decides to use his talents for her own purposes.

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The Road Warrior (1981)

madmax2_1The Road Warrior (1981)
AKA Mad Max 2

Starring Mel Gibson, Bruce Spence, Michael Preston, Max Phipps, Vernon Wells, Kjell Nilsson, Emil Minty, Virginia Hey, William Zappa, Arkie Whiteley, Steve J. Spears

Directed by George Miller

Expectations: Vroom! Vroom!

threehalfstar


The Road Warrior is not a direct sequel to Mad Max, instead it jumps forward a number of years to present a much more advanced version of the wasteland. This is never expressly stated, but it’s really the only way to explain why the two films are so aesthetically different. Anyway, The Road Warrior is an incredible film, and much different than its predecessor. Director George Miller proved on Mad Max that he had a punk spirit that was willing to tell his story without adhering to traditional filmmaking rules, and here on The Road Warrior the same spirit is in evidence (both in visual design and storytelling).

At this stage, society as we know it is completely gone. Gasoline is far more precious than it was in Mad Max and the bandits have also become much more insane, embracing their law of chaos. The bandits dress like scavenger punks, wearing leather chaps, football pads and whatever the hell else they found that looked suitably badass. Their leader is a huge guy in a hockey mask named Humungus, a name both fitting for his stature and for the bandits’ outlook on life. They don’t have time to waste on bullshit; this guy’s humongous so his name will be Humungus!

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