Super 8 (2011)

Super 8 (2011)

Starring Joel Courtney, Kyle Chandler, Ron Eldard, Noah Emmerich, Elle Fanning, Bruce Greenwood, Riley Griffiths, Michael Hitchcock, Ryan Lee, Gabriel Basso, Colin Mathews, Amanda Michalka, Zach Mills, Remy Thorne, Glynn Turman, Dan Castellaneta

Directed by J.J. Abrams

Expectations: Fairly high. I’ve heard nothing but good things about the first 3/4 of this one, and I LOVE old Spielberg.


Ready for a rant? I hope so, because I sure am! If I needed another reason to continue avoiding summer blockbusters, I’ve just seen it. Where do I begin? Super 8 is a ridiculously over-the-top, unfocused, hole-filled mess that managed to rub me the wrong way at virtually every turn. This is exactly why I try not to review recent big-budget movies, because they’d all be pissed-off rants and that’s no fun for anyone. If you’re interesting in seeing J.J. Abrams mash a trainload of various elements from the early Spielberg sci-fi films into one movie, then look no further than Super 8.

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The Lovely Bones (2009)

Starring Saoirse Ronan, Mark Wahlberg, Rachel Weisz, Stanley Tucci, Susan Sarandon, Rose McIver, Michael Imperioli, Christian Thomas Ashdale, Reece Ritchie, Charlie Saxton, Amanda Michalka

Directed by Peter Jackson

Expectations: Moderate. I heard bad things, but I love Peter Jackson so there’s no way I’m not watching this.


This is a tough movie for me to review. Emotionally, I loved it. It hit me hard and continues to resonate in the days following. Technically, I have some issues with it. Ultimately, for me, the emotional weight of the movie is far greater than any technical problems I had, and I am judging it a bit harsher anyway because of my Peter Jackson fanboy status. I’ve seen every one of his films and I enjoy them all. Yes, I even like Meet the Feebles.

Set in 1973, the film tells the story of Susie Salmon, a fourteen-year-old girl who blissfully walks home one day with the prospect of her first kiss consuming her mind. Instead, her neighbor rapes and murders her. Her spirit leaves her body and she continues to look down on her family from the afterlife. With The Lovely Bones, Jackson returns to a smaller type of movie similar to his 1994 film, Heavenly Creatures. My problem with some of Jackson’s choices in filming this movie is that instead of being in “small-movie mode,” he still seems like he’s in “big-effects-movie mode” having just come from Lord of the Rings and King Kong.

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